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Analysis Of Black Militancy Vs. Personal Slant By Nikki Giovanni

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Nneka Okoye
Mrs. Centrone
English Language Arts III
3 December 2018
Black Militancy vs. Personal Slant
The 1960s was a volatile time with racial tensions coming to a head; however there was a Black Power Movement along with a Black Arts Movement taking place that inspired many black poets, writers, artists, and more to share their message and frustrations through the arts. One of these poets was Nikki Giovanni who was a major force in the Black Arts Movement. Nikki Giovanni’s earlier works mainly dealt with themes of black militancy, revolution and black empowerment. One of her poems that focused on and expressed these themes is MY POEM that talked about how no matter what happens to her or what’s going on the black revolution can not be …show more content…

She also studied with John Killens and edited the Fisk literary magazine” (Cook 280). Giovanni began to publish books of poetry expressing strong black militancy for example, her book Black Feeling, Black Talk. She used her poetry to raise awareness of the struggles that African-Americans were enduring and urged for a revolution in the black community. Within her book of poetry Black Feeling, Black Talk she wrote a poem titled MY POEM. Within that poem she stresses how no matter what happens the revolution will not end. “They took my TV my two rings my piece of African print and my two guns if they take my life it won’t stop the revolution” (Giovanni). Her earlier works of poetry preaching militancy and revolution established her as a prominent black voice within the literature world. However, due to her more radical approach in her writing she has received mixed reviews from critics on her early works. “the poet Don L. Lee pointed to "lines that suggest the writer has a real, serious commitment to her people and to the institutions that are working toward the liberation of Black people"( Cook 281). While, some critics had criticized that she didn’t go deep enough with her militant ideologies and radicalism. “When her next volume of poetry, Re:Creation (1970), was published by Broadside, a reviewer for Black World was concerned that the poems were not so radical and militant as those in Giovanni's

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