Analysis Of Claude Debussy 's Musical Time Periods

The Classical period of music has also been called the “Rococo” period. The Classical time period was between the 18th and 19th centuries. Spanning the years of 1750-1820. The transition from the Baroque period to the Classical took the music from polyphonic to homophonic where even though it seems like that would make the music less complex we look at a whole different type of complexity. The music typically contained two different melodies and a contrast in sections. This made the chords in the music much more defined and the tonal part of the music became more defined. The Classical period had a significant influence on several aspects of music. Chamber music had a sonata form. This means it had an exposition, a transition, and a recapitulation. Composition in the Classical time was mainly dominated by eclecticism which made the music more diverse. Concerto was driven at first by the Italians. They started the idea of the solo concerto. Orchestration was mainly developed during this musical time period. This is partly due to some of the most talented musicians that lived during this time. They did a lot of work in making the orchestra mainly string instruments. Some of these being the violin, viola, cello, and the contrabass, just to name a few. All of these things had a great influence in the way the music made the transition from the Baroque period to the Classical period.

Music is present in every culture’s past, present, and future. It has been around since 500 B.C. and was especially important in the Elizabethan Era. There were reinventions of music as it was widespread and popular. Without this essential time in history, modern music may have been completely different from what we have today. This era brought new uses for music, styles of compositions, new instruments, and the uprising of popular composers.

The adoption of Western music inspired new ways of viewing music and resulted in a transformation of Chinese music. It prompted “Chinese composers to either fuse Western music with traditional sounds or turn their back on traditional Chinese music [because they Westernized] their music modeled on the perceptions that Western music equates with modernization” (Lau 90). Additionally, because many traditionalists feared that traditional Chinese music would gradually disappear due to the modernizing Western music, “they began to focus on promoting Chinese music as a way to counteract the encroachment of Western culture and music. But they did it in a 'modernist' rather than preservationist sort of way. Many musicians experimented with new ways of composing music and modernizing traditional instruments” (Lau 92).

During the 18th century, music was used as a social enhancement on the rising middle class who showed interest in intellectual ideals of Enlightenment. The rising middle class were people who would come between the working class and the upper class. Such as craftsman, bankers, and merchants. These select few decided that since they can now afford some of life's  pleasures, that they would spend it on music that aristocrats and nobility would listen to. While on the other hand, during the 19th century, music began to develop a more story base theme with a moral lesson. Such as Ballets and Grand Operas. So basically, during the 18th-19th century, music has evolved from just sound or noise to a elegant and graceful story played through musical notation with different musical instruments while advancing the growth of the middle class.

Today, sources of mainstream music such as radio, television and film soundtracks tend to reflect an increasingly superficial, formulaic and predictable mode of music production and distribution. The result is an increasingly homogenous mainstream market that tends to stifle creativity, experimentation and artistic vision in favor of proven commodity. This helps to account for the dominance of mechanized dance tracks aimed at younger listeners and the permeation of Middle of the Road (MOR) content aimed at Baby Boomer consumers. Especially in the face of a declining overall music buying market, the industry has become especially unwilling to take risks on artist's whose style is unfamiliar or

Music has evolved too many different forms that we recognize today. We trace this development throughout time. Beginning in the middle ages, we have seen advancement from the Gregorian chant all the way to the Jazz of the 20th century. The current events, politics, religion, technology and composers can shape musical eras during time. Here I will look at the middle ages, renaissance, baroque, classical, romantic and twentieth century periods. I hope that a better understanding can be reached to why, when, where and who are the reasons for musical evolution.

Europe was not the only part of the world that experienced change in music. The United States also began a change in music that drastically improved the way we listen to, compose, and disperse music. Before the 1960s, there was an increase in different types of music that displayed characteristics much different from the nineteenth century and beyond. People began to play with tone, timing, rhythm and much more.

The Music of the classical and Romantic era is a period of time where it shows the development and different styles of music. This can be shown through the manipulation of musical elements, (dynamics, pitch, tempo, rhythm, texture, meter, tonality, structure, melody, harmony, instrument) while contrasting them, but it can also be shown through the composers of the music, the size of the orchestra, musical directions, emotional content, and non-musical developments through that period of time.

The fact that replicating a seventeen-years-old song can still become a hit in 2017, demonstrates that there is a pre-designed pattern for popular music in which changing a few characteristics to make a new songs sound “unique” can still result in success. For this reason, Adorno argues that the music industry produces music in an “industrial” way--popular music is centralized in its pattern and modifies some characteristics to seem “individualistic.” Though Shape of You and No Scrubs contain different keys, tempo, and of course, lyrics, they both rely on a chord progression of i-ic-VI-VII in a common time (MusicNotes, 1 & FindSongTempo, 1). Shape of you takes advantage that the audience is accustomed to listening to the same pattern and it is modified to fit the current era and thus, result in a significant monetary income.

Claude Debussy was a leading composer of the early twentieth century known for his impressionistic style and use of non-traditional scales and tonalities as well as chromaticism. Debussy’s Book of Preludes are some of his most well-known and last works for solo piano. Prelude 10, titled “Canope” in his Book of Preludes No. 2 was composed in 1913. It is meant to depict an ancient Egyptian city and Egyptian burial urns. Although only thirty-three measures long, and melodically and rhythmically simple, this piece is harmonically complex and dauntingly beautiful. Several small sections make up the form of this piece. By comparing each section based on musical elements such as melody, harmony, rhythm, and texture, and by analyzing elements of 20th century music, such as pitch centricity and reference collections, we will have a better understanding of this work and how it tells the story of an ancient world.

Musical modernism can be seen as the time where music emerges its liberty from Romantic era style -that started in the late nineteen century to end of the Second World War- and gains new ideas and freedom. With the political turmoil and chaos that took over the European countries, -that lured countries into the First World War- composers and artists started to find, create more and new ways to express themselves. They eagerly began to discover the art of Eastern countries with the hope of finding new ways of expression. The changes in tonality, irregular rhythms, tone clusters, distressed and antagonistic melodies, the expressionist, abstract, unusual ideas over powers the music, the traditional structures recreated or composed with

There are many elements that led to the expansion of music in the 20th Century. In some ways these elements were all linked to each other and it is difficult to say what events or ideas triggered the huge development of music. For example, World War I and II in the first half of the century lead to the rapid development of technology and communications as well as, eventually, political and social freedom, all aspects which have created changes and growth. The great advances in technology were in part responsible for globalism, although nationalism was also partly a product of the wars. The advent of the Great Wars also produced great emotion.

The history of American music begins with a fundamental process of exchange through all different social lines, where diverse cultures meet, and mix. Music has and always will be defined as sounds that are arranged in a particular pattern that are played to be meaningful and pleasurable. The chronology of music began in the Medieval period, when chanting was introduced into the Church. Music has then moved its way through many stages: renaissance, baroque, classical, romantic and leading up to 20th century American music. American 20th century music is made up of a diverse number of styles that are reflected by cultural traditions and the era’s of the past. Immigrants from Spain, France, England, Germany and Ireland all contributed and brought their own unique styles to the forefront, hence creating American music. African Americans created influential musical traditions that include rhythm and improvisation that were later combined with European traditions and other indigenous music.

The advancement of technology has had a major role in changing the culture of music since 1945.

At this time last year, I would have considered all music before the 20th century to be classical. However, after taking a Dual Credit Music Appreciation course, I realized that “old” music cannot simply be grouped into a single category. There are so many differences that I had no idea existed. Throughout the years, music has changed and evolved, meeting the needs of listeners and performers. Different composers have been catalysts in this change as they have developed new styles and genres. Even though the classical period is directly subsequent of the baroque period, baroque and classical music have countless different qualities and characteristics.