Analysis Of Erasmus's Praise Of Folly

Erasmus believed in many characteristics of a good prince, a living similarity of God, who is at once good & powerful. The prince has great goodness, which encourages him want to help all; & his power allows him to do that. A good price must hold the life of each individual person more cherished than his own. He’s to work & strive each & every day & night so that he can be the best for everyone. He’s to give incentives to all ‘good’ men & he may not seek recompensation. He must look out for the well-being at great risk to himself. He is to remember that all of his wealth is in the hands of his nation. He’s to always be alert & on watch so that all of his people may sleep without the fear of being invaded. The prince may not grant vacation to himself because he’s to always devote his life to peace of his country. He must do everything including the whole kit & caboodle as well as allowing everything that can possibly bring never-ending peace to his country.

François-Marie Arouet, better known by his pen name, Voltaire, was a philosopher and a writer during the Enlightenment. He had an interesting view of the world and humanity that he usually expressed by “[knocking] mankind on the head and [reassuring] him at the same time”(Academy). In Candide he does just that by satirizing the philosophy of optimism and humanity’s preference of ignorance, yet shows that with some growth, we all have the capacity to open our eyes to the realities of the world if we choose to do so.

In Voltaires?s Candide, the main character, Candide, fails to live happily because he is looking outside of himself and his circumstances to do it. Voltaire says through Candide's ultimate discovery that happiness in many ways depends on a person's attitude. Voltaire's philosophy expressed through Candide's final realization is that "We must cultivate our garden," which is the key to happiness(p.585). By cultivating our garden, Voltaire means that we must make the best of our situation in the present moment. We accept what we are given in life and work to make the best of it. It all has to do with our perspective on life. We do not find happiness somewhere else or by philosophizing about it, we open our eyes to the

In his essay, “Introduction to Oedipus the King”, Bernard Knox supports free will by stating that Oedipus’ downfall was not caused by fate. According to Knox there is not a doubt that, “Oedipus is the free agent who, by his own self-willed action, discovers that his own predicted destiny has already been fulfilled” (86). He clearly states that Oedipus is responsible for his free actions during the play. He insists that Oedipus’s made the decisions to discover the truth about himself.

On November 21, 1694, Francois-Marie Arouet, otherwise known as Voltaire, was born in Paris. The youngest of five, son to Francois and Marie Arouet, Voltaire grew

C. I will argue, first, that Eve’s scene alludes to Ovid's myth of Narcissus. Second I dispute interpretations that view Eve’s actions as a narcissistic impulse,

Oedipus the King is perhaps one of the most famous and influential of Sophocles' plays. It is a tragic play which focuses on the discovery by Oedipus that he has killed his father and married his mother. On the surface of this drama there is, without a doubt, a tone of disillusionment.

According to Hutchins, Bradstreet’s view of Eve shifts in her poem “In Honour of that High and Mighty Princess, Queen Elizabeth, of Most Happy Memory” when she expresses her approval of Queen Elizabeth (48). He states that Queen Elizabeth displays great scientia when she governs, a quality that is said for women to lack (48), and Queen Elizabeth achieved what Eve failed to regarding wisdom. By showcasing how true can wisdom can be achieved, Hutchins argues, Bradstreet’s view of Eve turns to a view of a woman who simply took the wrong approach to gaining wisdom who should be remembered for the error in the Fall of Man (48).

Because Oedipus knows nothing about the past of Thebes, he is not an assassin. Oedipus committed murder but unknowingly of who King Laius was. Oedipus' honor was his claim against the murder. Had it been the other way around and Oedipus had lost the battle, King Laius' alibi would have also been for reasons of honor: for reasons of royalty. Oedipus was royalty and knew it as well did King Laius. The main idea behind Oedipus' innocence is this "royalty." Regardless of either of their class standings a fight occurred and the one to start had been King Laius? men, or group, the fact that they lost is not the fault of Oedipus. In other words, King Laius and his men wanted to discipline Oedipus for not

Erasmus even includes himself as a subject of this whimsical criticism showing that it is meant to be constructive not harshly judgmental as it was taken by his many critics. His criticisms of wise men, Seneca, women, and pedantry all apply to himself and he jokes about them all (xvi). He knows that, in her first and most humorous voice, Folly is criticizing aspects of life that are of small significance in comparison to her later targets, and Erasmus takes no shame in admitting his participation in such minor foolishness. With Folly’s first voice, Erasmus points out the insignificant foolishness that plays into every person’s life, including his own, with

Fate chose him to kill his dad, marry his mom, and discover it all in Oedipus Rex, Sophocles’ tragedy. Oedipus was so determined to save Thebes from the plague bestowed on them by Apollo. But little did he know that he was the source of it all. His constant reversal of fortune, neutrality, and suffering make him the perfect example of a classic Greek tragic hero.

Voltaire's Candide seems to display a world of horror, one filled with floggings, rapes, robberies, unjust executions, disease, natural disasters, betrayals and cannibalism. Pangloss, the philosopher, has a constant optimistic view throughout the entire novel even despite all of the cruelty in the world. While looking back on the book I couldn't think of many characters that displayed admirable qualities. Even though Pangloss stuck to his views that everything is for the best in this best of all possible worlds, which is admirable, he is stupid and naive to still believe this after everything he and his family goes through. It was quite hard for me to find admirable characters within Voltaire's

He confesses that his passion for Eve overpowers his own reason. He feels that this passion exceeds his own self-control and

The tale of Oedipus and his prophecy has intrigued not only the citizens of Greece in the ancient times, but also people all over the world for several generations. Most notable about the play was its peculiar structure, causing the audience to think analytically about the outcomes of Oedipus’ actions and how it compares with Aristotle’s beliefs. Another way that the people have examined the drama is by looking at the paradoxes (such as the confrontation of Tiresias and Oedipus), symbols (such as the Sphinx), and morals that has affected their perceptions by the end of the play. Nonetheless, the most important aspect is how relevant the story is and how it has influenced modern ideas like that of Freud and other people of today.

Volumnia, unlike the other women in the play such as Virgilia, does not recoil from war and the battlefield. Instead, Volumnia both identifies with the war hero and delights in both his triumphs and his pain. In describing the pride she would gain from her sons' deaths in battle, Volumnia separates herself from the other women in the play who want nothing to do with war, "I had rather eleven die nobly for their country than one voluptuously surfeit out of action." (1.3.20-21). Thus the pride that Coriolanus derives from his own wounds and wounded body is a product of his mother's pride in having a wounded son. Volumnia describes with pride Coriolanus's bloody brow, "Though you were born in Rome!' His bloody brow/ with his mailed hand then wiping" (1.3.31-32). The pride that Volumnia procures from her son's victories and injuries winds up reflecting itself on Coriolanus who describes these victories and wounds with equal pride. By the end of the first act, Volumnia's descriptions of mothering demonstrate the warlike spirit she has channeled into her raising of Coriolanus. The imagery she uses in Act 1 Scene 3 also separates her from the other women in the play. Volumnia speaks of "blood," "swords," and "death," while women like Virgilia speak of "sewing" and "butterflies."