Analysis Of The Book ' Persepolis '

The motif of face represents the characters’ identity. Saving Face is an expression to keep definition. Face is a motif because face is used repeatedly, especially in close-ups to captivate the person’s identity. In the opening shot, there is a close-up on Wil’s face which she is seen wearing beauty masks to hide her true identity. The beauty mask prevents Wil from expressing her true identity because the face mask shows that Wil is

The author of this book did make use of literary elements to tell the story. These elements are also used in other picture books such as lines, shapes, color and speech bubble. The book is a graphic novel and dialogue takes majority of the writing in the book. The dialogical and concise style of writing of the author including the pictures

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Do you think your book would be as successful if it wasn’t a graphic novel, instead of a novel? I think it’s more powerful when you do it visually because. if I had to describe the character of the Cousin Chin-Kee to you in text, I don't think it would have the same kind of emotional impact as seeing him in a picture.

Character is a very important element of fiction because without characters, a story falls apart because readers only care about the plot and other aspects of fiction because of how it affects a character or characters. Characterization is the process with which the writer reveals the personality of a character or characters. Characterization can also help reveal the relationship between characters and how they feel about each other. If a writer knows how to use characterization properly, he or she can really bring the story and characters to life for the reader. “My Kid’s Dog” by Ron Hansen is an excellent example of how

The two visual elements that stand out to me the most are their eyes and smiles. Their eyes are an array colors with so much strength behind them that can pierce you to your soul if you’re not worthy of their much precious attention. And their smiles are so prideful of being who they are and what they’ve been through in this never ending journey we call life.

Vivid images can be found abundantly throughout the novel and helps to portray scenes to the point where the audience can actually imagine, smell, touch, and hear everything that is going on. “No matter how they scrubbed their hands, the residue of Red Hot Mama had a way of sticking round, as pesty and persistent as a chaperone at a high school dance.” (158). In some instances the audience can acquire a sense, based on the description whether the characters are self absorbed, considerate, or overly concerned about their appearance. “I ought to be shot for looking like this” she’d tell the mirror in the front hall before going out the door. “I look like I’ve been drug through hell backwards,” she would say on and ordinary day. “Like death warmed over. Like something the cat puked up.” (103). The emergence of the images presented in the novel can help present a better understanding and in some cases, a connection to one of the

| Facial expressions – Facial expression reveals a great deal about our feelings. A blank facial expression makes it much harder to interpret what is being said and makes it harder for the service user to understand the nature of the conversation.

picture is an attempt to connect with the reader’s emotions by showing the strong feelings

Following the Iraqi bombing of the oil refinery in Abadan, a panel in Persepolis 1, on page eighty-nine, captures many Iranian families seeking refuge from the war by trying to flee northward, which Satrapi portrays with cars fleeing from the engulfing flames. The author depicts the Iranians’ cars absconding from the border cities with hopeful outlooks, however, the consuming flames overtake many of the cars, eliminating any chance of escape from the treacherous revolution. This panel contributes to the overall meaning behind this memoir since it represents the idea that no matter how hard one tries to flee the revolution, one cannot completely escape it. It foreshadows to the readers that even though the author, Marji Satrapi, eventually

The main character and also narrator of Persepolis was raised in Iran during the Islamic Revolution, the second Iran war as well as the Iraq war. The Islamic Revolution had a strong impact in regards to women’s rights, specifically the legislation which was meant to improve conditions for women, but unfortunately resulted in a setback. Marjane Satrapi chose to illustrate her story and enlightening experiences in a way I’ve never encountered before. Satrapi’s comic book style approach about this intense time period within history displayed a bit of foreshadowing. Throughout this essay, I will discuss how her unique style enhances the readers understanding as well as provide examples regarding the feminist approach within anthropology.

The title of the graphic novel I choose to read during the summer is called Persepolis. Persepolis follows the life of Marjane Satrapi as she lives in revolutionary Iran. The plot of the story is Marjane’s growth and development as a free minded woman in a close minded country that is trying to restrict her freedom to be proud as a woman. Marjane’s life is best portrayed through the use of splash panels and pages, captions, and open panels.

Taking place in the late 1970’s, Marjane Satrapi’s “Persepolis” exemplifies a profound illustration of the county of Iran, including aspects of its people and political structure. Unlike a conventional composed novel, the story of Persepolis is expressed through both textual and visual representation; otherwise known as a graphic novel. Through the experiences of the ten-year old character Marjane, the reader is exposed to historical events, movements, crises, and motives that occurred within Iran. Furthermore, the novel has gained much praise in its portrayal of emotions that occurred through the people of Iran. Although there has been tremendous support of the account of Marjane, there have been a few critics of the novel, attacking its overall literary value. For instance, New York’s Ithaca College student paper called The Ithacan, slammed the role Persepolis had on the literary society. In fact, they went as far to say that the novel “...is worth broaching but its literary value, in terms of building vocabulary and furthering comprehension, falls short.” An absurd statement, to say the least. Not only is Persepolis of literary value, it is a glimpse into the past. It allows the reader to understand the various conflicts that the people of Iran were facing. Through the account of Marjane, the audience is exposed to elements of Iranian history, gender roles, religion, and political fluctuation.

In Persepolis 2, Marjane is set on a journey of self discovery while living away from her home in Iran to escape the war. She experiences many obstacles varying from finding her self identity heartbreak and isolation. All of these obstacles would eventually lead to a very confident Marjane. MArjane lives in Vienna for most of her adolescence and so it is at this time that she is truly on a journey of finding who she is as a person and developing herself. Upon living in Vienna, Marjane discovered that Vienna is very different from her home of Iran and because of this, she assimilated herself into this new society while distancing herself from her Iranian culture. In her final days of living in Vienna she becomes homeless and it wasn't until this moment that she is notified that she is welcome to come back home to Iran. When she returns home to Iran she discovers that not only has she herself changed, but also how much her home of Iran has changed as well. Modern Iran is similar to Marjane, regarding their similar journey of self discovery and the many challenges that they have both faced.

Persepolis is structured as a graphic novel because Marjane Satrapi was able to use graphic weight, emanata and the organization of panels, to benefit her story. On the page that I chose to take a deeper analysis of Marji’s uncle Anoosh is allowed his last visit with Marji before he is sent to execution. Marji goes to visit him, and they both know that he is being put to death but Anoosh is the only one who speaks and tries to tell Marji that it's going to be okay because he was fighting for something that he really believed in. Satrapi’s choice to write this book as a graphic novel proves to be very beneficial especially on this page.