There are many movies where memory is portrayed inaccurately. In the film, Eternal Sunshine of the Spotless Mind, memory removal was depicted through the patient reliving memories by viewing them as if they were recorded movie. However, this does not accurately depict memory, or the process of retrieving memories. In order to understand how memory is falsely portrayed in this film, it is important to recognize the different types of memory, and the areas of the brain in which memory is involved. This paper will review a scene of the movie Eternal Sunshine of a Spotless Mind, and will identify the misleading factors about the way memory is portrayed and misrepresented. This paper will also discuss the important, factual details of memory, the parts of the brain involved in memory, describe individuals with Highly Superior Autobiographical Memory in detail and how these individuals are the closest to having perfectly accurate memories.
Introduction In psychology, memory is a hot topic for discussion, and for good reason. As humans, most of us rely on memory for an abundant of reasons, even though most of us know that a lot of the times our memories are altered, changed, or not what we perceive them as. We use it as a guide to the past, even when some of us know that it is not necessarily reliable. But a good question is: how do we review our memories? In movies, such as Eternal Sunshine of a Spotless mind, memories are often portrayed as a movie,
The film Little Miss Sunshine, Directed by Jonathan Dayton and Valerie Farris, explores the lives of a regular American family and how they change their lives in front of us in the ‘Combie’ van on the road to the Little Miss Sunshine beauty pageant. The film examines the issues of winning and losing, and what it means to be a winner, throughout many sequences in the film as well as exploring the value of family. The directors and the cinematic team use an extreme range of camera techniques, costuming, and sound techniques to reshape our understanding of winning and losing in the world we live in today.
Memory is one of the most critical parts of cognition. It is important because it is involved in almost every aspect of cognition including problem solving, decision making, attention, and perception. Because of this importance, people rely on one’s memory to make important decisions. The value of one’s memory in this society is so high that it is used as evidence to either save one’s life or kill one’s life during murder trials. But as many of the cognitive psychologists know, human’s memory can cause many errors. One of these errors is false memory which is either remembering events that never happened or remembering events differently from the actual event. This finding of false memory raised big interests among psychologists and
Anyone reading Joshua Foer’s “The End of Remembering” can assume that he knows a lot about the brain and how it works. After all he graduated from Yale in 2004, and later went on to become the 2006 United States Memory Champion. With Foer’s interest in mental athletes he decided to do a journalism project to study them. This project would end up being the result of his book, Moonwalking with Einstein: The Art and Science of Remembering Everything from which “The End of Remembering” is one of the chapters. In this chapter Foer’s lays a solid foundation of the development of writing. He also includes historical views of remembering and how we learned in terms of our memory. Foer not only gives historical views but supports his claims with science
Human is smarter than other animals because we have a strong ability to learn and to remember. We have memories so we don’t need to relearn everything every time when we see have to use these knowledges. Then, if I ask a question, “Can you trust everything that you remembered?” Most people may say “Yes!”. However, according to the speech given by Elizabeth Loftus, a psychological scientist who studies false memory for decades, the truth might be different from what most of us think.
Neurobiological studies show that both suppression and recall and the creation of false memories are possible. (Kandel, 1994) In this paper both sides of the debate will be analyzed and evaluated.
Memory – what it is, how it works, and how it might be manipulated – has long been a subject of curious fascination. Remembering, the mind-boggling ability in which the human brain can conjure up very specific, very lucid, long-gone episodes from any given point on the timeline of our lives, is an astounding feat. Yet, along with our brain’s ability of remembrance comes also the concept of forgetting: interruptions of memory or “an inability of consciousness to make present to itself what it wants” (Honold, 1994, p. 2). There is a very close relationship between remembering and forgetting; in fact, the two come hand-in-hand. A close reading of Joshua Foer’s essay, “The End of Remembering”, and Susan Griffin’s piece, “Our Secret”, directs us
An individual detailed analysis on the style, editing techniques Mise-en-scene and cinematography in the film "Eternal sunshine of the spotless mind".
Most of the movie is taken in Joel’s mind or his memory removal process. Starting from his nearest memory that they broke up till his last remaining memory of Clementine that they first met at a beach. I think the most possible reason the movie is called Eternal Sunshine of the Spotless mind is referring to the deepest memory (or say, soul) survived and reserved in their both minds that brought them back to the beach and met each other again. This title quotes entirely from Alexander Pope’s poem which know as describing a very contradictory mood from the unattainable love. So does it, the movie shows Joel wants to remove all memory of Clementine while he still loves her, but then during the process he changes mind and want to try his best to keep these memory which is the “spotless mind”. In my mind, the soul theory is the personal identity that the movie most engage. According to the soul theory, to have a same identical, it’s not necessary to have a same memory, but it’s necessary and sufficient to have the same soul. In the movie, though Joel erased his memory, he still has his soul which makes him fall in love with Clementine again, even in theory he can never love her then. On the other hand, this movie seems to intensely against Loke’s memory theory that sharing a memory of an experience is necessary and sufficient to be a same person. And I think the movie also presents its own personal identity that for one person to be identical to the other person, they should have
“Inside Man” was released in 2006 and would later become the highest grossing film for the director Spike Lee. The film is a crime-drama, located primarily in a bank in New York City run by multi billionaire Arthur Case. Although the film is a thriller and contains bits of action and suspense, the movie focuses heavily on the difference between good and evil. The movie begins with a shot in medias res of Clive Owen’s character Dalton Russell explaining the difference between being stuck in a tiny cell and being in prison while he moves around a small room
In John N Smith’s film, “Dangerous Minds”, the character Louanne Johnson demonstrates that everyone has a choice in life. Louanne is a dedicated teacher who believes in bringing the best out of her students. In her classroom, Louanne teaches her students about choices. When her student Emilio receives a death threat, Louanne goes out of her way to help him. She never had a motive to wanting Emilio dead.
In Michael Gondry’s Eternal Sunshine of the Spotless Mind (2004), the connections between people and memories become the focal point of a very unique romance. Through the use of new technology, the possibility of erasing memories makes painful relationships disappear like they never happened. The tale of Joel and Clementine allows the audience to rethink and question the process they undergo as beneficial or destructive. Though the process might be helpful in eliminating the pain caused from another person, four key scenes show how the lessons learned through relationship experiences are important.
Charlie Kaufman and Michel Gondry found the perfect, fragmented form to simulate memories in the non-linear storyline of Eternal Sunshine of the Spotless Mind (2004). The thematic elements of the film helps this simplistic story of love found, lost, and found again develop into a complex pattern, much like the workings of the brain. Each character is everything you would expect them to be in real life – down to earth, imperfect, and hopelessly searching for the love someone can only dream of. We can relate to them because we all long for more than we are, and want the best of us to be shown to someone else. Memories make up who we are, they define us. Life teaches us lessons which shape our memories, and in turn, we learn from them. What if those memories were gone? Are we still destined to be the same person? The protagonist of the movie is Joel, and the story surrounds his relationship with Clementine. The antagonist can be seen as Patrick, who tries to destroy their relationship, or Lacuna Inc., whose purpose is to make them forget their relationship. Charlie Kaufman has created a beautiful story that incorporates so many valuable forms in cinema, and leaves viewers on the edge of their seat until the very end. My goal is the show the class concepts of this narrative, as well as demonstrate how the way the film’s story is told
Before considering whether or not memories affect our reality, it may be useful to offer a definition of the term ‘reality’. If we are to
Memory facilitates necessary functions in daily life activities, but it is not a perfect mechanism in operation. Goldstein (2011) states that memory is, “…the process involved in retaining, retrieving, and using information about stimuli, images, events, ideas, and skills after the original information is no longer present” (p.116). There are many adaptive functions within the complexities of the human memory system and the interlinked constructs between each function leave room for doubt in the accuracy of recollection. Study of the human mind has opened avenues of discovery on the inner workings of our brains and the resulting knowledge suggests that humans are prone to creating false memories and even remembering things that never actually happened. A great deal of information has been written explaining the nature of memory errors and within the following pages a real-life case offers a glimpse into how recall distortions and memory errors can wield unpleasant consequences. Memory errors can be avoided with a significant effort, but the truth remains that no one is perfect and memories are subject to individual bias.
Intro: Michael Gondry’s Eternal Sunshine of the Spotless Mind (Eternal Sunshine) (2004), is a sci-fi romantic comedy drama film. The film follows Joel Barish and his attempts to forget his ex-girfriend Clementine Krucynski through a New York City firm called Lacuna inc. which focuses on memory erasing. The firm uses highly developed technology in order to erase Joel’s memories of Clementine, which ultimately leads Joel to re-meeting Clementine, and attempt to create a new relationship although the two have knowledge about their previous relationship, yet no memory of their relationship. As a result, the film highlights the issues of the human memory, and the ethical concerns of memory manipulation, which gives justifies critical discussion. These themes of memory and forgetting are highlighted through the films use of lighting, metaphors, and setting. This essay will attempt to critically analyse several scenes in Eternal Sunshine which discusses memory and forgetting in relation to several theorists and their interpretation of memory.