Analysis Of The Movie ' Roman Polanski '

“The Boat” written by Alistair MacLeod tells a story about a father’s life and how he lived as a fisherman. The narrator is an adult man who looks back on his life of when his father was still living because even though he got a university education, he now wants the life his father had. He expresses how his father always wanted him to become something bigger and better then what he became. The author, Alistair MacLeod, used many different writing techniques within this short story. The symbolism of “The Boat” expresses inevitability through the little hobbies the father/husband does through his boring routine life, obligation through the father/husband’s commitment as a fisherman to provide for his family, and imprisonment through his

The film Pelo Malo takes place in the city of Caracas, Venezuela and is about a young boy and obsession with straightening his hair. In the movie, the main characters Junior his single mother Marta and baby brother live with in an apartment complex with in the city of Caracas. This movie takes place in 2011, during the time that Hugo Chavez came down with cancer. The film’s primary themes were homophobia, and racism. The movie detailed a young boys struggle for acceptance and love from his mother and his struggle to obtain his desire of straight hair. Throughout the movie, the young child is seen living in an apartment complex that is located within a lower socioeconomic status area. When Marta, was not able to find a baby sitter to watch over her children when she worked she was forced to take the children with her on the bus through the city to her work. One of the places that she was shown to work was in a gated residence where she worked as a security guard for the area. The primary conflict in the movie revolved around the mothers fear that her son was “gay” due to his obsession with straightening his hair and his singing. Due to many of the things that the young boy does in the movie, the mother Marta fears that her child is homosexual and during one particular scene is worried that she was the cause of it. Since during the scene where she is speaking with a doctor about her son, she discussed how it was her fault because she did not ‘touch his thing’ and that she

During the late 1940s and the early 1950s, the thought of communism instilled fear within many Americans because it was portrayed in such a way that confined diversity and corroded political culture while the United States was supposed to be the land of the free. This fear of communism was nicknamed the “Red Scare” and was fed by Joseph McCarthy’s accusations of hidden communist in the country. The Manchurian Candidate was a black-and-white American film released in 1962 that depicted the Cold War and the affects of that paranoia had on the nation. It was released at the peak of the Cuban Missile Crisis and the spread of communism. This film was about Raymond Shaw, the son of a right-wing political family, who was brainwashed to act as an assassin

Pariah is an acclaimed drama written and directed by director Dee Rees in 2011. The film tells the story of an adolescent African American teenage girl named Alike who struggles with her identity as a lesbian. The film introduces Alike to the audience in a club, in which she often hangs out with her openly gay friend, Laura. This rambunctious lifestyle is quickly contrasted by the introduction to her notably structured and religious family. Alike’s mother, Audrey, in particular, seems to not only oppose Alike’s friendship with Laura, but also question her sexuality. Although Alike struggles with an oppressive relationship with her mother, she also does not seem to wholly fit in with Laura and her brazen lifestyle, thus making her a true outcast, a pariah. Amidst everything, Alike forges a friendship with a girl named Bina and a complicated and disastrous relationship quickly ensues, ultimately resulting in Alike’s coming out, estrangement from her mother, and her departure to college. Director Dee Rees draws on particular filmmaking techniques and personal experiences to depict Alike’s struggles to embrace her lesbian identity, ultimately in order to fuel a growing gay rights sentiment.

The protagonist’s struggle to decipher what the reality of his situation is a particular conflict in the source. The central character often makes statements about how much faith he has in his boat. One clear example

Serpico” is a film that based on the of New York City Police Officer named Frank Serpico and the difficult obstacles he had to face working for the NYPD. Serpico is a “cops cop” that had to deal with persuasive organized corruption, police crime, and ethical dilemmas etc. All these obstacles were hard for Serpico to work with on a daily basis. He refused to take bribes and his co-workers begin distrust him. Serpico informed his superiors about the corruption but they did nothing about it. The superior’s just transferred him from the Bronx. Brooklyn, and Harlem. The higher ups in the police department were more concerned if Serpico spoke to any outside private organizations about the police misconduct.

Paisan is a revolutionary, documentary-style film, consisting of six separate but seemingly related episodes. Director Roberto Rossellini uses this film to portray the drastic consequences of war on a nation, the people, and overall society. Neorealism was a pivotal movement, and Paisan brought attention to the Fascist influence by showing the harsh economic and social reality of World War II. Rossellini also uses Paisan to allude to regionalism and the importance of a unified nation. Paisan exposes a fundamental truth and emphasizes a need for reconstruction through the use of a complex setting, elements of humanity, and reoccurring themes of revival.

The story describes the protagonist who is coming of age as torn between the two worlds which he loves equally, represented by his mother and his father. He is now mature and is reflecting on his life and the difficulty of his childhood as a fisherman. Despite

In Wolfgang Staudte’s (1951) film, Der Untertan, the main character named Diederich Hessling develops from being a meek and cowardly boy to become a manipulative and self-involved man. The film uses many instances of imagery and subtle moments of foreshadowing to convey the ideals of the people of that time which lead up to the World Wars. Diederich is a typical Prussian citizen who blindly follows, supports the true “German values”, and bows to his superiors while stepping on his subordinates. The film illustrates Diederich’s character development, his shift in personality, and political confrontations through carefully crafted camera techniques that also highlight the time period that the film was set in as well as produced in.

In 1980’s Scotland, socioeconomic conditions and morale suffered due to the implementation of Thatcher policies, placing the lower class in a deplorable state of hopelessness. The film Trainspotting, directed by Danny Boyle, depicts the plights of young heroin junkies during the Thatcher Era in Edinburgh. The film’s focus is not heroin addiction, but rather, uses the silver screen as a platform to portray the depressing impact Thatcherism had on Scottish socioeconomic conditions as conveyed through the protagonist, heroin-addicted Mark Renton. Trainspotting illustrates that the social struggles of the Scottish lower class during the Thatcher Era are significant contributing factors to cause Renton to become a heroin user in order to escape the depressing and monotonous existence to which he is subjected.

“The Swimmer,” a short fiction by John Cheever, presents a theme to the reader about the unavoidable changes of life. The story focuses on the round character by the name of Neddy Merrill who is in extreme denial about the reality of his life. He has lost his youth, wealth, and family yet only at the end of the story does he develop the most by experiencing a glimpse of realization on all that he has indeed lost. In the short story “The Swimmer,” John Cheever uses point of view, setting and symbolism to show the value of true relationships and the moments of life that are taken for granted.

SS General Reinhard Heydrich was in charge of the “Reich security” and appointed to lead the infamous Wannsee Conference. This conference featured many established leaders in the Nazi Party, SS, and German government and gets its name from the location of the meeting, a wealthy German suburb. The purpose of this conference was to inform the slightly lower ranking German leaders of the “Final Solution” to the ‘Jewish question.’ The movie Conspiracy focuses on the Wannsee Conference and shows the influence on many of the aforementioned leaders. Kenneth Branagh, the actor that portrays Heydrich, is able to successfully imitate his commanding presence throughout the film with his use of body language and tone. From the opening scene of the

Chinatown is based on Roman Polanski’s lifeworks. Polanski’s goal is to emphasizes the meaning of how cinematography is made, and how it inspires by understanding the concept of setting, lighting, and how the image is captured. This film was released in 1974 by director of Roman Polanski to focus on private investigator J.J. Gittes, played by Jack Nicholson to investigate the elements behind the truth. Polanski’s goal is to emphasize the audience to give an ominous feeling of the main character, J.J. Gittes and his point of view by showing in color instead of black and white pictures. Due to these reasons, Polanski wanted to use Panavision to give a flawed vision about the past, which the story is set in the years of 1937. Polanski states, “a traditional detective story with a new, modern shape” for Paramount picture. (1) This paper focuses on the film Chinatown which is neo-noir, not only because of the setting, but the concept of cinematography that connects duplicates occurrences together that describe three categories: background of the cinematographer, point of view of the main character, and the interpretation of the ending scenes.

The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.

Trainspotting presents an ostensible image of fractured society. The 1996 film opens, famously, with a series of postulated choices—variables, essentially, in the delineation of identity and opposition. Significant here is the tone in which these options are delivered—it might be considered the rhetorical voice of society, a playful exposition of the pressure placed on individuals to make the "correct" choices, to conform to expectation.