Analysis Of The Movie ' The Child Of Rage '

1. One of my favorite movies of all time is “The Kids Are Alright”. It centers on a lesbian couple, Nic and Jules, and their two children, Laser and Joni. Laser and Joni are biologically half brother and sister, sharing the same sperm donor father. Laser is only fifteen, but interested in getting to know his biological father. He convinces his older sister to look him up, knowing he would have to be eighteen to do it himself. The movie follows the repercussions of the discovery of their biological dad, and also examines Nic and Jules’ relationship, and Laser’s development of independence, self, and identity.

The Defiant Ones (1958) directed by Stanley Kramer showed the racial relations going on in the United States of America. The film features two men, one black and one white becoming friends, which was almost unheard of at the time. Although when this film came out segregation was illegal it still was not fully accepted as being the new norm. This film starts to try to shape America into accepting all races and stopping segregation, but also tries to mirror society when a third party is brought in and tries to come between the two men and their friendship. Kramer uses The Defiant Ones as a way to mirror the public of the times opinion and shape there new opinion of the changing world.

The movie Parenthood cover’s many of the topics we have discussed this semester in class. But it obviously focused very strongly on parenting and marriage. During the course of the movie we see the four Buckman children’s very different style of parenting. Although all four were raised by the same parents the culture of their individual families are all look very different. Gil Buckman felt abandoned and ignored by his father and therefore responded, with his wife Karen, by being a very active and attentive parent. Gil and Karen are on the authoritative end of the parenting spectrum, and their families’ culture revolves around activities such as baseball games, Kevin’s baseball game, Birthday parties, school plays and basically having fun together (Lecture, 4/22). On the opposite end of the parenting spectrum are Nathan and Susan. They are very authoritarian and reminded me of the “tiger Mom’s” of China. The culture of their family means that they don’t have their daughter in preschool, they are waiting a prescribed amount of time to have a second child and Nathan is continuously drilling facts into their daughter. Susan feels like she should be playing with children her own age but Nathan’s feelings have taken over their family’s culture.

In the film Babies, 4 infants are being observed for the first two years of their lives. Each babies comes from different culture, which shows how the various customs can impact the child’s development. Ponijao is the youngest one in his family and lives in a village in Opuwo Namibia. Bayar lives in Bayanchandmachi, Mongolia. Mari is the first child of a couple who lives in Tokyo Japan, and Hattie lives in Sans Francisco California. The film shows the babies develop cognitively, physically and socially-emotionally, during the infancy and toddler years. The Infancy and toddlerhood period is from birth to 2 years. “This period brings dramatic changes in the body and brain that support the emergence of a wide array of motor, perceptual, and intellectual capacities” (Berk & Meyers, 2016, p.6).

Pariah is an acclaimed drama written and directed by director Dee Rees in 2011. The film tells the story of an adolescent African American teenage girl named Alike who struggles with her identity as a lesbian. The film introduces Alike to the audience in a club, in which she often hangs out with her openly gay friend, Laura. This rambunctious lifestyle is quickly contrasted by the introduction to her notably structured and religious family. Alike’s mother, Audrey, in particular, seems to not only oppose Alike’s friendship with Laura, but also question her sexuality. Although Alike struggles with an oppressive relationship with her mother, she also does not seem to wholly fit in with Laura and her brazen lifestyle, thus making her a true outcast, a pariah. Amidst everything, Alike forges a friendship with a girl named Bina and a complicated and disastrous relationship quickly ensues, ultimately resulting in Alike’s coming out, estrangement from her mother, and her departure to college. Director Dee Rees draws on particular filmmaking techniques and personal experiences to depict Alike’s struggles to embrace her lesbian identity, ultimately in order to fuel a growing gay rights sentiment.

In the movie Precious, a 16-year old girl named Claireece Jones also known as Precious is physically, sexually, and verbally abused by her parents. Precious has one child and is now pregnant with her second child which causes her to be kicked out of school. She transfers to an alternative school. Precious is illiterate; however, she learns to read, write, and to gain self-respect from her teacher at the alternative school. In the end, she becomes a woman, learning to stand up for herself and she raises two healthy children. There are three different types of abuse Precious faced from her parents. An example of how Precious mother physically abused would be when her mother would get out the chair and beat her daughter by throwing things at her, because she did something minor or nothing at all. Precious mother verbally abused her daughter by calling her “stupid, fat, and she will amount to nothing”. An example of how Precious father sexually abused her would be he raped ever since she was three years old, impregnated her with two children, and he also gave her HIV. The movie faced several biological and environmental issues in the family. One example of a biological issue faced in the movie would be when Precious was hungry, needed water, and sleep. She needed to have this because she was pregnant with her second child. In the movie, it shows Precious goes into a restaurant, to order some food, and runs out without paying. She stole the food because she was starving and her mom did not give her any money. An environmental issue would be Precious was from Harlem, New York. During that time, Harlem was a city in poverty, so she grew up with hardly any money. The income her mother got from her welfare check, she did not give Precious anything.

In the 1940’s a series of propaganda films titled Why We Fight were produced for the purpose of defining the enemies of World War 2 to justify the necessity of America’s involvement in war. Hitler needed to be defeated, Nazism had to be destroyed, and tyranny had to be stopped for the sake of the American way of life by any means necessary. How could society argue against America’s role in the world war when freedom was being threatened? As Martin Luther King Jr. said “Injustice anywhere is a threat to everywhere.” No questions asked, Americans mobilized in the name of liberty and freedom. However the 2005 documentary film Why We Fight directed by Eugene Jarecki is not a sequel or war propaganda. The film informs the audience and questions America 's military industrial complex that has since dictated policy since the victory of World War 2. With the help of narration, soundbites, and credible speakers Jarecki shines light on the pernicious impact of the armed industry on our government, army, and citizens.

The movie Parenthood revolves primarily around the three generations of the Buckman family. The family is rooted from Frank, who is the patriarch of the Buckmans. Him and his wife Marilyn are the parents of four adults, Gil, Helen, Susan and Larry. Their four children have also developed families of their own. Gil, their eldest son, is married to Karen. Together they are raising three children, Kevin, Taylor and Justin. Helen is a single mother of two teenagers, Julie and Gary. Susan is married to Nathan, who raises their daughter Patty with the goal of educating her into a child prodigy. Lastly, the youngest son of Frank, Larry, is unmarried but has recently just discovered his three year old son. Together, the two generations of offsprings of Frank and Marilyn Buckman demonstrate Alfred Adler’s Birth Order Theory.

The film Baby Driver overtly displays the practicing of sinful behavior that never ends up paying off for any character. Although the majority of the movie takes place in this sinful environment, certain individuals still exhibit morality and ethical actions in some prominent scenes. In the same way that all humans are incapable of not sinning, this vague concept of sin plagues the lives of every character in the movie. As the movie proves though, just because someone sins does not necessarily mean he or she is a bad person. Although this movie takes place in the complete absence of God, it is important to note that God plays the most important role in our real lives when it comes to sin. While Baby Driver shows how some really

U s e t e c h n i c a l a s p e c t t o e n g a g e a u d i e n c e

Defiance is a movie written, directed and produced by Edward Zwick. This movie’s setting is in Nazi occupied territory in Belarus during World War II. The storyline follows the Bielski brothers as they attempt to evade capture and fight for their lives, and over the course of the movie, the lives of twelve hundred other Jewish survivors on their quest for life, liberty and the new promised land. The film features Daniel Craig as Tuvia Bielski, Liev Schreiber as Zus Bielski, Jamie Bell as Asael Bielski and George MacKay as Aron Bielski. The film is based upon the novel Defiance: The Bielski Partisans written by Nechama Tec and is a true story s of survival during the Nazi occupation of eastern Europe. This is a gripping movie full of

After enduring a string of abusive relationships, Jean arrives unannounced at her estranged father-in-law 's ranch in Wyoming, with her daughter Griff. Griff 's father and Jean 's late husband died years ago in a fatal car crash while Jean was behind the wheel. Her father-in-law, Einar, has never gotten over it and still blames Jean for his son 's death. Einar lives on the ranch with his business partner, Mitch, who was mauled by a bear one night when Einar was drunk. This film reflects on forgiveness and rebirth, as family members work through their problems related to various communication and relationship theories. The main characters in the film are interdependent with each other, often times seen interfering with one another in terms of conflict resolution. This paper will analyze how the main characters cooperate to keep the conflict in motion throughout the film An Unfinished Life through the use of systematic collection of information about the dynamics of conflict resolution (Conflict Assessment, n.d.).

The movie Twelve Angry Men is about the twelve jurors that could adjust their influence in a decision-making process for conviction an eighteen years-old boy, whether the boy guilty or not guilty in murdering of his father. It represents a perfect example for applicable of a work group development framework. It also has examples of influence techniques among a group’s members. This paper is looking at those specific examples in the movie and focusing in analysis the reasons why Juror 8 is so much more effective than others in the meeting.

Comedic films and theatrical productions generally focus on the average human. This excludes people with extraordinary amounts of influence or power such as kings, queens or superheroes. Grecian comedy dissects the social or personal aspects of an average human’s life and uncovers their foibles and frailties. A minor weakness will usually lead to the character falling into some form of temptation which stands as the climax of the plot. This minor weakness of the character helps develop the storyline. For example, the play, Lysistrata, centers around the Grecian army and their wives. Aristophanes presents sex as a weakness of men and women in Greece in the play. The temptation for the army wives is to relinquish the sex strike that they

Since its humble beginnings in the later years of the nineteenth century, film has undergone many changes. One thing that has never changed is the filmmaker’s interest in representing society in the present day. For better or worse, film has a habit of showing the world just what it values the most. In recent years, scholars have begun to pay attention to what kinds of ideas films are portraying (Stern, Steven E. and Handel, 284). Alarmingly, viewers, especially young women, are increasingly influenced by the lifestyle choices and attitudes that they learn from watching these films (Steele, 331). An example of this can be seen in a popular trope of the “romantic comedy” genre in this day and age: the powerful man doing something to help, or “save” the less powerful woman, representing a troubling “sexual double standard” (Smith, Stacy L, Pieper, Granados, Choueiti, 783).