Analysis Of The Screenplay ' The Screenwriter '

The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.

What were Edwin S. Porter's significant contributions to the development of early narrative film? In what sense did Porter build upon the innovations of contemporaneous filmmakers, and for what purposes?

Trainspotting presents an ostensible image of fractured society. The 1996 film opens, famously, with a series of postulated choices—variables, essentially, in the delineation of identity and opposition. Significant here is the tone in which these options are delivered—it might be considered the rhetorical voice of society, a playful exposition of the pressure placed on individuals to make the "correct" choices, to conform to expectation.

“Insidious” is a 2010 horror movie centralizing around the lives of protagonists Renai (Rose Byrne) and her husband Josh (Patrick Wilson). The movie mainly focuses on the supernatural activity going on within the house, and it is later revealed that the cause of the hauntings is due to demons attempting to take over the body of their unconscious son, Dalton (Ty Simpkins).

Rarely has a film impacted an audience and held the test of time as the film Gone with the Wind. I have always been curious if director, Victor Fleming and producer, David O. Selznick and screenplay writer, Sidney Howard knew what they were creating a masterpiece and how this film would have such an enormous impact on audiences for years to come. Interestingly enough there were some who thought the film should not be made, as Irving Thalberg said to Louis B. Meyer in 1936, “Forget it Louis, no Civil War picture ever made a nickel” (Ten Films that Shook the World).

How would you react if you found your wife in the shower with another man? Any sane person would furious, but would you lose control and beat the other man senseless? Bradley Cooper’s portrayal of bipolar disorder in The Silver Linings Playbook how untreated the disorder can take control of a person’s life giving them manic episodes and major depressive episodes. This film aims to accurately display the struggles any person with bipolar disorder will deal with in their daily life while trying to manage the extensive mood swings they experience. The intended purpose of this paper is to analyze not only in what ways the director and cast accurately display the everyday life of an individual with bipolar disorder, but also the quality of the film. Throughout the movie themes of divorce, medications, the need for social support when dealing with mental disorders and a person’s unwillingness to accept help, will all be brought up in order to help an individual manage their disorder.

I chose to critique the film “The Elephant Man” it is an iconic filmmaking endeavor. Director David Lynch shows the sadness and the scariness of deformities onto the audience in a way that touches your heart and leaves you with a sense of sadness and will also leave a tear in your eye. Most of the people who have watched this film are touched and completely changes the way they view crippled, weak, and deformed people in this world.

In the early 1900’s silent films amazed audiences with images, later talkies impressed with sound, today we have 3D. As technology continues to evolve so too will film genres. Genres, while having some shared characteristics, also differ in terms of stylistic devices used. For instance, the dramatic film “The Notebook” effectively uses color to reinforce theme and has plausible performers as the two main protagonists.

When I read two essays, I honestly having a hard time consider to be the main thesis of each of the essays. The authors kept writing back and forth that lead me to confuse about the essays. In Maggie Paley's "Terry Southern: The Art of Screenwriting, by Interview", the author interviewed the screenwriter about his experiences. I believe the thesis will be: Terry Southern is a person who have an interesting past, wrote alot of plays, and had alot of experiences in the plays. I honestly can't find the right thesis because the author wrote everything unorganized, but I can see that he wrote alot of plays and told her that writing a book is different from writing a screenplay. He tolfd that he love movies and it is easy from him to write a screenplay.

The Grand Budapest Hotel revolves around Europe of the 1930s and 1960s while it was in time of the war, through the adventures of The Grand Budapest Hotel's doorman Zero and the Hotel manager Gustave. The saga is linked to a burglar and a Renaissance painting, a great family's wealth war, and the sudden change of war in Europe. It reflects the vicissitudes of political history in Europe for half a century. This article will analyze The Grand Budapest Hotel from two aspects: artistic style and film theme.

Over the course of the series I have been following the main character Jacob Portman. I also have taken notes about character development. I have been paying attention to character attributes, interactions, and perceptions. Character attributes are describing the main character like the gender, emotions, physical, personality, and stuff like that. Character interactions are interactions with the environment, themselves, and others. Character perceptions are perceptions with others, themselves, and with the setting/environment. I have taken notes about all of these things and how the character involved throughout the course of the

Since the beginning of the Industrial Age, Americans have idealized the journey towards economic success. One thing people do not realize, however, is that that journey is not the same for every individual. For Charles Foster Kane (Orson Welles), the main character of Citizen Kane, directed by Orson Welles, the path towards riches and a fulfilled life is being well liked. He serves to please others. He strives for that attention. This view cost him his happiness in the end. In this man’s rise and fall through prosperity, Welles shows the futility of striving solely for likeability.

How does it feel starting over in a completely new place? In the movie “The Karate Kid”, Daniel, the main character, and his mom moved to the California from New Jersey because of his mom’s new job offer. Daniel started going to school in California and met a girl named Ali, whom he started to like. He started going out with her. Daniel was getting beat up by some bullies; one of them was Ali’s ex-boyfriend. They knew karate very well, but Daniel did not. So Daniel decided to learn karate. Daniel and his mom were living in an apartment and one day he discovers that the handyman at his apartment, Mr.Miyagi, knows karate very well. He asked Mr.Miyagi to teach him karate, and Mr.Miyagi became his karate teacher.

Charlie Kaufman and Michel Gondry found the perfect, fragmented form to simulate memories in the non-linear storyline of Eternal Sunshine of the Spotless Mind (2004). The thematic elements of the film helps this simplistic story of love found, lost, and found again develop into a complex pattern, much like the workings of the brain. Each character is everything you would expect them to be in real life – down to earth, imperfect, and hopelessly searching for the love someone can only dream of. We can relate to them because we all long for more than we are, and want the best of us to be shown to someone else. Memories make up who we are, they define us. Life teaches us lessons which shape our memories, and in turn, we learn from them. What if those memories were gone? Are we still destined to be the same person? The protagonist of the movie is Joel, and the story surrounds his relationship with Clementine. The antagonist can be seen as Patrick, who tries to destroy their relationship, or Lacuna Inc., whose purpose is to make them forget their relationship. Charlie Kaufman has created a beautiful story that incorporates so many valuable forms in cinema, and leaves viewers on the edge of their seat until the very end. My goal is the show the class concepts of this narrative, as well as demonstrate how the way the film’s story is told

Bong Joon Ho is an intelligent and creative director and screenwriter. His films include South Korean hits Memories of Murder (2003), based on a true-life serial murder case, monster movie The Host (2006), and his first English-language film, science fiction adventure Snowpiercer (2013). The korean film industry nicknamed him "Bong Tae-il," which, pronounced in Korean, sounds similar to the word "detail". Though he displays a fascination for strong subject matter. His films are filled with humor and sudden mood shifts.The film snowpiercer directed by Bong Joon Ho it 's a story about a nation the release the substance CW-7 with the intention of controlling the global warming, but accidentally it results in another Ice Age destroying Earth.