Analysis of Randall Jarrell's The Death of the Ball Turret Gunner
Many of the great poems we read today were written in times of great distress. One of these writers was Randall Jarrell. After being born on May 6, 1914, in Nashville Tennessee, Jarrell and his parents moved to Los Angeles where his dad worked as a photographer. When Mr. and Mrs. Jarrell divorced, Randall and his younger brother returned to Nashville to live with their mother. While in Nashville, Randall attended Hume-Frogg high school. Randall showed his love for the arts while in high school by participating in dramatics and journalism. Jarrell continued his career in the arts when he wrote and edited for Vanderbilt’s humor magazine, The Vanderbilt Masquerader. After
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Jarrell uses a great deal of imagery in this poem to help the reader get a better picture of what is going on. In the first line of the poem Jarrell uses visual, auditory and tactile imagery. When he uses the words, “mother’s sleep,” the reader can see the mother laying in her bed sound asleep. Also the reader can hear the deep breaths that the mother is taking while she slumbers. The reader gets the tactile image when the author says, “I fell,” because almost everyone has experienced the falling sensation before. Since the word, “State,” is capitalized one can see that Jarrell is talking about some form of government. The reader gets the visual image of a government sitting around planning something big. In the second line of the poem, “And I hunched in its belly till my wet fur froze,” the reader gets visual, tactile and thermal imagery. First of all the reader can see a person hunched, with his knees almost at his chest, in the belly of something. Also the reader can see a person with a fur coat that is almost covered in ice. The thermal imagery comes in when Jarrell says the word, “froze.” The reader can feel the cold coming from the frozen jacket as he reads the poem. When Jarrell says the words, “hunched in the belly,” the reader gets a very uncomfortable feeling. In line number three the reader gets visual imagery as well as slight tactile imagery. The visual imagery comes
Analyse (tell me how the poet creates this image - choice of words, literary devices, implication etc)The idea of a freezing, harsh climate is emphasized with "winter's city" and "winter's leaves". The poet uses words like "death" and "terrible" to highlight the freezing, barren winter.
Wilfred Owen uses language and poetic devices to evoke sympathy for the soldier in the poem by using in-depth descriptions. An example of this is in the first stanza where the soldier in the poem ‘shivered in his ghastly suit of grey’. The ‘g’ sound in the words ‘ghastly’ and ‘grey’ emphasises the horror of ‘ghastly’ combined with the dreariness of ‘grey’, which are now the two main features of his life. The word ‘ghastly’ shows something that is strange and unnatural. The adjective ‘grey’, which has connotations of bleakness, portrays an image of darkness and monotony. Furthermore, the verb ‘shivered’ shows that he is vulnerable and exposed. In the phrase, ‘Legless, sewn short at elbow’, the sibilance at the end of ‘Legless’, and in ‘sewn short’ tell us that the short-syllable words are ruthlessly to the point, so it emphasises the fact that the soldier has no arms and legs because of his wounds.
The three poems show exile and keening, but the poems also show tactile imagery. The Wanderer show tactile imagery in line three, “wintery seas,” describes the setting is in this poem along with the tone. The Seafarer show’s tactile imagery as well, in line nine, “in icy bands, bound with frost,” the tactile imagery in this line describes the coldness of the thoughts in the lonely man’s head. In The Wife’s Lament the tactile imagery is shown in line forty seven, “That my beloved sits under a rocky cliff rimed with frost a lord dreary in spirit drenched with water in the ruined hall.” The wife in this tactile imagery is show how her husband is suffering just
Dunbar and Randall both use interesting imagery in their poems to display how the character truly feels. In the “Ballad of Birmingham,” stanzas
In the first stanza the reader is introduced to the two characters in the poem. The reader is also made aware of the time of the year and day. The first stanza reveals a lot of information. It tells the reader who, when, and where. It also appeals to the sense of touch and sight when it describes the father's hands and also when he "puts his clothes on in the blueblack cold." One could almost feel the "cold" and see the "cracked hands."
The use of imagery allows the reader to picture the long-lasting emotions gripping the narrator. Being a concrete representation of an object or sensory experience (myLearning), imagery permits the reader to visualize what the narrator is experiencing. One example of imagery is used in line 5 “I'm stone. I'm flesh.” The narrator is using metaphoric and literal imagery describing his body. The reader can visualize the attempt to harden the body against the onslaught of emotion, and the reflection of the vulnerable flesh body in the granite wall. Another example of imagery can be found in lines 22 through 24 “Brushstrokes flash, a red bird's / wings cutting across my stare. / The sky. A plane in the sky." Here the realistic memories of war involuntarily flash through the narrator’s mind.
One of the most frequent figurative language used in this poem is imagery. In fact, imagery is used throughout the whole poem. For example, in the first poem the reader can imagine a man jumping into the river and sinking, since the stanza states, “I went down to the river, I set down on the bank. I tried to think but couldn't, So I jumped in and sank.” There is also imagery in stanza two, when the speaker says, “I came up once and hollered! I came up twice and cried! If that water hadn't a-been so cold I might've sunk and died.” From this quatrain, the reader can imagine a person drowning. They can also infer that the man was shivering, considering the water felt
Since the beginning of time, humans have sought after power and control. It is human instinct to desire to be the undisputed champion, but when does it become a problem? Warfare has been practiced throughout civilization as a way to justify power. Though the orders come directly from one man, thousands of men and women pay the ultimate sacrifice. In Randall Jerrell’s “The Death of a Ball Turret Gunner”, Jarrell is commenting on the brutality of warfare. Not only does Jarrell address the tragedies of war, he also blames politics, war leaders, and the soldier’s acknowledgement of his duties. (Hill 6) With only five lines of text, his poems allows the reader to understand what a soldier can go through. With the use of Jerrell’s poem, The Vietnam War, and Brian Turner’s “Ameriki Jundee”, the truth of combat will be revealed.
Hayden utilizes diction to set a dark and solemn tone throughout the poem. Like the various examples of imagery, there is also a strong use of underlying symbolism. In the first stanza, the words “cold” (1. 2) and “fires blaze” (1. 5) are used, which introduces a conflict. This is emphasized in the second stanza when the word “cold” (2. 1) is used again, later followed by the word “warm” (2. 2). In the last stanza, the father eventually “had driven out the cold” (3. 2). Yet the father had not ridden the house of the cold air until the end of the poem, which symbolizes how it took his son several years later to recognize the behaviors in which his father conveyed his love for him.
“Roethke was a great poet, the successor to Frost and Stevens in modern American poetry, and it is the measure of his greatness that his work repays detailed examination” (Parini 1). Theodore Roethke was a romantic who wrote in a variety of styles throughout his long successful career. However, it was not the form of his verse that was important, but the message being delivered and the overall theme of the work. Roethke was a deep thinker and often pondered about and reflected on his life. This introspection was the topic of much of his poetry. His analysis of his self and his emotional experiences are often expressed in his verse. According to Ralph J. Mills Jr., “this self interest was the primary matter of
<br>There are several image groups used in this poem, two of which I will be reviewing. The first image group is "Sleep or Dreams". Owen often refers to many subconscious states like the afore mentioned one, the reason why he uses these references so frequently is that war is made apparent to the
Robert Frost is an iconic poet in American literature today, and is seen as one of the most well known, popular, or respected twentieth century American poets. In his lifetime, Frost received four Pulitzer Prizes for Poetry, and the Congressional Gold Medal. However, Robert Frost’s life was not always full of fame and wealth; he had a very difficult life from the very beginning. At age 11, his father died of tuberculosis; fifteen years later, his mother died of cancer. Frost committed his younger sister to a mental hospital, and many years later, committed his own daughter to a mental hospital as well. Both Robert and his wife Elinor suffered from depression throughout their lives, but considering the premature deaths of three of their children and the suicide of another, both maintained sanity very well. (1)
In the words of Anne Bradstreet, “If we had no winter, the spring would not be so pleasant: if we did not sometimes taste of adversity, prosperity would not be so welcome.” As writers of the modern era expressed their hardships through poetry, one can only hope that they kept such advice in mind. Through captivating works, poets such as Langston Hughes, Edwin Arlington Robinson, Robert Frost, and E.E. Cummings expressed the struggles of life during the modern era. By examining what these poets have to say about dissatisfaction with life, feelings of inadequacy, and loneliness, it becomes clear that life during the modern era was full of hardships.
The first line of the final stanza ties the whole poem together. The paradox of staying steady by shaking, we find an answer to the contradiction of life and death. The "shaking" is a metaphor for our natural fear of accepting our fate and having an open mind to the experience of our sleeping state of fantasy. We learn to stay steady and balanced when referring to fear and fantasy, waken and sleeping, life and death when all these things come in contact. Being alive, we learn to understand logical part of nature or life and death it is inevitable. Being living beings, we learn to let our minds wander into the unconscious state and understand its connection to the physical world. This poem shows that humans come to terms with " [W]hat falls
Yet how they creep through my fingers to the deep, While I weep – while I weep! This is an indirection indication to the main character realizing that he cannot hold onto his loved one anymore. As the poem continues the main character gets even more troubled, when he says in line eight “O god! Can I not clasp them with a tighter clasp? O God! Can I not save One from the pitiless wave?” This is almost a cry for help, almost like him saying “God I tried to save my loved one, why did this happen to me? Why are they leaving me? I tried to save them!” And then in the last two lines of the second stanza, the character becomes overwhelmed with the pain and I feel almost whispers, “Is all that we see or seem but a dream within a dream?” Fundamentally, allowing him to come to the conclusion that his loved one is gone, but that what he went through was just a bad dream, like everything else he had endured throughout his life.