Analyzing Sylvia Path's Daddy

The poems “Forgiving My Father” by Lucille Clifton and “Daddy” by Sylvia Plath highlight troubled relationships with the authors’ fathers. While most all family relationships have weakness and strife, the ones discussed in these writings are relationships that continue to haunt the authors many years after their fathers’ deaths. The poems are similar in the authors’ tone, point of view, their use of excuses for their fathers’ behavior, and their fathers’ treatment of the authors’ mothers.

The fifth line says, “maybe for scaring us with unexpected rage.” This implies the father may have had a drinking problem since alcoholics tend to display violent behavior unexpectedly while under the influence. The poet extends the idea of a hot-tempered alcoholic in lines six and seven which state, “or making us nervous (6) because there never seemed to be any rage there at all (7).” This is say that the violent outbursts occurred on a regular basis and even though the father was not violent at certain moments the child knew it was the calm before the storm. The idea that this happened regularly further emphasizes that the father had an addiction to alcohol and his rage was the outcome of it; all of which, portray horrendous events a child lived through in their youth as a result of an unfit father.

In Father and Child, as the persona moves on from childhood, her father becomes elderly and is entertained by simple things in nature, “birds, flowers, shivery-grass.” These symbols of nature remind the persona of the inconsistency of life and the certainty of death, “sunset exalts its known symbols of transience,” where sunset represents time. Both poems are indicative of the impermanence of life and that the persona has managed to mature and grow beyond the initial fearlessness of childhood moving onto a sophisticated understanding of death.

The figurative language in the poem “Daddy” by Sylvia Plath can be used to discover a deeper significant of the poem. By using figurative language throughout the poem such as symbolism, imagery, and wordplay, Plath reveals hidden messages about her relationship with her father. Plath uses symbols of Nazis, vampires, size, and communication to help reveal a message about her dad.

Sylvia Plath uses her poem, Daddy, to express deep emotions toward her father’s life and death. With passionate articulation, she verbally turns over her feelings of rage, abandonment, confusion and grief. Though this work is fraught with ambiguity, a reader can infer Plath’s basic story. Her father was apparently a Nazi soldier killed in World War II while she was young. Her statements about not knowing even remotely where he was while he was in battle, the only photograph she has left of him and how she chose to marry a man that reminded her of him elude to her grief in losing her father and missing his presence. She also expresses a dark anger toward him for his political views and actions

In stanza 12, she tells us that he has “bit her pretty red heart in two.” Next, she states that he died when she was ten, and when she was twenty years old, she attempted suicide - “…I tried to die, to get back back back to you.” In stanza 13 is where she starts talking about her husband. She says that instead of dying, her friends “stuck her together with glue,” and since she could not die to get back to her father, she would marry someone who was similar.

In the poem “Daddy,” Sylvia Plath describes her true feelings about her deceased father. Throughout the dialogue, the reader can find many instances that illustrate a great feeling of hatred toward the author’s father. She begins by expressing her fears of her father and how he treated her. Subsequently she conveys her outlook on the wars being fought in Germany. She continues by explaining her life since her father and how it has related to him.

Compare the ways in which poets reflect on parental relationships – Daddy by Sylvia Plath and Mother Who Gave Me Life by Gwen Harwood

There are clues throughout the poem that express the man’s past experiences, leading him to have a hostile tone. The speaker represents his past as “parched years” that he has lived through (7-8) and represents his daughter’s potential future as

The poem "Daddy" by Sylvia Plath concludes with the symbolic scene of the speaker killing her vampire father.  On an obvious level this represents Plath's struggle to deal with the haunting influence of her own father who died when she was a little girl.  However, as Mary G. DeJong points out, "Now that Plath's work is better known, ‘Daddy' is generally recognized as more than a confession of her personal feelings towards her father" (34-35).  In the context of the poem the scene's symbolism becomes ambiguous because mixed in with descriptions of the poet's father are clear references to her husband, who left her for another woman as "Daddy" was being written.  The problem for the

As we develop from children to adults, our perception of our parents can change drastically. The theme of the loss of innocence is portrayed in both poems, through the relationship with a father. Sylvia Plath’s poem ‘Daddy’ is an extremely personal confession about realising her father was not the role model she had believed when she was young. The poem mentions that her father “died before I had time” and she “was ten when they buried you. At twenty I tried to die and get back, back, back to you”. The tone of the entire poem is bitter and sharp as Plath pours all her internalized feelings towards her father into the poem. Gwen Harwood explores the same theme of losing childhood innocence, but in a distinctly different way. The poem tells a story of a small child, who is determined to lose their innocence and is instead “a horny fiend”, sneaking out with their father’s gun. Harwood’s poetry sheds light on the idea of wisdom and growth and the desire children feel to be considered mature. Plath ends her poem in a defiant tone, claiming “Daddy, daddy, you bastard, I’m through”, indicating she is done with thinking about or mourning him and has reached a point where she can move on from the grief he has caused her. On the other hand, Harwood’s poem ends grimly, after the child’s father tells them to “End what you have begun” and the child kills the owl, before “I leaned my head upon my father’s arm, and wept, owl blind in

The poems “Forgiving My Father” by Lucille Clifton and “Daddy” by Sylvia Plath highlight troubled relationships with the authors’ fathers. While most all family relationships have weakness and strife, the ones discussed in these writings are relationships that continue to haunt the authors many years after their fathers’ deaths. The poems are similar in the authors’ tone, point of view, their use of excuses for their fathers’ behavior, and their fathers’ treatment of the authors’ mothers.

her far from herself. In one line in the poem she brings us starkly into the world of a

As is inherent within the tradition of confessional poetry, a subgenre of lyric poetry which was most prominent from the fifties to the seventies (Moore), Sylvia Plath uses the events of her own tragic life as the basis of creating a persona in order to examine unusual relationships. An excellent example of this technique is Plath’s poem “Daddy” from 1962, in which she skilfully manipulates both diction, trope and, of course, rhetoric to create a character which, although separate from Plath herself, draws on aspects of her life to illustrate and make points about destructive, interhuman relations. Firstly that of a father and daughter, but later also that of a wife and her unfaithful husband.

Sylvia Plath?s poem "Daddy" describes her feelings of oppression from her childhood and conjures the struggle many women face in a male-dominated society. The conflict of this poem is male authority versus the right of a female to control her own life and be free of male domination. Plath?s conflicts begin with her father and continue into the relationship between her and her husband. This conflict is examined in lines 71-80 of "Daddy" in which Plath compares the damage her father caused to that of her husband.