Reality of a Real Life Princess
On August 31st, 1997, Princess Diana’s death from a fatal car crash left the world stunned. Paparazzi that were later sighted as the main cause of the crash were among the first to arrive on the scene of Diana’s death, making apparent how invasive news and media can be for people especially the royal family. In Banksy's exhibit “Dismaland”,which itself is a play on “Disneyland”, one can find a sculpture of Cinderella hunched over a crashed pumpkin carriage, under a tunnel,only illuminated by the lights of crowding paparazzi.Here, Banksy makes a compelling argument and statement about how invasive media can be in a person’s live by showing a third party depiction using a national icon depicting a national tragedy.
Banksy is a street artist known for his controversy and this art installation is one of his more controversial pieces of artwork Making art pieces depicting brutal events in history is nothing new, yet what makes this piece so shocking is how Banksy portrays it. He depicts it using Cinderella, an iconic fairy tale character who little girls dream about one day being.Cinderella has the connotation of innocence and nostalgia, thus using her this attacks our ethos by taking this symbol of innocence and nostalgia and twisting it into a dark reminder of what a real life princess’s life is like. The image of Cinderella’s white pumpkin carriage toppled over pays homage to Diana’s crumpled up Mercedes, her blonde hair flowing out of the
Women should never be held back by their husbands because they are women. Charlotte Perkins Gilman is an author from Connecticut who wrote the story “The Yellow Wallpaper.” She was a utopian feminist during a time period when her accomplishments were exceptional for women. In “The Yellow Wallpaper,” the narrator (identified as Jane) suffers from depression following the birth of her baby. Her husband diagnoses her with hysteria and prescribes “the rest cure.” Trapped at home, Jane grows bored. She’s set away from everyone but her husband and nurse, and she’s not allowed to write, though this makes her feel better. Her condition quickly worsens. She starts to
Humans are faced with the issues caused by invasive species and must make a decision. What should we do? Should we step in and rid the ecosystems of these harmful species? Or should we let nature solve its own problem? I believe humans must take action in stopping these invasive plants from destroying ecosystems, attracting more invasive animals, and harming the native wildlife.
1985 (Figure 2) first appeared in 1985 plastered on billboards around New York City. The piece is illustrated in monochrome colours so to not distract viewers from the meaning of the poster. The harsh contrast in colours between the black writing and white background make the piece stand out and draw the attention of bypassers. Written on the artwork is a list of well-known museums in New York City and beside them is a score of how many women artists have had one-person exhibits there in the past year. The results showed that the Guggenheim, Metropolitan and Whitney museums each had zero, whilst the Modern museum had one. These results are supposed to shock the audience and make gallery curators feel a sense of guilt, that it’s clear the art world don’t appreciate women artists like they do men. Whist they are confronting the public with that truth they are also providing another critical message with this piece. The Guerrilla Girls identified these museums by first name, not out of convenience, but to make a statement, that the only museums to allow women artist some form of respect like male artist do was the ‘modern’ museum. Emphasising the fact that gender discrimination and bias nature in the art world should be in the past, and the only museum that realises and recognises this is the modern one. The poster’s main message challenges the patriarchal world of art and confronts art galleries
In the same manner that capitalism has been heralded as the “end of history,” has art under the current age of capitalist globalization come to an end as well? In an exchange between two artists, rapper M.I.A and portrait painter Kehinde Wiley for Interview magazine, art has come to its demise, at least in the United States. In claiming such a death of art, both artists used their personal experiences and observations to make a comparative evaluation of the state of art in New York and in developing countries they have visited. This paper analyzes the rhetorical techniques used by both artists – ethos, pathos, and logos – in problematizing what is wrong with the contemporary art scene at the moment.
In their writings Katherine Boo and Doris Pilkington described the challenges faced by two very different families in two very different societies. In the excerpt from Behind The Beautiful Forevers Katherine Boo shares the story of a Muslim boy named Abdul, the challenges of his family as he works to get them out of the slums of India. In the excerpt from Rabbit Proof Fence Doris Pilkington tells of Kundilla an elder in the Aboriginal tribe describing their lives before and after the white raiders attack.
The subjective element of beauty involves judgment, not opinion. Many people feel beauty is only something seen by the eyes. St. Thomas Aquinas views beauty in both the supernatural and natural orders. Aquinas lists the attributes of beauty to be found in nature. These are; unity, proportion, and clarity. We will see how these attributes of beauty are seen through the eye and felt by the heart.
In this Time Magazine article, writer Fred Ritchen debates the merit of violent photos in media. He begins with the events that prompted him to write this essay. He lists “A recent slew of situations resulting in catastrophic violence and death” (Ritchen, p1). This grouping of events, ranging from disease to plane crashes, has brought to light again the question of what a journalist’s duty is in reference of how much of a horror to show and how much to keep from the public. Ritchen’s argument culminates to the fact that the space taken up by showing these horrors of war and similar atrocities could be better used to prevent further events.
On the other hand, Miller successfully argues that fake memoirs are meant to “highlight the problematic nature of authenticity” and capitalism has changed the idea of what we think is real and what is not. By citing Baudrillard, Miller states that our idea of real is only a series of representations that we think are real. In fact, all our ideas of reality are fabrications because memory is not factual. The discovery of these fake memoirs can cause society to realize that all memoirs are, in fact, fabrications. With that in mind, this article contradicts the idea that the public can understand trauma through experiencing art. Overall, “Stylised Configurations of Trauma” contributes to the art, trauma, and memory theme through proving that the study of fraudulent memoirs can help explain “the strange expectation that literature is able to provide access to something
Environmental racism shouldn’t be happening. We humans were just color, different race; white should blacks and Latino differently. In 1952, no African had lived in any of Richmond’s permanent low-rent housing. If any African lives where the white are staying at, they would become slaves of the whites. Environmental racism is everywhere, every black and Latino tastes the problem of racism.
Throughout time the world’s perception of makeup has always been seen as a way for women to enhance their facial features, a way to feel more accepted into society, and as a way to gain the attention of another individual. Society has set specific standards that women and only women can wear makeup. Although in theater productions it was socially acceptable for men to paint their faces, it was not encouraged that men use their cosmetic abilities outside of performances. Many cultures have drilled the idea into their son’s heads that they cannot wear or play with makeup because they would lose their masculinity. Applying makeup was never seen as a way of self expression, but that a woman's natural beauty wasn’t good enough and that her
From 1933 to 1945, Germany was under the leadership of Adolf Hitler and the Nationalist Socialist German Party, or Nazi Party. The group promoted German pride and Anti-Semitism, hate towards Jews, and expressed disgust towards the Treaty of Versailles, a peace document signed between Germany and the Allies at the end of World War 1 (History.com Staff). In order to grow his movement, Hitler recruited Germans for his armies, his factory workers, and his death camp guards. Because of this, it was easy to assume that all Germans supported the Nazi dictatorship and the ideas they preached. However, throughout this time period many Germans of different political and religious beliefs came together to protest against the regime.
Beauty is something that can be interpreted completely different from person to person. A famous quote that goes along with this perfectly is “beauty is in the eye of the beholder.” I think a person’s inner beauty should be taken into account when deciding whether or not a person is beautiful. Wikipedia’s definition of beauty is, “a characteristic of a person, animal, place, object, or idea that provides a perceptual experience of pleasure or satisfaction” while Oxford Dictionary states, “beauty is a combination of qualities, such as shape, color, or form, that pleases the aesthetic senses, especially sight.” As you can see, inner beauty could be paired with Wiki’s definition and outer beauty could be paired with Oxfords. Of course, there
Schools that offer fine arts classes have lower dropout rates and raised attendance. The fine arts positively impact students of lower socioeconomic status more those of a higher status. The fine arts have no barriers for race, religion, and culture when it comes to being involved in the arts. Everyone is welcome and encouraged to be involved (Katy Independent School District). Without the arts these students have no outlet for creative capabilities and no way to express their talents. Students who need this way of expressing themselves are overlooked and they are the ones who need it the most (Dickson). When viewing the participation of arts in the eyes of a ten-year old, “It cools kids down after all the other hard stuff they have to think about” (Arts and Smarts: Test Scores and Cognitive Development).
"the dread that the species will be deteriorated by "crossing the breed"; though everyone knows, who is capable of comparing forms and figures, that the finest specimens of beauty and symmetry are to be found amongst those whose veins are filled with mixed blood"
Natural beauty, in this day and age, is a term that has many definitions because it is a controversial term. With the way people dress, act, and express themselves, it is extremely hard to find the true denotation of natural beauty. This is also true with the growing popularity in makeup in both genders. When asked to define it, people have formed their own opinions of the term along with the commonly known denotation, connotation, synonyms, and antonyms. The definition of the term also can be described and derived from my personal experiences along with others’. Though there is much evidence for and against the belief, natural beauty is more than what’s on the outside.