In the 20th century, there were many art movements that influenced the way we produce art and design to this very day. Along with the movements, there were several artists that contributed to making these movements great. During the first World War, as a reaction to the chaos and turmoil, arose a movement called Dada. The movement started in 1916 in Zürich, Switzerland and ended in 1924 (“Dada Movement, Artists and Major Works.”). In 1922, Tristan Tarza wrote a piece called “Lecture on Dada”. It stated that “Nothing is more delightful than to confuse and upset people”. He believed that, “like everything in life, Dada is useless” (Tarza). This phrase really encapsulates what Dada was and what it stood for. There is no record of where the …show more content…
L.H.O.O.Q (fig 3) is a play on the Mona Lisa, crafted in 1919. It is an excellent example of the mockery to traditional art. The Mona Lisa in his work L.H.O.O.Q. is printed on a postcard, where then Duchamp drew a mustache and goatee on the painted woman photographed. He then labeled it L.H.O.O.Q., and it became an iconic piece of Dada work. If someone who is fluent in the French language and native to the tongue were to pronounce these letters, it would read “Elle a chaud au cul”, which can translate to “She has a hot arse.” (“Dada Movement, Artists and Major Works.”) Dada was said to be very anti-art, so by taking a well-known traditional piece from 1517 painted by Leonardo Da Vinci made a huge statement on how Duchamp was throwing away all traditional practices of what art was before Dada (Flask).
There are also arguments on what the deeper meaning of the title of the work could be, and how perhaps Duchamp was attempting to make the Mona Lisa even further androgynous (Jack). Interestingly, Duchamp revised this piece (fig 4) in 1965, and titled it L.H.O.O.Q. Shaved. The revision of the work is a white sheet of paper with another photograph that seems to be a playing card of the Mona Lisa, clean-shaven placed in the middle of the paper, with the title written underneath. The MoMA currently has it in their collection, a gift given to the museum from Philip Johnson (Duchamp).
Dadaists break away from traditional art and rationality, which is
Marcel Duchamp’s Fresh Widow was created in 1920, and is on display at the Museum of Modern Art (MoMA). Fresh Widow is a bluish green miniature French window, which he constructed with wood and leather. The Fresh Widow is considered to be a part of the Dadaist period and retains qualities of dadaism in that it is a stand alone object, that has been completely stripped of its utility and function. In addition, across the window sill, Duchamp wrote “COPYRIGHT” in capitalized black letters referring to the classic dadaist rejection of the commodification or reproduction of art. Duchamp created the Fresh Widow two years after the end of World War I. World War I was traumatizing and horrific for most of Europe, with millions of men being killed. The timing of Duchamp’s Fresh Widow, the title, as well as the form of his piece all work together to represent the losses felt by wives in France during the war. The use of a French window that has been blacked out by black leather, as well as the bluish-green color of the wood is a reference to the macabre realities of war and the
The Mona Lisa paining is the probably one of the most famous pieces of art in the world. The art continues to fascinate many due to the details that makes it look like a real person. It is a portrait of a woman called Lisa Gherardini married to Francesco Del Giocondo (Strickland and Boswell 35). The eyes seem to move, and the smile of the woman portrayed has remained a mystery to many people. Many people have viewed the painting, but interpretation requires a certain taste and eye. It is dated back to the 16th century before Leonardo da Vinci the painter died (Sassoon and Leonardo 34). The painting was done on a poplar using oil, common during this century. The piece continues to evoke thoughts in many people as well as appeal to all that view
Impactful across the globe, both Dada and Surrealism were artistic movements created in the early 20th century that were significant in redefining modern art today. The Dada movement came about in 1916 through the performance of Hugo Ball’s sound poem “Karawane” at the Cabaret Voltaire that he opened with his partner, nightclub singer Emmy Hennings, in Zurich, Switzerland. The poem made absolutely no sense, purposely, and it didn’t have to. Ball would also dress in wild costumes for his performances as seen below:
Duchamp once said, "An artist should be a destroyer of tradition." By this he believed a persons artwork should be different than any other, causing it to stick out dramatically.
Shortly after Duchamp released the Fountain, another controversial piece of art debuted—The Bride Stripped Bare by Her Bachelors, Even . This piece was not a readymade, but a more “accepted” form of art. The Bride Stripped Bare by Her Bachelors, Even went through many years of Duchamp researching, working on and repairing the piece. Marcel Duchamp started working on the piece in 1915 and worked on it consecutively for the following eight years. After that time frame, Duchamp took a break from it—other scholars may argue that the piece was abandoned and not merely on hiatus. Regardless of whether the piece was abandoned or on hiatus, The Bride Stripped Bare by Her Bachelors, Even was still exhibited and purchased.
This is an oil painting that was also created by Leonardo da Vinci, however, it is determined that is was created between the year 1503-1506, but was continued and was entirely finished by 1517. For certain, it has been painted during 1503-1506, but an art historian, Martin Kemp, said there was an uncertainty with confirming the actual date of when Leonardo’s piece was actually completed. Giorgio Vasari, Leonardo’s contemporary, had mentioned how it has been apiece left unfinished and was regretted that it was never been completed in one sitting. As King Francois I invited Leonardo to work near the king’s castle, it is believed that during that time, he continued to work on this Mona Lisa piece until 1516 or 1517. Mona Lisa is an oil painting on a poplar wood panel and it is believed that the subject of the portrait is possibly Lisa Ghenardini the wife of Francesco del Giocondo. The painting illustrates a woman in a half-body portrait, with a distant landscape backdrop. In the painting, it is noted that the sitter’s general position is vertical, with her arms folded as a sign of a reserved posture, with a gaze only towards to her observer, with a warm, silent, look of communication. Her face appears to be brightly lit, whereas her hair, veil, and shadows were slightly darker. With Leonardo’s soft blending; it had created two main, well-known features. This portrait is well known for the sitter’s faint smile, which is believed to reflect Leonardo’s idea and vision of connecting humanity and nature. Aside from that, it is also believed that the smile is an indication of a hidden secret. Due to the expression of the subject in the portrait, it is a continuing fascination and is a great influence to many other paintings. Additionally, the Mona Lisa is one of his most well known portraits due to the mysterious subject and the features within the painting
One of the most famous paintings in the world is undoubtedly La Mona Lisa, also known as La Gioconda. This wonderful work was made by the renowned Italian painter Leonardo Da Vinci, a leader and intellectual artist of the Italian Renaissance. Actually this work is exhibited in the museum of Louvre in Paris, France, under heavy security and protection since 1797. The Mona Lisa was the last great work of Leonardo. He spent four years in paint it. He began in 1503, when he was in Florence, but obviously worked on it for a long period of time because it was dedicated solely to complete. Between 1510 and 1519 he continued to tweak it until his death taking his work to Rome and France. This essay will let to know a little more about the Mona Lisa, who was her, what technique Leonardo Da Vinci used on it, and some description of its main feature, her smile.
During the Renaissance Period the worlds most famous and valued painting was created: The Mona Lisa. In Florence Italy, 1503 Leonardo de Vinci began his magnificent work on this piece. Being a man who was said to have never finished a piece of art he worked on this project for three years and came back to it more than ten years later. He created the Mona Lisa using oil on white Lombardy poplar panel (Mona Lisa Encyclopedia Britannica) The portrait is of Lisa Gheradini wife of Francesco del Gheradini. “Mona” is a polite form to address women in Italian, thus the name, “Mona Lisa.” After da Vinci passed, he gave many of his works of art to his assistant, including the Mona Lisa. King Francis I of France bought it off of him for 4,000 crown (Mona
Mona Lisa is a portrait by Leonardo da Vinci. Leonardo da Vinci painted a woman on a balcony looking at a landscape of rocks and bodies of water. When painting this piece of work Leonardo da Vinci used small brushstrokes to make it look natural. Leonardo da Vinci typically used dark colors. Da Vinci used dark greens, dark browns, dark grays for the clothing and parts of the background setting. Da Vinci uses a skin color tan to set off all the dark colors. Leonardo did a very good job of making the painting look very natural. Leonardo da Vinci makes the Mona Lisa stand out from all other talented paintings by adding so much detail in the hands, eyes, lips, and nose of her. Of all the other gifted artist in the world Leonardo da Vinci is the
The Mona Lisa has been largely unknown for 300 years. She is also known by the name La Gioconda because she was the wife of a Florentine cloth merchant named Francesco del Giocondo. She is currently 500 years old with an interesting history. She was painted by Leonardo DaVInci and her purpose is unknown. Some believe it to be a self portrait of Leonardo himself as a cross dresser. Others believed that she's older than the rocks in which she sits and had died numerous times which seems outrageous. The mystery of her identity and smile has made her so famous. There are many things that scholars and viewers dont understand. For example, why does she have no eyebrows and what is her identity? These are questions that have been left unanswered.
In 1499, the French invaded Milan and Da Vinci fled to Venice and then to Florence. During his time there he painted the “Mona Lisa” in 1503 to 1506. The woman in the painting has been the subject of speculation for centuries because of her curious smile. In the past, she was often thought to be Mona Lisa Gherardini, a courtesan, but later is was discovered
The Mona Lisa represents a composition with an immense value. The subject of the painting itself is mysterious; therefore, the fascination and interest in da Vinci’s work attracted millions across the world. This caused a huge interest in the audience because the Mona Lisa has no identity. Everyone is curious and inquisitive to know who this beautiful woman is. Until this day, no one really knows the real identity of Mona Lisa. In addition, the smile on the face of the woman in the painting caused mixed thoughts. This painting is considered to be one of the greatest mysteries as pertaining to the identity of the subject.
According to the Oxford Dictionary of art, Dada was “A movement in European art (with manifestations also in New York), c.1915–c.1922, characterized by a spirit of rebellious revolt against traditional values. It arose from a mood of cynicism engendered by the First World War, to which some artists reacted with, cynicism, sarcasm and nihilism.”
Impactful across the globe, both Dada and Surrealism were artistic movements created in the early 20th century that were significant in redefining modern art today. The Dada movement came about in 1916 through the performance of Hugo Ball’s sound poem “Karawane” at the Cabaret Voltaire that he opened with his partner, nightclub singer Emmy Hennings, in Zurich, Switzerland. The Cabaret Voltaire became a hub for Dadaism and many artists would come together for performances, many of which were meant to ridicule the massacre, propaganda and insanity of World War I. Independent art groups linked by shared interests in rebellion of the war were created afterwards in large cities such as New York, Berlin, and Paris. These art groups were not connected by the same visual art style, rather by their rejection of what was ideal at the time, stale artistic representation, and accepted opinions of what was rational and the progress of society. They rejected both nationalist and capitalist values because they believed that they were the catalysts of the war. Dadaists used unorthodox techniques, off-the-wall performances and insane provocations to promote self-awareness within society. Dada was anarchy within the art world, with values that rejected what was aesthetic, rational, and ideal. Significant contributors such as Marcel Duchamp disrupted the art world with his readymades, ordinary objects transformed into artistic statement pieces. One of the most controversial pieces Duchamp ever
Dada stems from the emptiness and betrayal a lot of artists felt during this time. It was an ideology, a way of life, it was something that meant to fight for a right to be, a right to say, and a right to act. Dada was, and will continue to be, an emblem of liberation and freedom. During this epoch, a series of ‘manifestos’ and magazines were released to help proclaim and establish the principles Dada stood for. These works sought to attack any and all compliant social, political and cultural attitudes that existed to oppose the war. Dada had goals to get rid of all artistic hierarchies since all snobby arts from the past were seen as restraining. From 1916 and onward, anything and