As time and centuries pass simultaneously art evolves too. During the Greek – Roman period in history art was a powerful medium and was used as a research instrument for studying the human body. The Greeks loved perfection, religion, and their government. These values were transferred to the Romans who adapted the Greek culture together with their swag. Later on by doing so, the mixture of both cultures came to be known as the “classical civilization” (The Greek Spirit pg. 99). The Greco-Roman style influenced many people specifically philosophers, pushed them to create theories that would explain, measure and declare what was art. Amongst these men we encounter the famous philosopher Plato and his ideal aesthetic when developing art. …show more content…
When looking at Haring's work you are able to see that indeed form, shape, and size is not essential, that perfection is not a necessity but that getting the message across is the new perfection, “By expressing universal concepts of birth, death, love, sex and war, using a primacy of line and directness of message , Haring was able to attract a wide audience and assure the accessibility and staying power of his imagery”( Keith Haring Biography) Plato would have hated this artist for not caring about having knowledge of the medium he was using, for being so free and for not being limited. Modern people have lost a sense of perfection and accuracy in their work because the meaning of the artwork has overpowered its aesthetic surface beauty, this meaning that Plato's aesthetic theories no longer limit and gear the modern artist towards perfection.
Art is the recreation of something that already exists. Plato refers to this as imitating work when he says, “Human makers envisage the human community according to the ideas of justice, the good, courage, temperance, and the beautiful. Within the state the various arts are practiced likewise as imitations of an external order of existence” (Philosophies of Art and Beauty pg. 4) Plato talks about how human makers see the world according to certain ideas, which pushes them (while thinking this way) to create/practice art even though in the end they are still imitations of
Rathnasambhava, the Transcendent Buddha of the South and Madonna Enthroned are very similar images that were produced by very different cultures. Both images were produced during the 13th Century. The image of Rathnasambhava, the Transcendent Buddha of the South was produced in Tibet during an interesting period of the country’s religious history. The branch of Tibetan Buddhism is led by a religious and sometimes political leader called the Dalai Lama. It was during the 13th Century during the reign of Kublai Khan, around the time of the production of this painting, that Tibet experienced the first incarnation of the Dalai Lama. One has to wonder if this painting is somehow related to that occurrence. According to
9. Would you like a coffin designed by Kane Kwei? If yes, what form might it take?
4. Express themselves through their writing by posing questions, making original claims, and coherently structuring complex ideas;
Which is more important color or drawing? These two have always been fought over for centuries by Poussiniste and Rubenistes. Two great pieces of art that were created in the 1600’s are Peter Paul Rubens’ The Caledonian Boar Hunt and Nicolas Poussin’s Landscape with Calm. While Rubens argues that color is the most important part of the painting Poussin argues that the drawing is more important. In the paragraphs below I will talk about the paintings each individually and then compare them.
The art piece that I chose to critique is the sculpture of a figure kneeling down and getting shocked. It is located on campus near the Morris University Center(muc). When I first saw this sculpture it caught my attention immediately, because of how gruesome the piece was. I feel like I don’t have a good understanding of what the sculpture represents, but it seems like it would raise plenty of controversy, due to its erotic features. It seems like the artist was venting his emotions when he created his idea. The sculpture is fairly large in size, which makes it noticeable, among the other art pieces on campus. The sculpture media consist of wood and concrete, and metal mostly. The individual is keeling down toward the west and is supported
The main contributions of Classical style are sculptures and architecture. The “canon” that made active use of that principle of proportion known as symmetry corresponds to both the architecture and the sculptures. My overall perspective and assessment of Classical style are that Classical style had strong influences on the development of humanities of ancient Greece. It was an important part of the development of ancient Greek art. It the principle of proportion, order, and harmony and greatly influenced their culture and daily
One of the most influential periods in the history of Western Art is the Italian Renaissance, between 1400-1600 CE. During this time art flourished, and many of the techniques and advancements of art would continue to be taught in art schools that spread across Europe and lay as the foundation of art in modern society. However, some of the main values taught from the Renaissance also caused the resurgence of art at the time, and were originally adapted from the Ancient Greek (Visual-arts...). Particularly in sculpture, the Greeks focus on perfecting the naturalism of the human form would influence sculptors and artist of the Renaissance and Western civilization to maintain focus of depicting human anatomy accurately and resembling real human
The Resurrection of Christ is from the Baroque period. This work of art portrays the sense of dramatic antagonism that Caravaggio achieved by manipulating light across full range of tones, changing the intensity and transforming its radiance this was done so that every beam and shadow expressed a dissimilar emotional content. (Sayre, 2010) In Rembrandt painting he focused on using emotional contrast between light and dark tones to emphasize the emotional difference. Here you can see pure light radiating out of the tomb of darkness. Christ himself begins to rise from the tomb in the light of true symbolic
As literary critics, Plato and Aristotle disagree profoundly about the value of art in human society. Plato attempts to strip artists of the power and prominence they enjoy in his society, while Aristotle tries to develop a method of inquiry to determine the merits of an individual work of art. It is interesting to note that these two disparate notions of art are based upon the same fundamental assumption: that art is a form of mimesis, imitation. Both philosophers are concerned with the artist's ability to have significant impact on others. It is the imitative function of art which promotes disdain in Plato and curiosity in Aristotle. Examining the reality that art
If you have some free time and have always wanted to visit an art gallery, a start is the Art Sacré exposition. Just do not expect high quality art. Running from October twenty-third to December eight-teenth at Les Salles de Gesù, the exposition features four artists depicting spirituality and inner self.
Greek art has changed throughout the years, yet some basic forms have remained. Time, technique, as well as historical events have helped shape the way art has evolved since 600 B.C. Three important periods in Greek art are the Archaic, Classical, and Hellenistic periods. We will discuss how art has changed throughout these periods, what influences led to change, as well as why it changed. We will also discuss what has remained constant through these periods. Since people’s perceptions and taste of art are different, some would say that art has become better with time, whereas others would say the opposite, but nonetheless, it has evolved.
The history of art dates back to ancient times. Artwork can be, and was, found around the world. What makes art interesting is that it can be created in any way, shape or form with any materials. It seems that the artwork can also tell us a lot about the artist. Art seems to be simply, a direct, visual reflection of the artist’s life. Therefore, one can assume that an artist’s life experiences and beliefs directly influence their art. If we look at examples from different periods of art we will be able to see the connection between the artist and the art.
Art is a form of human expression. Art can be seen as the artist sleight of hand on his mood. Art is in various media from posters to public wall of which we call “graffiti”. Art is elusive as the use of colors shapes and the surface used adds a new dimension. Art portrays various ideas, feelings such as triumph, love, happiness, sorrow and boredom in loss to mention a few. Art is beauty and creativity. During man’s evolution art has progressed over in its most primitive state up to its most modernized versions today.
For over two thousand years, various philosophers have questioned the influence of art in our society. They have used abstract reasoning, human emotions, and logic to go beyond this world in the search for answers about arts' existence. For philosophers, art was not viewed for its own beauty, but rather for the question of how art and artists can help make our society more stable for the next generation. Plato, a Greek philosopher who lived during 420-348 B.C. in Athens, and Aristotle, Plato’s student who argued against his beliefs, have no exceptions to the steps they had to take in order to understand the purpose of art and artists. Though these two philosophers made marvelous discoveries about the existence of art, artists, and
of art as a finished product, signed by the artist and authenticated by the art market,