Artemis: The Art Of The Temple Of Artemis

The blocks had to be maneuvered on sleds down a paved quarry road (parts of which still survive), and only the smaller ones could be eased along on rollers. At intervals, there were stout posts, carrying rope and tackle, which were used to help brake the sleds downward momentum. Accidents were not unknown, and one rough dresses column drum, probably destined for the Parthenon lies in a nearby ravine to this day.

An easily made mixture of sand and rock, it was much lighter than marble, just as durable, and could easily be worked to form different configurations. This progression in material, and craftsmanship enabled the Romans to make the dome which still can be seen today. However, they did not stray too far from the Greek innovations; they also included Corinthian columns made from granite as part of the façade. The porch on the Pantheon has the same character as the Parthenon; it uses the columns to assist in holding up the porch roof. The Parthenon also used columns, called Doric which was not just the style of columns, but also represented an architecture design that gave the standing columns a unique look. Using the post and lintel system, they distributed the weight of the massive roof evenly. They were also used more extensively throughout the Parthenon, using an ingenious ratio of 4:9 which gives it a sense of harmony and balance. One difference they do portray is the way light enters inside the structures. With the Parthenon having columns that surrounded the entire structure, light was able to freely enter without obstructions. The Pantheon light source, other than the light that enters through the front entrance, is by a hole that is in the roof that is approximately twenty-seven feet in size. However, we

Archeologists suggest that the large stones used in building the pyramids were transported by rolling them over logs or a wet, slippery, clay surface. These methods may have been effective in moving the blocks close to the building site, but do not explain how the massive

Egyptian temple was landscaped in such a way that the external wall looked like a fortress isolating the temple from its environment which symbolically denoted the forces of chaos and evil. In the same vein, Egyptian temple hypostyle hall and ceiling are decorated with paints, stars, and other celestial bodies. Whereas, Greek temple is positioned and planned to maximize the context of its surrounding landscape. Again, the Greek decorations are straight decorations. They are decorated following pre-defined Ionic and Doric

The Pantheon is an iconic part of architecture, particularly in the mediterranean. Constructed in Imperial Rome, the Pantheon was an incredible piece that forever influenced the basics of architecture. A similar piece, contemporary to the Pantheon, would be the Dome of the Rock. Found in Jerusalem, the Umayyad caliph built the shrine in the seventh century to serve a function as an Islamic shrine. Being the oldest extant Islamic monument known to man, the Dome of the Rock is sacred to both the Muslim and jewish religions.While being in completely different cultures, the Pantheon and the Dome of the Rock share numerous similarities varying from their functionality to the characteristic style of the domes.

— just below the ceiling on both faces of the inner octagon. The main bulk of the interior

The Romans also borrowed from the Greeks other major structural designs. On the top of a column on most temples and public buildings rested an Entablature. This is a classic triangular shaped façade, or front of a building. The Entablature consists of four parts. The lowest part is the Architrave, which sits on top of the capital or upper part of a column. On top of that, the frieze was typically decorated with horizontal bands. The Cornice forms the upper part of the Entablature and extols beyond the frieze on the sides. On the very top sits a Pediment, a triangular segment between the lower Entablature and the roof ("Architecture").

the ancient Tikal temple but the temple I have presented is between the third to twentieth one

Architecture comes with many significant meanings, including religious significance. The Pantheon, built from 118 to 125 CE in Rome, Italy, was a temple made to worship the Roman gods and goddesses. This temple is one of the most important buildings both in history and architecture, influencing many other monuments with its form, such as The Dome of the Rock. The Dome of the Rock, built from 687 to 692 CE, was the first great Islamic building. Located in Jerusalem, it is a shrine still very significant to many religions, such as Judaism and Christianity, today. Though not resembling each other in appearance, these buildings are extremely similar, in terms of religious meaning. The Pantheon and the Dome of the Rock, through their own distinctive form and similar location backgrounds, illuminate religion as the most important factor in each society, as these monuments symbolize a sense of unification throughout the city.

Architectural monuments can be interpreted in many unique ways; writings from historical voices allow visions into ancient architecture. The Temple of Zeus at Olympia was built in 470-457 B.C., and is a very classic example of a doric style temple. In a short description by ancient geographer Pausanias, The Temple of Zeus is described quite plainly and equitably. Described in strongest detail are the carved friezes and pediment statues with exact numbers and materials. Pausanias’s description of the temple is much more informational compared to some architectural interpretations written around the same time. Although not describing the temple in a poetic and artistic way, Pausanias illustrates a clear picture

Stamper, The Architecture of Roman Temples, 106. Stamper, The Architecture of Roman Temples, 106. Stamper, The Architecture of Roman Temples, 106. Stamper, The Architecture of Roman Temples, 109 Frank Sear. Roman Architecture (London: BT Batsford Ltd, 1989), 59. Darryl A. Phillips, “The Temple of Divius Julius and the Restoration of Legislative Assemblies under Augustus”, Phoenix 65 (2011): 382 Stamper, The Architecture of Roman Temples, 130 Sear, Roman Architecture, 58 Sear,

All the same, the Hagia Sophia was a Greek orthodox Christian patriarchal basilica which was later change into an imperial mosque after Turkey was conquered, and now a museum

The Temple of Athena Nike was built where it is for various strategic and religious reasons. Pericles rebuilt it as part of an effort to increase morale and renew culture during wartime. It was built over a previous temple to Athena, which was used for similar things. Utilized continuously by Bronze Age Greeks, the temple also served as a military base. References to Nike, the goddess of victory, also strengthened the luck associated with this structure and, therefore, its appeal as a fort. It also was arranged to face an altar to the east. Furthermore, the location affected the use of stone, as the natural shapes and quality of local marble inspired the Doric and Ionic orders. Thus, the Ancient Greeks had reasons for placing the Temple of Athena Nike where it still stands today. (Ancient-Greece.org)(Reidel, Brown.edu)

Agrippa, Augustus’ right-hand man, constructed this building as a temple to all the gods; however, a fire destroyed this temple in 80 CE and so Domitian built the reconstruction. The Pantheon we are familiar with has a significantly different design than the original one, and this is why this specific temple is so dislike to the rest of the Roman temples. Before it was burnt, the Pantheon stood in a podium at the end of a large rectangular court. The surroundings of this temple have changed in order to provide a unique experience to its visitors. For example, the temple has en enormous dome with a 27-foot oculus that opens to the sky. This oculus lets a shaft of light come through creating an emphasis wherever the reflection is. Visitors were driven nowhere but to the light at the center of the dome. This building was built for greeting foreign embassies, adjudicating disputes and hold court (Janson). Moreover, the Pantheon is extraordinary because of the potential and strength of concrete. Some other materials used in the process of building the temple include travertine, tufa, brick, and pumice. These materials varied in order to reduce its weight. The colored marble on the wall symbolized imperial authority. The sphere is though to symbolize eternity and perfection and the bronze panels symbolized a starry night sky.

There are seven most remarkable structures of ancient times and I’m going to write about four out of the seven. The statue of Zeus, which was created in 432 B.C., by Phidius, the lighthouse Of Alexandria that was created by Sostratus in 290 B.C. and took 20 years to complete. The Temple of Artemis at Ephesus that was first created in 800 B.C. by Croesus and the Mausoleum at Halicarnassus that was built around 353 and 350 B.C. These are only four out of the seven wonders I will be writing about who commissioned and created each one of them. How they were built, where they were located, when was it constructed, why they were considered one of the seven wonders of the ancient world and what happened to them.