Artistic Renaissance: Raphael Essay

The author of The School of Athens, is Raffaello Sanzio. He was born in the mountain town of Urbino. Raphael was born on April 6, 1483 and also died on the same day in Rome in 1520. He settled in Florence in 1505 at only fifteen-year’s old. Raphael first produced art in Urbino at a young age. Raphael produced his first piece of art at fifteen year’s old. He is a naturalistic artist. He used paint for his paintings. He started with Marriage of the Virgin (1504), the Dispute over the Sacrament (1510-1511), then the misnamed School of Athens (1510-1511), and lastly the Cardinal Virtues (1511). Raphael was part of the great trio of High Renaissance masters. He became the most prolific and most widely celebrated painter of his time. At age twenty-six-year-old Raphael was called to Rome by Pope Julius II to embark on the major phase of his career. Raphael did not approach painting as a series of solutions to technical problems of representation. Instead, he made preliminary sketches many of them preserved

Giotto is considered the first artist to be fully immersed in the Renaissance, and the man who truly brought the Renaissance to Florence. He learned from the skills and progress of the artists before him and took their work one step further. By this time, artists were viewed as skilled workers in society, whereas before they had been seen more as craftsmen. It was recognized that creative and intellectual skill were needed to create art, and artists became more educated, prosperous, and prominent in society, and this increased respect allowed the artists to develop their skills further and take greater pride in their work. One of Giotto’s most extensive projects was the Arena Chapel in Padua, which was a series of frescoes lining the walls and ceiling of the chapel. He worked on this for five years, from 1305 to 1310. Giotto was commissioned to paint this chapel by Scrovegni,

Raphael Sanzio or Raffaello was an Italian master painter and architect of the Florentine school in High Renaissance, celebrated for the perfection and grace of his paintings. He was also called Raffaello Sanzio, Raffaello Santi, Raffaello da Urbino or Rafael Sanzio da Urbino. He moved to Florence at the age of 20, where he was exposed to Leonardo da Vinci, "whom he never ceased to admire as a mentor and father figure", and to Michelangelo. Raphael learned from both men, but while he made use of their exploration of human anatomy, he added sentiment to his paintings.He was commissioned by Julius II to paint some of the rooms at his palace at the Vatican. This marked a turning point, and he was only twenty-five years old. He remained almost exclusively in the service of Julius and his successor Leo X. He painted "a series of frescoes in the papal apartments" as well as those of the "Stanza della Segnatura, which include his vast School of Athens."

The Renaissance was a period in Europe civilisation that immediately followed the Middle Ages. It was an era of cultural growth that was introduced in Italy and was carried on throughout northern Europe lasting the 14th to 17th century. Many artists and scholars of that time period believed that they were contributing in a revival of the ideals and worth of the periods that arrive before them. The Renaissance period open doors for individuals to rediscover one’s will and obligations of observing the environment. It was an opening for them to express themselves in human terms. They shifted their interest from God centred to humans centred, known as Humanism. The Renaissance had expanded into four periods which were classified as Early Renaissance,

Raphael was one of the most important artists of the Italian Renaissance. Raphael painted and designed many brilliant pieces of work and the stanzas inside the Vatican. He was a master at such necessities of modern art such as depth and perspective and the use of light and shadow, and was the turning point styles of paintings like the use of Madonnas in paintings. Through his short life, Raphael would make some of the most awe-inspiring, beautiful, and influential works of art during the Italian Renaissance.

In the years to come, Raphael painted an additional fresco cycle for the Vatican, located in the stanza d’Eliodoro (“Room of Heliodorus, The miracle of bolsena, The Repulse pf Attila from Rome and the liberation of saint peter. During the same time, the ambitious painter produced a successful series of “Madonna” paintings in his own art studio. The famed Madonna of the chair and Sistine Madonna were among them. By 1514, Raphael had achieved fame for his work at the Vatican and was able to hire a crew of assistants to help him finish painting frescoes in the Stanza dell’Incendio, freeing him up to focus on other projects. While Raphael continued to accept commissions – including portraits of Popes Julius II and Leo X – and his largest painting on canvas, The Transfiguration (commissioned in 1517), he had by this time begun to work on architecture. After architect Donato Bramante died in 1514, the pope hired Raphael as his chief architect. Under this appointment, Raphael created the design for a chapel and an area within Saint Peters new basilica. Raphael’s architectural work was not limited to religious buildings. It also extended to designing

When he was in his teens he was "commissioned to paint for the Church of San Nicola in the neighboring town of Castello" so his work even impressed the church, which was a big deal back then. Raphael was invited by a master painter, whose name was Pietro Vannuci otherwise known as Perugino, to be his apprentice in Perguia, "in the Umbria region of central Italy". In Perguia, "Pergino was working on frescoes at the Collegio del Cambia" where Raphael would go and learn how to paint frescoes. He was his apprentice for 4 years. In those 4 years he took advantage of the opportunity and gained a lot of knowledge and hands on experience

Every painting is a unique experience for each individual person, therefore two of the artists that offered some of the most unique experiences where Leonardo da vinci and Michelangelo. While both of these painters are today well regarded and remembered, during their time they both had achieved such status in vastly different ways. Therefore even though these two artists lived during the same time these two are nothing alike. With their unique take on the world and events around them they were able to shape how the average person thought about the world around them.

Raphael painted the School of Athens in 1509–1511. The School of Athens includes all the greatest mathematicians, philosophers and scientists gathered together and sharing their theories with one another. It is important to note that that each of these people pictured in Raphael’s painting all lived at different times than one another. Raphael's painting “School of Athens” was not an actual school instead it was to represent the best of the best of the world’s great thinkers. In the center of the painting is Aristotle and Plato; they both had huge roles in Western thinking while also being very distinctly different in their philosophies. The idea behind Raphael's painting was to bring the ideas of everyone into one accord. The painting shows

The Renaissance time period was home to many new ideas in art. This includes new artists bringing forth ideas that had yet to be discovered and made popular. New themes and types of art were also being brought forward during this period.

Most artists have a dark history that have inspired them to create beautiful artwork, however Raphael Sanzio De Urbino had a very successful social life along with creating well known classical artwork. Raphael’s artwork included many different elements of art, including triangles, diversity and rule of thirds. Raphael is an Italian artist from the early 1500’s and has changed his style multiple times, due to the influence of Petro Perugio. Considering all of the upcoming artists like Leonardo Da Vinci and Michelangelo, he eventually developed his own style and stuck to it . A few of Raphael’s most famous artwork is, The School of Athens, The Transfiguration, Sistine Madonna, and The Marriage of the Virgin.

It was in his father’s workshop where “[Raphael] would be taught the fundamentals of his father’s occupation at a very early age and his path paved for entry into the professionalism” (Talvacchia 18). Acknowledging his son’s potential, Santi brought young Raphael to Perugino’s workshop in Perugia to be further educated by a more qualified master (Talvacchia 18). As of 1500, records indicate that Raphael was no longer in Urbino, suggesting the embarkment of his career (Ponente 33). Raphael accepted commissions to various works throughout Città di Castello and Perugia, establishing his profession. Not only did he take jobs from Perugia, he also worked in Urbino and Siena, aspiring to work in Florence (Talvacchia) amongst the two most distinguished artists of the day [Leonardo da Vinci and Michelangelo] (Talvacchia 48).

By the time Michelangelo returned to Florence, he had become somewhat of an art star. He had taken over commissions for a statue of “David”, and several other commissions, including a important project for the tomb of Pope Julis II, but this project was interrupted due to a request for Michelangelo to decorate the ceiling of the Sistine Chapel. Michelangelo continued the work on the tomb of Julis II after the Sistine Chapel was completed, and even designed the Medici Chapel and the Laurentian Library.

The renaissance or “rebirth” was a cultural awakening which spanned from the fourteenth to sixteenth century. A growing interest in humanist traits and classical ideas heavily influenced the art during the renaissance. A growing community of artists provided much needed competition for their profession. The renaissance introduced many different and modern ideas but also remained obedient to classical belief. The unique art of the renaissance spread throughout Europe. Northern European art differed tremendously from Italian art.

When the new upper class movement, Renaissance, occurred in Italy around the 14th century, a revival of the classical forms originally developed by the ancient Greeks and Romans, an intensified concern with secular life, and interest in humanism and assertion of the importance of the individual began. Thus, artists such as Mosaccio and Giotto depicted art that unlike the Middle Ages, showed emotions, feelings, and bright colors, thus demonstrating the deep concern for naturalism in the society. Other artists during the Italian Renaissance period such as Giovanni Bellini began to express their art through secular and religious themes and ideas that were exhibited through landscapes and portraits. As new styles of