Beatrice And Benedick Analysis

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Can “love” blind a casual individual? It is progressively passed towards many individuals that love cannot be maintained within any sorts of boundaries. Its emotion and sense of attraction has the ability to cloud one’s own ego. The differences or traits between two people associate towards one another through it. It develops a rollercoaster-like movement of emotions inside each of the partner's character. “If it prove so, then loving goes by haps; Some Cupid kills with arrows, some with traps.” (Act 3, Scene 1) Hero in the plot states, which exclaims the emotion of development of love is created by chance, no matter of the cause. An arrow can be the chemistry and progressed development of passion towards another, while the trap can be sprung …show more content…

Benedick and Beatrice within the plot are both individuals with similar headstrong egos, while Hero and Claudio are both a duo of mesmerized partners towards each other’s passions and love. Benedick is an arrogant and dense-minded gentleman towards any object or task which proves his nobility to his pride by denying the theory that Beatrice is in love with him. Accordingly, an example of this is represented directly from him towards Beatrice, “Then is courtesy a turncoat. But it is certain I am loved of all ladies, only you excepted; and I would I could find in my heart that I had not a hard heart, for truly I love none.” (Act 1, Scene 1) Beatrice is the perceptive one in the pair, while showing the similar traits of inflexibility as Benedick. Another Hero response for the previous quote can be used as an illustration of her ego, “A dear happiness to women! They would else have been troubled with a pernicious suitor. …show more content…

I had rather hear my dog bark at a crow than a man swear he loves me.” (Act 1, Scene 1) She uses the progressive “hard to get” or deceiving behavior towards anything to achieve a reward out of it in the end, while Benedick is the opposite using a direct act to succeed on getting what he desires. They can both be recognized or used as a “realistic” pair.
Hero and Claudio are the class of lovers that are pictured as an ideal relationship from others’ perspectives. They are ascertained in the comedy as the prioritized and conflicted relationship, but they are polar in comparison to their relationship to Benedick and Beatrice’s. Examples according to it, exclaimed by Hero, “O god of love! I know he doth deserve
As much as may be yielded to a man, but nature never framed a woman's heart of prouder stuff than that of Beatrice. Disdain and scorn ride sparkling in her eyes, misprizing what they look on, and her wit values itself so highly that to her all matter else seems weak. She cannot love, nor take no shape nor project of affection, she is so self-endeared.” (Act 3, Scene

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