In Toni Morrison’s Beloved, the author explores the deeper effects of the pain of Sethe’s past in chapter six through synesthesia, tone, double meaning, and diction. When Beloved becomes peculiarly obsessed with Sethe, she prompts the harrowing times of her cobwebbed past with unusually specific questions. Throughout the novel, Beloved’s appetite for information spawns Sethe and Denver’s desire to fulfill her wishes, their level of eagerness increasing accordingly. With Beloved’s insistence on the context of Sethe’s diamonds, “it became a way to feed her...Sehte learned the profound satisfaction Beloved got from storytelling. It amazed Sethe (as much as it pleased Beloved) because every mention of her past life hurt. Everything was painful …show more content…
Sethe’s storytelling begins to release the pressure built up inside of her mind, leaking out through each breath in and out. It’s described as a way to feed and a substance to thirst for, implying it’s necessity when equated to food or drink. The release of her painful emotions are essential to Sethe’s recovery, and they are intensely stimulated through synesthesia. By connecting the necessity of food to Sethe’s necessity of opening up the coffin of the past, the reader is handed the ability to see how important it is for her to relinquish those stories to not just Beloved, but herself as well. Next, Morrison felt the need to give this quote not one meaning, but two! She begins the quote with, “it became a way to feed her”, but the her that is referred to can be interpreted ambiguously. The ambivalence of the pronoun “her” serves the purpose as the storytelling can be construed to feed both Beloved who is curious about Sethe’s ghosts and Sethe who appears to find a maturing pleasure in it. By providing this double meaning within the text and throughout the whole novel, we see many contrasting ideas of Sethe’s painful past and Beloved’s taxing amusement of her
In Toni Morrison’s novel, Beloved is a character whose identity is primarily unknown. She retains some of her memories, although they are mostly obscure and symbolic. Even though she become increasingly obsessed with Sethe, her true objectives are only later revealed, when Sethe realizes that she is most likely the reincarnation of the daughter she killed to protect from slavery. Beloved uses Sethe’s guilt to subjugate her, she forces her mother to give, and then forfeit, everything she has to her, including her own sanity. “Beloved didn’t move; said, ‘Do it,’ and Sethe complied. She took the best of everything – first” (Morrison 277). Beloved starts wearing her mother’s clothes and mimicking her behaviors; Beloved becomes the mother, and Sethe the child. “The bigger Beloved got,
Although this event is repeated several times, it is never repeated for the some reason or in the same way. We go from meeting Amy before Denver is born, to the actual birth on the boat, and finally the story of naming the baby after she is born. This sequence of events, and the use of the story over and over again, show its significance in Sethe’s life so far. Not only was it the start of a wonderful relationship with her daughter, but it was also the start of some pretty horrible memories. This is referring to Sethe’s sudden urge to try to kill her children as protection from future slavery. While she thought this was a good idea at the time, it turned out to be yet another horrible memory in her life. Using this story a number of times in the text shows the overbearing weight Sethe must carry with this
Toni Morrison has written several novels, many of which show the influence of existentialist thinking; however, Beloved and The Bluest Eye both strongly illustrate all of the major existential themes. Beloved is a novel about a woman, Sethe, who escapes from slavery with her children. She is haunted both physically and psychologically by her experience, as evidenced by the scars she carries on her back from a severe beating, and the scars she carries in her mind from the horrible treatment she suffered. A few weeks after her escape, Sethe's owner hunted her down to reclaim her as his property. Under the fear of capture, Sethe decided that for her children, death
Sethe says she believes she won't even have to explain her motives for killing her (a love so great she can't let her be taken into a life of slavery). "I don't have to remember nothing," Sethe tells herself on page 183. "I don't even have to explain. She understands it all." Sethe believes the one true way she will find restitution and understanding with Beloved, is by knowing the mark she has left on her daughter. "I only need to know one thing. How bad is the scar?" Sethe feels that by knowing the scar, by touching the "memory of a smile under her chin," she can feel her daughter's pain and connect with her.
Even after she acknowledges Beloved's identity, Sethe shows herself to be still enslaved by the past, because she quickly succumbs to Beloved's demands and allows herself to be consumed by Beloved. Only when Sethe learns to confront the past head-on, to assert herself in its presence, can she extricate herself from its oppressive power and begin
Destruction of identity, another theme of the novel, relates to the violent scenes. In the second part of Beloved, Sethe takes a stand and expresses her feeling on the violent acts being performed on her. “Nobody will ever get my milk no more except my own children. I never had to give it to nobody else—and the one time I did it was took from me—they held me down and took it. Milk that belonged to my baby” (Morrison 200). Sethe finally comes to terms with her past and vows to never let such a horrendous act happen to her again. Beloved’s reincarnation occurs because Sethe needs to face her dark past head on and free herself from living in shame. It took time, but, Sethe eventually overcomes the odds and begins to live freely and peacefully in her house.
When Sethe first meets Beloved, she welcomes her with a suspiciously large magnitude. Furthermore, it is clear that Sethe never revealed her past experiences to Denver, yet the moment Beloved asks about her lost earrings, it was “the first time she had heard anything about her(Sethe’s) mother’s mother”(61). This proves that Beloved, and not anyone else, is pulling Sethe to the past, by making her recollect of her days as a slave. In addition,“it is clear why she holds on to you(Sethe), but I just can’t see why you holding on to her,” Paul mentioned(67). This shows how Paul realizes that Sethe has taken in Beloved without much reasoning, and when Beloved hums a song that Sethe happened to make up, Sethe fully but blindly embraces Beloved as family. In fact, she “had gone to bed smiling,” anxious to “unravel the proof for the conclusion she had already leapt to”(181). This shows how consumed by Beloved she is.
We learn a lot about the healing process of Sethe due to what Beloved has done to her. Beloved forces Sethe to confront her past so much that she is
Beloved is seen as the resemblance of Sethe’s dead baby. Beloved is portrayed as a teenage girl, however she is different from other black teenager, “…and younger than her clothes suggested – good lace at the throat, and a rich woman’s hat. Her skin was flawless except for three vertical scratches on her forehead so fine and thin they seemed at first like hair, baby hair before it bloomed and roped into the masses of black yarn under her hat.” (Morrison 62). Beloved unexpectedly came to 124, the house where Sethe, Denver, and Paul D lived. However, Sethe became attracted to her, “Sethe was deeply touched by her sweet name; the remembrance of glittering headstone made her feel especially kindly toward her. Denver, however, was shaking. She looked at this sleepy beauty and wanted more.” (Morrison 63) represent Sethe’s fascination towards Beloved, because she made Sethe recall her dead baby, which also has the word Beloved engraved in the gravestone. The name Beloved itself makes Sethe sentimental from
Sethe lives in the shadow of her act of infanticide throughout the entire length of the book. This is because its legacy pervades itself throughout the entire novel, showing events leading up, and ways the future has been affected. The novel begins as such: “124 was spiteful. Full of a baby’s venom. (Page 1)” This baby refers to Beloved, who became a ghostly presence in Sethe’s house and continuously terrorizes the house
The theme of isolation as in many of the other pieces of literature that we have read this year can been seen in this novel Beloved. The theme can be seen in the isolation of Sethe and her inner self. It can also be seen with Denver and her separation from society because of the children at school. There is also the detachment of Sethe’s family from the rest of the world because of her past and what people think of the house and
Through character development, the story also portrays the theme of escaping the past. Sethe’s actions are influenced heavily by her dead child, Beloved. When the “human” form of Beloved arrives while sleeping
Sethe begins to nurture her children, only for her children to have a growing fear that Sethe would kill them one day, enacting her children to distance themselves. Due to Sethe mother’s abandonment, Sethe in fact has never been a “daughter” and the love she displays, Paul D. describes as “too thick” (193) causes resentment from her children. As Sethe undergoes mental and physical abuse from Beloved, causing her strong personality to wither away and becoming fully dependent on Beloved, Sethe gives herself to Beloved, “[a]nything she wanted she got” (283). This is a story not to be passed on for Sethe, she allowed herself to be swallowed up by her own inability to move past her dreadful memories at Sweet Home. The past, “Beloved” began to slowly creep on her, draining away the strong woman she once was. Sethe always tried to nurture her child, the way her mother never nurtured her. However, in the end when she becomes dependent on Beloved, she becomes old and weak. Yet, her positive development occurs when Paul D tells her that she, herself is the most important thing and finally then Sethe moves on.
Her healing actions toward Sethe, not only gives Sethe the physical strength to go on, but the restoration of self-worth and dignity.
“She must have nursed me two or three weeks---that’s the way the others did (pg 73).” Again here we see how milk to a child is important to Sethe because it is the only interaction that she had with her daughter Beloved and her nameless mother. Even though Sethe tries to understand and cope with the past, Beloved generates a metamorphosis in Sethe that allows her to speak what she had thought to be the unspeakable.