Blackfish as a Platform for Animal Rights Essay

The controversial documentary Blackfish, directed by Gabriela Cowperthwaite rose to popularity four years ago in 2013, when it was released. Blackfish tells the stories of killer whales, or orcas, that were caught and kept in captivity, and the effects that arose due to their capture. The documentary focuses on Tilikum, an orca caught in 1983, who was kept in captivity in SeaWorld Orlando since his capture for 34 years. Blackfish does an excellent job in using all three rhetorical appeals, providing many real life examples and statistics, to defend their argument that orcas should never be captured or held in captivity.

For many years there has been an ongoing debate on whether or not animals should be given rights, even there own bill of rights. Some who are against the animal bill of rights argue that testing products on animals is important to the safety of humans. Others who want the new bill of rights claim that animals have feelings and that science is treating them inhumanely. Animal activists also add that animals are intelligent beings and are aware of how they are treated. Based on science proving animal activists correct on many of their points, this calls for a new bill of rights, in the United States, especially written for the protection and care of wild and domestic animals.

A documentary is an expository text that informs its audience about an issue person or event using visual and auditory conventions to convey a message. Documentaries are often used to reveal an unusual, interesting or unknown angle. Topics are limited only by one's imagination. The documentary Blackfish is the story of Tilikum, a captive killer whale that has taken the lives of several people, it underscores problems within the sea-park industry, man's relationship to nature, and how little has been learned about these highly intelligent mammals. This documentary was directed by Gabriela Cowperthwaite. The ideas that orcas are wild and unpredictable, Seaworld’s treatment of orcas are inhumane and Seaworld’s was negligent in their training of their trainers. These ideas are shown throughout the documentary as visual techniques of Celebrity figure, expert opinion, audio codes, the documentary technique of interviews, archival footage and written codes. I think these ideas in the documentary are quite true and are well proven throughout the documentary.

Gabriela Cowperthwaite’s activist documentary, Blackfish, spurred a significant public dialogue following its 2013 premier. The film centers on the role of Tilikum, an orca whale at SeaWorld, in the deaths of three SeaWorld trainers, including, most recently, Dawn Brancheau. Cowperthwaite follows a suit brought against Sea World by the Occupational Safety and Health Administration (OSHA), weaving together testimony of scientists, former trainers, and family members of the deceased, among others, to make a compelling case against SeaWorld’s practice of holding and performing alongside orcas. Nevertheless, after its release, the film drew criticism from some of its participants as well as Sea World itself. Cowperthwaite claims not to have tried to vilify SeaWorld. However, this claim seems dubious given the film’s fairly evident anti-SeaWorld bias.

Is it ethical for animals to have the same rights as humans? During this paper I will present the views of both sides. I will try my best to give the reader a chance to come to there own unbiased conclusion. I will talk about the key areas of animal ethics. I will present the facts and reasoning behind the arguments over Animal cruelty, testing, hunting, and improper housing. My conclusion will hopefully bring us closer to answering many of the question surrounding “Animal Rights and Ethics”.

Finally, I will give reason to why people need to realize the damage SeaWorld is doing to the

Furthermore, the marine mammal science community, which has long maintained a neutral stance on the question of whether orcas are a suitable species for captive display, has finally recognized the need to engage. An informal panel discussion on captive orcas is scheduled at the 20th Biennial Conference on the Biology of Marine Mammals in December, the first time this topic will be openly addressed by the world's largest marine mammal science

The documentary, Blackfish, proves that there was and still is quite a bit of controversy over whether it is ethical to keep Orcas in captivity. Some people believe that it is acceptable since the Orcas are being treated and fed well. Other people, however, believe that this is not ethical because being kept in a tank for twenty years leads to aggression and therefore is too dangerous for humans. The documentary proves that there are many incidents, in the past, where a whale has harmed their trainer. One example of this, that made people more aware of the danger, was the death of Dawn Brancheau in 2010 (Cowperthwaite & Oteyza, 2013). The incidence has led to many different debates over the years and Sea World has had to try to refute the claims that were made about them. The claims were regarding their treatment of the whales and other issues. However, Sea World was not

Blackfish (2013), a mesmerizing, psychological documentary with 7 film awards and 38 nominations, presents an extensive look into the negative effects captivity has on Orca whales. The director and writer Gabriela Cowperthwaite calls her audience to action, similar to documentaries such as Food, Inc., The Cove, and Super Size Me. In all of these documentaries, the director and writers reach out to an audience that is not fully knowledgeable on a certain topic, in order to persuade them into taking a stance on a certain topic. In Gabriela’s film, she illustrates the story of Tilikum, a performing Orca who killed many people while at SeaWorld, Orlando. Though at times graphic, the film investigates the harmful effects captivity has had on these wonderful creatures and their trainers. Blackfish uses credible interviewees, powerful voice-overs, and influential outside evidence to persuade those who are un-informed of the negative effects of captivity on killer whales. The ultimate goal in doing this is to urge these individuals to take a stance against aquatic captivity.

Since 1961, 157 orcas, or killer whales, have been ripped from their homes and shoved into captivity. 127 of these orcas are now dead. With the number of captured orcas plus the number of those born into captivity, The W.D.C. (Whale and Dolphin Conservation) reports that, “At least 162 orcas have died in captivity, not including 30 miscarried or stillborn calves” ( “The Fate”1). Out of the 127 taken into captivity, 44 have died in SeaWorld. There are currently 58 orcas residing in 14 marine parks in eight different countries. 24 of those orcas are held in SeaWorld’s three parks in the United States. Since 2002, 14 have been taken out of the wild and put into these marine parks. (“The Fate”1) It is not fair for these innocent creatures to be physically and mentally manipulated and damaged. Such brutality would not be condoned if it were targeted towards a human, and it should not be condoned when targeted toward an animal. Orca whales should not be held in captivity because they are forced to live in subpar conditions, they are mistreated while in captivity, and they are led to aggressive behavior.

Throughout history, humans have utilized nonhuman animals for the benefit of mankind. This tendency increased as civilization developed, and presently, necessitated by staggering population growth and technological progress, human use of animals has skyrocketed. We eat them, we breed them, we use them as test subjects. Some people have begun to question the ethics of it all, sparking a debate on animal treatment and whether or not they have rights. In a paper on the subject, Carl Cohen lays out his definition of rights, explains their relationship with obligations, and uses these ideas to present the argument that manifests clearly in his piece’s title, “Why Animals Have No Rights”. THESIS

The documentary starts off with a violent attack in 2010 on the parks most experienced trainer Dawn Brancheau, Dawn was dragged into the water, mauled by the 5000-kilogram orca Tilikum. Dawn’s story was the called ‘premise’ of the documentary, that is the scenario and question that drives the action of the documentary. The question is, why would a highly intelligent animal bite the hand that feeds it? The rest of the documentary explores different situations of Orca attacks in the sea park industry as it attempts to determine why these attacks are more frequently becoming a regular occurrence throughout today’s day and age. They explore this through researching on what the orca’s life was like before

Blackfish, a documentary by Gabriela Cowperthwaite, analyzes the horrific treatment, containment, and use of Orca whales within entertainment facilities. The discussion of treatment began in 2010, when Dawn Brancheau was killed and drowned by the whale, Tilikum. Since this incident, there have been multiple investigations into SeaWorld and similar facilities. It is argued that the whales should be released from these facilities due to the posed dangers they have to humans, and themselves.

SeaWorld has shone on the radar of public peruse and activist criticism since experiencing its first animal-motivated death on July 6th, 1999. The victim, 27-year-old Daniel P. Dukes, had ambiguously evaded park night-security and entered the Orca tank under the cover of darkness. He was found dead the next day, drowned; but although declaring Dukes’ primary cause-of-death as pulmonary edema, Orlando’s District Nine Medical Examination Office also detailed vivid lacerations and avulsions - specifically of the genitalia. The severity of Dukes’ mutilation beaconed the public to his attacker: Tilikum, the largest Orca ever to be held in captivity - and not one new to, or finished with, killing. In response to Tilikum’s violent and arguably tragic history, film director Gabriela Cowperthwaite organized an ambitious, journalistic undertaking to expose SeaWorld’s inhumanity to the public; this undertaking would eventually translate into the 2013 documentary, Blackfish. Blackfish is, at its core, a project of entertainment, so the 1 hour and 30 minute film extensively fuses artistic expression with factual evidence to persuade its audience into condemning SeaWorld and its conglomerates, as well as to stand with Blackfish in its battle against the organization for its abusive conduct.

Throughout history morality has been a topic of intense debate. Innumerable thinkers have devoted immense amounts of time and energy to the formulation of various ethical theories intended to assist humans in their daily lives. These theories set out guidelines which help to determine the rightness or wrongness of any given action and can therefore illuminate which choice would be morally beneficial. And while many of these theories differ substantially, most have at least one common underlying principle, namely that humans deserve to be treated with a certain level of respect. This idea comes from the belief that all humans have interests which are significant enough to be considered, hence no one should impede another