Blade One Essay example

The creation and consumption of films are a common favorite pastime for many people and have been for hundreds of years, but while some films can seem deceptively simple, many elements go into creating a scene, much less an entire movie. Directors use these elements which include, but are not limited to style, mood, composition and special effects to create a product that we often don’t acknowledge without looking deeper into the film. These components together are called Mise en Scène (Ebert). Of course, film can be enjoyed leisurely but there are so many more aspects of film to be explored and analyzed such as the composition of camera movement, lighting, color, sounds and music. In this case, I chose to analyze the “Redrum” scene from the renowned film, The Shining directed by Stanley Kubrick. In this scene, Danny Torrence, a five year old boy wanders around his mother’s room with a knife in hand, muttering the word “Redrum” over and over again before scrawling it across the door. I feel that a lot of this scene’s mood and style relies heavily on the camera work of the scene, the lighting and colors, and the music incorporated into the segment.

shot of exterior of house (like shot 2). Friend's car drives in from right of screen and parks in front of steps leading up to house front door. Friend gets off car and walks briskly into the house (5 seconds). Cut to.

Now the music filled our ear and the dancers rushed out to the center of the stage with kicks, jumps, and arm swings that gave it a hip-hop, jazz with a little ballet vibe that stood out from other dances. It felt as if you were in the big city at night. People are rushing back and forth creating an intense feeling with the music picking up pace as well.

Upon returning home he finds out that another child that his parents had adopted is accused of the murder of his brother. She is tried and found guilty then executed for the crime. 5. After losing two loved ones Victor leaves for a vacation hoping to be able to relieve some of the grief he is dealing with. One day of this vacation he is approached by the creature, who then tells Victor that he is the one that killed his brother, but did it in order to try to hurt Victor for abandoning him.

Lukas Hamlescher Dr. Neuendorf COM 320 Preliminary Draft Wes Anderson is a staple in the independent film community. He writes, directs, and produces most of his films. He takes time to develop stories unique to him and from each other. Nonetheless, all of Anderson?s films have an undeniable familiarity between them as he imprints his style on everything he creates. However, if he did not have inspiration or influences for his films, his creativity and artistic flair may not have a proper way to be displayed.

Every shot of this film has a balance and symmetry that is simply beautiful. Set in the sixties, there is nostalgia and visual appeal in every frame. There is also a color palette of soft green,

The documentary Forks Over Knives is one of the most interesting yet informational films I have seen regarding health and society today and I was intrigued since the second I turned it on. It made it so much easier to understand and conceptualize because the film followed patients and documented their success stories; you were forced to believe in its truth. I found it to be inspirational and motivational.

All the events are representative of society’s behavioral patterns throughout history. Deacon Frost was so consumed by his desire for power that he became a tyrant. Sarah Broderick focused on the racial undertones, but the film explores much more than that, it displays the battle of the young versus the old, the powerful versus the weak, a mother versus her own son, and the exploitation of people that some feel are more vulnerable than them or less valuable as a human being; all to aid in the execution of an agenda that may improve their socio-economic statuses. The film “Blade” allegorically represents the world in times of war and it focuses on a world war’s preceding events, it displays the use of propaganda by leaders to hypnotize others into a militant yet submissive state.

The murder of William, Victor’s younger brother, is yet another example of the monsters revenge towards his creator. When the creature tries to befriend William, he discovers that he is related to Victor and so he

Much like the film ‘Shaun Of The Dead’ it starts off following the protagonist ‘Ana’ through a normal day, although unlike ‘Shaun Of The Dead’ it get’s straight into the horror. The camera cuts to the first person perspective, outside Ana's bedroom door, then the camera gets closer and closer, this causes suspense which is an important element to any horror film. Suddenly it cuts to a wide shot of Ana’s bedroom, all of a sudden the door slowly starts to open and the camera zooms in onto the handle of the door as it’s still opening. The director's use of shadow makes Ana’s daughter look normal which gives the viewer a false sense of security, then as she slowly walks into the light that sense of security quickly

The next morning, Jonathan wakes up in his own bed, and hears a work party underneath his window. He passes them a letter meant to go to Mina, but the Count finds out and burns the letter. About two weeks later, Jonathan witnesses the workers moving boxes. Later that week, a member of the work party comes to the gate of the castle wailing for her son, who was consumed by the three female vampires. The count calls out his wolves, who kill the woman.

During the process of envisioning and designing a film, the director, production designer, and art director (in collaboration with the cinematographer) are concerned with several major spatial and temporal elements. These design elements punctuate and underscore the movement of figures within the frame, including the following: setting, lighting, costuming, makeup, and hairstyles. Choose a scene from movieclips.com. In a three to five page paper, (excluding the cover and reference pages) analyze the mise-en-scène

As the music goes on, the constant loud bang of the drum adds that scary effect that you don't know what's going to happen next. The sound of a train and furnaces firing up are amongst a few which add a heavier eerie feel to the sequence. The editing can be seen that throughout the sequence a filter was put on top of the film, as well as this many of the shots have a blur around the edges. This effect could connotate the feelings of the main character when he first comes out of the coma. A time-lapse shot has also been used from 0:09 to 0:11 to convey the many years that have passed since he has been in the coma. Many of the cuts are raw and sudden, the shot will go from landscape (wide shot) to a extreme close-up. Once again foreshadowing the events to come, this could mirror the act of the zombies suddenly appearing. lump cuts are also used In scenes of an abandoned house, giving a Jarring effect to the pace. The titles appear amongst the scene, sometimes moving. The final title 'The Walking Dead' flickers into shot over a green background that fades to black at the edges. The use of mise-en-scene in this sequence evokes anticipation in the audience. The post-apocalyptic world is conveyed through micro elements such as, the bare and dirty decor of the abandoned house and the low-key dingy lighting. The contrast of natural and low key

A Misen Scène is a word borrowed from the French theatre. It is actually everything on screen including scenery and the props used. The setting, costumes and lighting are also essential in an opening scene. It is essential in all films, as so much of the appearance and audience’s attention goes directly there. Scott has also used Film Noir which implies to the film, set forty years hence and made in the styles of forty years ago. The film has a Cyber Punk genre, cyber being all the electronic things and gizmos and punk being the disruptive, rebellious street level. This subgenre was very popular in the early 1980’s. It

I will be focusing my essay on Blade Runner: The Final Cut version released in 2007, discussing and exploring through the semiotics, themes, motifs and artistic representation that can be found within the film.