Essay on Bop Music in the 1950s

The 1960’s were arguably the most influential years in American music’s history. The music helped connect people of all races, whom enjoyed visiting jazz-clubs in the early to mid-60s, to listen to the music and poetry performed by African-Americans. Much of the music from the 1960s also led to the creation and popularization of new genres and subgenres, such as rock-and-roll. These new music styles influenced the lifestyles of a large majority of Americans, particularly teenagers and young-adults, who mimicked the lifestyles of many stars of the time.

Music as a whole blends together. One style leads to another, the music becomes more progressive. It evolves to fit the new generation, leaving the old generation behind. From the spritual songs of the late 1800s to the gospel of the early 1900s. Then it changed into rhythm and blues, and when the 1950s rolled around it became Rock’ n’ Roll. With the invention of new iconic instruments like the Fender Precision Bass and then the Fender Stratocaster, the sound of the music changed. The sound that was soft and low was now crunchy and loud. While it did not sit well with the adults, it was a hit among the new generation. Even the African American roots of the music didn’t deter the youth listening

The Jazz Age was a cultural movement that took place in America during the 1920 's (also known as "the Roaring Twenties") from which both jazz music and dance emerged. This movement matched with both the equally phenomenal introduction of mainstream radio and the conclusion of World War I. The 1920s was the decade that marked the beginning of the modern music era. Some of the popular music genres were Jazz, Dance Bands, Blues, and Broadway. The decade marked the beginning of independent record companies, smaller operations that weren’t afraid to take a chance on music and artists that the bigger companies shied away from.

The Sixties were an exciting revolutionary period of time with great social and technological change. Some people called it the “decade of discontent” because of the race riots in Detroit and La, and the demonstrations against the Vietnam War. Other people called it the decade of “peace, love, and harmony”. It was called this because of the peace movement and the emergence of the flower children. (Britannica) The sixties were about assassination, unforgettable fashion, new styles of music, civil rights, gay and women’s liberation, Vietnam, Neil Armstrong landing on the moon, peace marches, sexual freedom, drug experimentation, and Woodstock. All of these components caused a revolutionary change in the world of popular Music.

Through this, it is shown that many do not know the meaning behind Bop, and rather choose to call it crazy rather than inspecting the history behind the music. This can be further seen when Simple explains that “Bop is also MAD CRAZY, SAD CRAZY, FRANTIC WILD CRAZY--- beat out of somebody’s head!” Showing how to some, bop is just a combination of sounds, while to the “young colored kids who started it” bop is a collection of discrimination turned into a musical

The music of the sixties went through tremendous change. It shaped mush of the music we hear today. From New Orleans came Jazz, from the East Coast came rock, from the West Coast came Psychedelic rock, and from England came the Invasion.

The standard big band sound of the late 1940s and 1950s was very laid back. Rhythmically, it was normal to play just behind the beat to create this relaxed feel, with a definite emphasis on the "swing" style. Swing music was usually composed of one melody played by one section of the band, and other sections, if playing at all, would play chord hits in different places. The function of the rhythm section is mostly to comp and stay out of the way. These bands usually stayed within either 3/4, 4/4, 2/2, or 2/4 time signatures. Kenton altered this system in many ways to create something fresh and progressive.

From its inception, Jazz has applied both innovative approaches in different degrees and boundless configuration. And has continually amplified, progress, and modify music through various distinctive episodes of growth. So, an all-encompassing denotation of jazz is likely vain. Additionally, jazz as a music whose prime attribute was “improvisation,” for example, revealed to be too regulated and chiefly false. Meanwhile composition, adaptation, and ensembles have also been imperative constituent of Jazz (for most of its backstory). Furthermore, “syncopation” and “swing,” often viewed as important and distinctive to jazz, are certainly lacking the genuineness of it, whether of the 1920s (or of later decades). However, the prolonged perception that swing could not transpire without syncopation was utterly refuted when trumpeter Louis Armstrong often produced vast swing while playing repeated, and unsyncopated quarter notes (Armstrong, L., Fitzgerald, E., & Middleton, V. (1988). Satchmo. Gong.)

    The Beat Generation can be perceived in many ways depending on how a person may translate the traits characterizing it but the real definition of this generation remains the same all throughout. The Beat Generation is a literary movement that happened during the 1950’s after World War II and was greatly influenced by a group of artists and authors who explored. The Beat movement was centralized in certain communities where freedom of expression was greatly prevalent. The lifestyle in bohemian centralized communities were explored and described by many authors and some of the most well-known authors of this generation are  Herbert Huncke, Allen Ginsberg, William S. Burroughs, Lucien Carr, and Jack Kerouac. All authors gave light to what beat generation was like through their work of art. They outlined that Beat Generation is an approach made by the people to reach a certain goal. Some of the goals are personal release and purification. Sounds familiar? These goals are more similar to the goals of yoga. These goals were attained mainly through the use of drugs, sex, and expressed in jazz music.. The Beat Generation is a  rejection of standard narrative values, spiritual quest, rejection of materialism, explicit portrayals of the human condition, experimentation with drugs, and sexual exploration. All these components are widely known as the characteristics of “hippies” and

Picture this: the year is 1926 and you are walking down the street in downtown Chicago. You pass a crowded club, where you hear the upbeat and speedy rhythms of music pouring out. The sound consumes you, fills you with joy, and persuades you to dance. You walk into the club to find numerous people swinging and tossing themselves around each other, enjoying the fast-paced and boisterous music. This is the appearance of jazz music, and in the early 20th century, jazz music swept the nation. With artists like Jelly Roll Morton, Joe King Oliver, Sidney Bichet , Louis Armstrong and Duke Ellington, jazz filled the souls of Americans, promoting a free and fun lifestyle. Although these artists had different beginnings,

In the article, “Birthplace of Jazz,” Naydja Bynum writes that jazz “...is not an invention. It's alive. It grows, it dies, it changes, it stays the same” (Bynum). Many aspects of society in the 1920’s contributed to the life jazz music brought to the world and the impact it continues to have on modern music today. Post-war strains, racial segregation, and the wild, carefree life of the of the era had the greatest influence on the music of the 1920’s.

The Jazz Age was a national undertaking that took place in America during the 1920’s, also known as “the Roaring Twenties” from which both jazz music and dance emerged. Despite the era ending with the beginning of The Great Depression in the 1930’s, jazz has lived on in American pop culture. The birth of jazz music is often credited to African-Americans, but it soon expanded to America’s white middle class. This resulted in jazz being combined by both African-American traditions and ideals with white middle class society.

to create new kinds of jazz. The most popular result of this trend to variety

Throughout history, music have defined or depicted the culture and social events in America. Music has constantly played an important role in constituting American culture, where people have expressed themselves through music during flourishing and turbulent times. In the 1930’s, Swing music created a platform for audiences to vent their emotions in the midst of Great Depression and political unrest. Such strong relationship between music and culture can be seen throughout history, especially in the sixties.

Swing was the dominant idiom of the 1930s and much of the 1940s. Basically, it was a form of dance music played by a large band, and was the medium through which most white Americans first heard Jazz (Schuller,1989). Although the decade 1935-45 was called the Swing Era, swing arrangements had been played by large bands beginning in the 1920s. Bandleader-arrangers Fletcher Henderson, Duke Ellington, and, later, Count Basie, worked out arrangements for their 10 to 12 piece bands, which, unlike traditional jazz bands, were divided into instrumental sections.