Byronic Hero : A Comparison Of The Anti-Romantic Hero

Sophocles’ play Antigone continues the calamitous story of the Theban royal family, recounting the conflict between Creon’s authority as king and Antigone’s sense of justice. While many of the events of the play are certainly tragic, whether or not Antigone and its characters should be considered tragic is less definite. Aristotle’s theory of a tragic hero calls for a basically good character who experiences a fall due to some flaw or error, experiencing a transformative realization and catharsis as a result. When considered together, the traits of both Antigone and Creon come together to fulfill all of the requirements for the play to be a tragedy, but neither character can be considered an Aristotelian tragic hero standing alone.

Sophocles, a great tragedian, was the one who gave Greek tragedies their traditional form. An important part of traditional Greek tragedies is the presence of a tragic hero. All tragic heroes should have the characteristics of rank, a tragic flaw, a downfall, and a recognition of mistakes. The seemingly tragic hero is Antigone. She wants to bury her brother Polyneices even though this would be going against Creon, who is her uncle and the king. When Antigone buries Polyneices Creon sentences her to death because of it. In Antigone by Sophocles the tragic hero is not Antigone because she only meets the characteristic of a tragic flaw, hers being pride, but doesn 't meet the other three characteristics of a

Jez Butterworth undeniably flaunts the conventions of comedy in Jerusalem to create a profound but amusing philosophical satire, observing and mocking modern society. Morally objectionable ideals present in everyday life are examined and ridiculed, inevitably leading to the development of morally objectionable characters and social groups. As a result, Johnny Byron doesn’t neatly fit the definitions of either a tragic hero or a comedic protagonist but instead has traits of the two. He is both an outrageously hedonistic Falstaffian character whist arousing pity and fear, able to question the motivation of other characters whilst himself being hubristic and unable to admit error. Despite his comedic attributes, Byron’s character undoubtedly lends itself more to the tragic arc as the audience witnesses his bloody downfall from relative grace, evoking both pity and disgust.

Antigone, a Greek a tragedy, is the third of the Three Theban Plays by Sophocles. Throughout the play, readers are introduced to few, but intriguing characters, one being the protagonist of the play, Antigone. Antigone is the tragic hero of Antigone; she presents recognition of the gods, exemplifies good virtues, and possess a fatal flaw, or hamartia. A tragic hero is a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat.

American Heroes were inspired by Greek Tragic Heroes, yet both are very different from each other, but American Heroes have very similar traits to those who are Contemporary Heroes.  An American Hero is a person who seeks justice and always defeats the enemy which results in all people having the justice they deserve.  American Heroes also tends to protect all and has the tendency to fall in love with the “ damsel in distress”.  This type of hero goes about his daily life, just like anyone else would, until it is time to fight, and at that time, their “supernatural” powers shine through in their fighting techniques.  On the other side, all Tragic Heroes possess a flaw that will change their life from a life of happiness to a life of pain and despair.   Ordinarily, Contemporary Heroes have nearly the same traits as American Heroes.  Contemporary Heroes save and protect many individuals from violence and harm and lives a normal life until they have to face another obstacle.  Both American and Contemporary Heroes are able to celebrate their victories, while Tragic Heroes can not do so because they are not victorious.

Literature helped describe the movement of Romanticism because Romantics embraced nature, so they exalted the creative individual in the person of the hero. (Fiero) Much like the hero’s from stories of the past, the Romantic hero was an epic character with an awesome amount of ambition and determination. Unlike the fictional hero’s of the past that defended the traditions and moral values of a society, the Romantic hero might challenge to seek or reform them. (Fiero)

Superman, Wonder Woman, Spiderman—what do all these characters have in common? They are all products of the human aspiration to be saved. The word hero is passed around too much these days. A hero is not a football player that scores the game-winning touchdown or the goaltender who saves his team from a loss. A hero is usually an ordinary person that did extraordinary things. A true hero is really never a hero at all; at least not in their own mind. However, there are various cases today in which we see the exact opposites of these characters, the anti-heroes. The anti-hero is one who cannot be classified as a hero, for that said character lacks natural heroic qualities. However, the anti-hero cannot be described as a villain either.

When we visualize a Romantic Hero we think of love, or a paradigmatic hero such as a Disney hero, or Prince Charming riding on his horse to save the princess. In fact, most believe that a Romantic Hero’s main intent is love. Consequently, they do not strive for love, they actually fear domestication; however, this undesirable interest is often a reward for the Hero at the end. Romantic writers are considered Romantic because they emphasized emotion, nature, and individualism. An American Romantic Hero is purer in motivation, they pursue the thrills from an adventure instead of compensation, compared to a European Romantic Hero.

Poetics, where he defines what makes a tragic hero. Aristotle suggests that a tragic hero is a

Throughout literature, the idea of the hero has changed to represent a number of differing. Heroes were originally personified as being an individual who were not bound by limitations, as well as demonstrating an archetypical sense of moral judgment. Later on, contrasting adaptations of heroes started to form in which the hero of a story would typically exhibit traits that would closely resemble the limitations and troubles that ordinary people faced. For the most part, a contemporary “hero” is simply looked at as the protagonist in the story. Acclaimed heroes in literature, such as Beowulf and Hamlet, when compared to one another can give a person a better sense of the changes in the hero. Although they both are the main characters

A possible theme for Oedipus the King by Sophocles is that one’s blindness can hide the inevitability that is his destiny. Oedipus is in this situation. He struggles to escape his fate: killing his father and marrying his mother and believes he is successful. Sophocles believes that the gpds control one’s destiny and the inevitability that a person will do what is destined despite there hero’s intentions.Oedipus represent the standards of a true tragic hero: he is well known, basically good, his punishment is out of proportion compared to his crime, the audience at some point feels sorrow and pity for him, and Oedipus has a tragic flaw. During the whole story Oedipus thinks that he may be able to change his fate a live life how he wants but he falls to that which is his destiny.For these reason Oedipus is truly an example of a tragic hero and is unable to avoid his tragic fate.

Lastly, a Byronic hero has genuine guilt. This requires more action than contemplating, and continuously reiterating that a tragedy by his hand occurred. Manfred possesses all of these traits; however, Victor lacks true remorse and retention of his independence.

Lord Byron’s works, such as Don Juan and other poems reflect not only the suave and charming characteristics of the Romantic Period, but they also reveal the nature of Byron’s uncommitted and scandalous life. Byron, like most Romantic era authors, was very unpredictable and opinionated in all of his writings. From the hatred of his upbringing, to the love of adventure, and also to the love of meaningless relationships with various women were majorly influenced and illustrated through all of his works and especially in “Don Juan.” Yet he still managed to infiltrate his poems with charm, romance, and heroism. Byron was a perfect fit for the Romantic Period and his poems and he was therefore known as a great contributor towards the era.

Homer, an ancient Greek epic poet, influenced many writers in the ancient Greek and Roman culture, particularly Virgil. Virgil, most famous for his epic poem The Aeneid demonstrates Homer’s influence through similar characters, mythology, and ideals. Homer in both his most famous works the Iliad and The Odyssey weaves poetry based on centuries worth of oral stories handed down and uses a sophisticated style of writing that is still recognized today. Although the tragic hero is defined slightly differently in modern text than ancient Greek and Roman works, Aristotle defined a tragic hero in his work Poetics as “the character between these two extremes,-that of a man who is not eminently good

figure of force and he followed his success with a series of ?Eastern? tales that added to his aura: one of them, The Corsair 1814, written in ten days, sold ten thousand copies on the day of publication?(The Penguin Group, 2). Hebrew Melodies 1815, contains one of Byron?s most famous lyrics, which is ? She Walks in Beauty?. After having a relationship with his half-sister Augusta, and presuming that her daughter Medora was his, Byron proposed to Annabella Milbanke. ?They married in January 1815; their daughter Augusta Ada was born at the end of the year, but a few weeks latter Annabella left Byron to live with her parents, amid rumors of insanity, incest, and sodomy?(The Penguin Group, 3). ?In 1819 the first two cantos of Don Juan were published in an expensive edition meant to forestall charges of blasphemy and bearing neither the authors nor the publisher?s name? (The Penguin Group, 3).