Casablanca, directed by Michael Curtiz and produced by Hal B. Wallis, tells the story of American café-owner, Rick Blaine, and his dilemma between choosing between his love and the greater good. The film takes place in Casablanca, Morocco amid the darkness and conflict of Nazi occupation. Rick Blaine’s drinking habits and his gradual increase in socialization with those around him serve to allude to America’s progressive participation in and support of the war against the Nazis. Throughout the beginning of the motion picture, Rick refuses to have a drink with the patrons. This fact is revealed when Carl, the headwaiter, says, “Madame, he never drinks with customers. Never. I have never seen it” (Casablanca). The act of drinking with others …show more content…
Rick’s being surrounded by smoke symbolizes his being in the underworld, but his smoking the cigarette alludes to his leaving the underworld (Class). As they burn, cigarettes get shorter, thus symbolizing his impending departure from the underworld. This also suggests that the United States’ time for neutrality is coming to an end, which was abruptly ended by the attack on Pearl Harbor in 1941. In his first appearance, Rick has an empty whiskey glass next to his right hand. Whiskey comes from the Gaelic word, “uisce beatha,” which means water of life (Class). Rick’s drinking alone and empty glass illustrate that he is devoid of spirit and passion for life and that he is merely watching the lives of others. This image reflects the state of America at that time. Americans were still feeling the effects of the Great Depression and did not want to get involved in the war being waged across Europe (Kennedy). Rick is also shown playing chess against himself, playing as the black pieces. Rick’s playing chess alludes to his inner turmoil and his struggle to navigate the disordered world in which he is trying to remain neutral. However, as symbolized by his playing the black pieces, his decision to remain impartial is to the advantage of the Nazis and is detrimental to the
Rick’s hubris, as previously mentioned, is his self-centeredness and adamancy, which is resolved through his Ultimate Boon. Rick’s boon is selflessness and the first time that Rick truly shows this selflessness that he has received in his journey occurs when he decides to help Annina and Jan Brandel receive their travel visas to America. It represents a change in character and is a pivotal point in Rick’s character arc. This also fits in well with the cosmogonic cycle, as the Ultimate Boon is received by the hero directly after the apotheosis stage, which in Casablanca is represented by the resolution of Annina’s predicament (Campbell
Rick is the morally ambiguous night club owner, who hides a sentimentality behind a neutral facade.
The characters in Casablanca all contribute to the political allegory, for example Rick is strong and isolated like America, Strasser is the typical Nazi general representing Germany, and Renault is compliant with the Germans like France. American Rick and European Louis look out for each other's interests throughout the film, just as America and Western Europe did once the United States entered the war. Renault had to obey and follow the Strasser?s demands until he had leverage and the knowledge that he could defeat or overcome
The movie Casablanca tells the story of Rick Blaine, a bar owner in Casablanca. His heart breaks when Ilsa, his sweetheart, fails to join him in his escape from Paris before the Nazis invaded. Rick’s relationship fall-out begins the movie journey depicted in an authentic World War II time period. It was on a stormy night that Rick received a letter from Ilsa telling him that she wouldn’t be coming with him to Casablanca. Realizing he has been dumped, he sadly hops onto the train and rides off to Casablanca by himself.
Ray points out that this concealing of the necessity for choice also governs the thematic paradigm in Casablanca. The film invites the audience to identify with Rick rather than Laszlo even though official American wartime sentiments are consistently voiced by Laszlo. Rick regularly insists upon unmediated self-interest,"I stick my neck out for nobody", "I'm the only cause I'm interested in", a position that Ferrari explicitly identifies with a discredited American tradition: "My
After that scene occurred, we see Rick and Jean at home discussing what had just occurred in the previous scene with the holdup and theft of their car. They are filing a police report. Rick is running for an election and is trying figure out a way with his advisors to avoid gaining bad publicity. He wants the African Americans vote and does not want to lose those that are on his side. By filing this police report after the incident that just occurred, he feels he put himself in a bad position in the election. Him and his advisors are trying to figure out what he should with the interview with the news reporters. As he's trying to figure out the right wording for the situation that occurred, Jean is watching the locksmith named Daniel played by Michael Pena, he is
The effect of Groucho’s short history of Casablanca is to create a humour but yet also sarcasm scenario. The letter says, “It seems that in 1471, Ferdinand Balboa Warner, your great-great-grandfather … had stumbled on the shores of Africa and, raising his aplentock, which he later turned in for a hundred shares of common, named it Casablanca” (Groucho). Groucho finds it ridiculous that the Warner Brothers thinks they own the city name Casablanca. He makes up a how supposedly the Warner Brothers were given the right to own the name not because they made a movie using the title Casablanca.
Oftentimes, in the public, people have to be “normal” to be successful and accepted. Author William Saroyan believes that society steers people to be conformed and fit in, but he wants people to be able to be diverse. In the short story “Gaston,” Saroyan shows that carving a unique path can turn out to be erroneous. Through symbolism and contrast, Saroyan conveys the theme that society does not always accept people’s differences.
Throughout the film there is a central which is Rick’s night club. The night club is very popular among the upper class and political hierarchy of Casablanca. Rick's Café Américain attracts a variety clientele, including Victor Laszlo, German officials and refugees departing to reach the United States, including
Nevertheless, it seems that they represent American society in the 1940’s. The character of Rick portrays an unconventional hero who tries to stay outside of everyone’s business, but in the end it is him who saves Laszlo’s and Ilsa’s life. This reminds me of the role of America during WWII. At first, the United States tried to stay out of the war, but when they were forced to react after Pearl Harbor, they got involved. The film also refers to this when Rick asks his friend Sam if he knows what time it is in New York. Before Sam can reply, Rick says that it must be December 1941, which was the time when the attack against Pearl Harbor occurred. Ilsa, on the other hand, represents the role of American women. She is described as the most beautiful woman that has been seen in Casablanca. Her appearance reminds me of the typical image of an ideal American girl – blonde, pretty and conservative. She tries to act in a moral way when she finds out that her presumed dead husband is still alive and she leaves Rick at the station in Paris. This reminds me of how women were treated during the 1940’s. It was their responsibility to take care of the family business, but in the end men would have the final decision. Ilsa tries to get the transit-visa from Rick, but she tells him to decide what she should do next. Rick sends her away with Laszlo and restores the perfect family union between Ilsa and Laszlo. Another
1. What is the setting for Casablanca? How does the film establish this setting? If you were creating a theatrical production of the play upon which the film is based, how would you establish the setting on stage? The setting for the movie looked as if it was around the 1980’s. The movie has a sort of mellow feeling to it because of how calm all the actors and actresses are performing. If i were to do a theatrical performance on this i would have set all the scenes in a way where it would fit the 1980’s attitude, such as clothing and accent.
In the film, “Casablanca”, it showed us that America was neutral in the war as Rick said, “I stick my neck out for nobody.” Rick is portrayed as America, although he seemed as if he was neutral he started to show that he was caving in for the underdog, just as America did when we started to get involved in the War. During the film when the Germans come into Rick’s café, Rick shows that he is aware of what is going on in the War, just as we Americans knew about all the concentration camps. Also, when someone offered to buy Sam’s contract from Rick, Rick said “I don’t buy or sell human beings.” Casablanca shows that America is aware of what is going on and that we are above all of it.
Throughout Casablanca, there is a definite sense of patriotism and nationalism from the American side. Although the marketing team focused on the action, romance, and movie stars, the underlying political themes of Casablanca are eminent; the film’s intention was to get people to support the war. Rick, played by Humphrey Bogart, is the representative of the Americans in the film. He is, after all, called a patriot by Captain Renault after the murder of Mayor Stasser. In the film, America is shown as a safe place for refugees; this further promotes American involvement in the war, because Americans should want to keep fighting for their land to stay safe.
Later on, Major Strasser meets with Victor Laszlo to force Laszlo to release the names of revolutionaries, but he refuses. Afterwards, Laszlo and Ilsa talk about leaving Casablanca for their safety and realize that Rick may be the one with the transit papers. Laszlo tries to calmly convince Rick to give him the papers, to no avail. Shortly after, Ilsa also attempts to convince Rick to change his mind. She tries passively at first, then holds a gun to his stomach and demands that he give her the papers, after which she begins to break down about how she still loves Rick and never wanted to leave him in Paris. They spend the night together and Rick promises to get Laszlo out of Casablanca. The next night, as Rick gives the papers to Laszlo, Captain Louis Renault shows up to try to arrest Laszlo. Rick turns a gun on Renault, forcing him to clear the airport
In the film Casablanca they show various different aspects of American culture during the wartime forties. These things are cumulated in the films sole American, whose name is Rick. However this film not only shows the culture of Americans but also shows a look into what Americans viewed the war as. The values of people and what was considered obtuse for society are ever changing, and you can see this as plain as day within the movies and films of the time. Casablanca is an amazing example for this because it is special in the fact that it’s the only play written during the time that was never played but was instead turned straight into a movie. Now let’s take a more in-depth look into the movie and how it’s connected to the people who were meant to watch it.