Catherine Casey Biography

For over two hundred years PAFA has collected and exhibited works by leading American artists, distinguished alumni and faculty of its school. A commitment

In Tiffany Salinas’s post, they talk about how document design is important to gain the reader’s attention.

The design of Jared Granger site has a clean, simple homepage that shows his name and his brief introduction. This site has his projects name with the full image of a project on each page with the black box, “View Projects”, which are directed to his projects pages. Also, the design has “Contact” link for people to contact him and his social network links for people to view his profile page and projects. These projects have shown the designers’ creativity and ideas in typography, logo, and corporate identity, which is attracted to audiences. The design identity relates to the designer’s perception of his work because they are visualized through the designer’s ideas and creativity and used them to be demonstrated and visible in their works and this site allows an audience to use their insights and opinions on their tone, style, personality, and perception of the designer’s works.

A person who is known 20 years after their death is a legend. On November 8th, 1978, in Stockbridge Massachusetts, Norman Rockwell died. Norman was best known for illustrating the covers of multiple magazines (Encyclopedia Britannica). In 2008, he was named the official state artist of the Commonwealth of Massachusetts (Norman Rockwell Museum). Norman’s paintings were centerpieces at the National Museum of American Art 20 years after his death (American

While there are many accomplished artists, of all mediums, who are a part of this art movement, I was drawn to one more than any other. Her name is Clara McDonald Williamson (1875-1976). Clara, referred to as Aunt Clara, in the art world, was a Native Texan who tapped into her memory for her inspiration. Her chosen medium was oils

David Carson had such an impact on the graphic design scene throughout the 90’s that he was nicknamed “The Godfather of Grunge.” Having a highly specialized style of contemporary work he is considered to be one of the greats of this field. His career first started to take flight with a magazine called “Ray Gun” this is where he started getting recognition for his distinct layouts and innovative typographies. September 8, 1954, You could say a legend was born, Carson excelled at many things over his life in 1989 he was considered to be in the top 10 surfers in the world. Which ironically enough led him to graphic design.

De Lisa has a range of design experience - from print and digital products to creative logos, marketing materials, illustrations, and animation graphics. As a Graphic Designer at CommunicateHealth, she creates engaging designs that meet both the client goals and the best practices of user-focused, accessible design. She is creative, organized, and skilled at applying her knowledge of graphic design techniques, standards, and principles to maximize the success of her deliverables.

Often times misunderstood and, at times, even complex to understand, Abstract is a category of artwork that challenges the viewer’s intellect through its array of bold color schemes, extracted ideas, and conceptual viewpoints. Expressionism is a sub-category of Abstract artwork, which encapsulates the philosophical, intellectual, and emotional stimulation it hopes to create in the observer, which frequently, is the objective of the artist who created the conceptual piece. Three artists who embody the abstract principles are Joan Mitchell, who was one of the first women expressionist painters who focused on landscape-type portraits, and a successive artist to similar abstract painters such as Mark Tobey, and also preceded by modern sculptor Lynda Benglis who literally “cements” abstract painting concepts into unique dimensional sculptures. Yet, Mitchell’s artwork is “special” to me

The artist I researched is Cindy Sherman. She is a American Photographer born on January 19, 1954 in Glen Ridge, New jersey. Her parents had five children and Cindy was the youngest of them all. Her parents were not quit interested in art. Her dad was a engineer and her mom was a teacher. In the early 1970s, Cindy enrolled at State University of New York to study art. There, Cindy discovered that painting was not her gift. Cindy stated, "I didn't want to make 'high' art, I had no interest in using paint, I wanted to find something that anyone could relate to without knowing about contemporary art. I wasn't thinking in terms of precious prints or archival quality; I didn't want the work to seem like a commodity." She could not express her artwork through panting. Instead, she began to take photos.

In 1982, April Greiman was selected head of the design department at the California Institute of the Arts. Throughout her time in CalArts, she focused on her role as an educator and the importance of transforming design. Greiman was able to take advantage of the state of the art equipment that was provided by the institution and began to combine video and media images in her work. Her input in this field and her accomplishments successfully gave her the opportunity to make this department more focused in a variety of ideas other than design renaming this field as visual communication.

Next time you are walking through the Art Institute of Chicago I would highly recommend a visit to the Gift of Edlis|Neeson Collection, located on the second floor, gallery 292A. Here you will find a tantalizing array of modern day contemporary art that delivers a sensory overload wherever you turn. Nestled in between the copiousness of talent you will find three offerings from a prominent living contemporary artist called Jasper Johns titled Alphabet (1959), Figure 4 (1959), and Target (1961). Although at times his work faced rejection from the critics of individualism of abstract expressionists his life’s journey sculptured his path to who he is as a person and who he has become as a modern day renowned contemporary artist.

The principles used in this design include figure/ground relationship, asymmetrical contrast and repetition. Out of all these principles, contrast and repetition stands out most. In this work, there is contrast and repetition in colors. Color changed as it has moved one triangle to another. In addition, rhythm and repetition played important part in this design because the geometric shapes repeated more than once. Furthermore, there is also contrast in the size of the type and triangles. For instance, the title "The 2010 Shepley Bulfinch Summer Design Fellowship MMX" used bigger in size than other text. In this work, the figure/ground is well-balanced as well as positive and negative space. These triangles in primary colors and secondary colors are considered as figure and the white part in each rectangle considered as ground. The primary focal points are the triangle in red, blue and yellow. Then the secondary focal point is the triangle that colored in purple and light orange. At last, the tertiary focal point is the texts and the white background of the poster.

An accomplished figure in the field of typography Emil Ruder is a modernist graphic designer and typographer that work within the constraints of the international typographic style movement commonly known as the Swiss style. Born in Zurich, Switzerland, Emil Ruder first began his design education from the age of 15 til his late twenties. His early academia and the modernist era in which he worked in clearly influenced his practices, philosophies and principles which in turn impacted his teachings and works that would later garner an international reputation at its peak in the mid 1950s. This case study will explore the principles, philosophies, practices and achievements of Emil Ruder and how these key points are affect in the context of the 20th century world and its changing times. Emil Ruder worked primarily during time wherein the modernist moment was vastly prominent.

April Greiman was born March 22, 1948, in New York where she was a designer during the mid-1970s. She decided to leave for something different in Los Angeles. Where according to AIGA, it “had a limited aesthetic of its own at that time. But the lack of an established design practice created a unique opportunity to explore new paradigms in communications design.”(AIGA) Ingre Druckrey, Hans Allemann and Chris Zelinsky, whom all studied in Switzerland at the Basel School of Design, introduced Greiman to Modernism. She, also, went to graduated school at Basel and studied under Armin Hoffman and Wolfgang Weingart in the 1970s. She studied International Style and Weingart’s personal experiments that he called New Wave. “New Wave was more intuitive,

Milton Glaser: Taking inspiration from the history of art and graphic design, Glaser created a new style of graphic communication that combines visual and intellectual concepts.