Character Analysis Of Clarissa Dalloway

In Mrs. Dalloway Clarissa and Septimus smith have various similarities. Clarissa eventually triumphs over her issues/depression in her life unlike Septimus that eventually loses and commits suicide. Mrs. Dalloway an upper class 50 year old British wife the central character of the novel, struggles constantly to balance her thoughts and world. Her world consists of a fabulous lifestyle such as fine fashion, parties, and aristocratic society, but as she the novel goes on she looks beneath the glamour of her life and searches for a deeper meaning. Looking for privacy, Clarissa has a tendency toward introspection that gives her a capacity for emotion. She is always concerned with appearances around other people and no matter the pressure she keeps herself composed. She uses a lot of useless talking and activity to keep her ideas and emotions safe and locked away, which can make her seem shallow even to those who know her well.

The character Mrs. Mallard from Kate Chopin’s “The Story of an Hour” can be considered both sympathetic and unsympathetic for various reasons. She could be seen as a sympathetic character because of the times Mrs. Mallard’s character came from. On the other hand, she could be seen as unsympathetic for how her character is very self-centered. We see this in how she is constantly rationalizing with herself that her feelings of joy at her husband’s death were well founded. There are also several other variables that must be taken into consideration when deciding if Mrs. Mallard is a sympathetic character, or not.

Imagine you are a lawyer tasked with an impossible case, and everybody in your community is against you, but still there is a shred of hope you cling to. What might that be you ask? That to which you cling are your morals. In To Kill a Mockingbird Atticus Finch had been given the Tom Robinson case, where a black man was convicted of raping a white woman. As a single father of two children, he continues to reinforce his values throughout the trial and during his daunting task of raising his children. In To Kill A Mockingbird what Harper Lee suggests about the nature of morals is that you should try to stand up for what you believe in even if people oppose or reject your ideals. Even when faced with an insurmountable opposition you should stand up for your morals because in the end if your don't follow your beliefs you are just contributing to the problem. We should try to create a voice for what we believe in and impress that upon the next generation so they can continue to exercise their beliefs to make the world a better place.

The flow of the novel starts as Woolf finds the opening line of her new novel: "Mrs. Dalloway decided she would buy the flowers herself." The flowers would proof an important metaphor in the book. This thought of buying the flowers herself would link Woolf and Clarissa. Clarissa states the same words to her lover in preparing for Richard's party. And yet the flowers would reappear in Laura Browns life as her husband buys flowers for his own birthday. Flowers that normally represent life and color ironically represent sadness and loneliness in this novel.

Another small but important window scene takes place after Clarissa returns home to discover that her husband has been invited to Millicent Bruton’s lunch party but she has not. After reading the message about the party on a notepad, she begins to retreat upstairs to her private room, “a single figure against the appalling night.” As she lingers before the “open staircase window,” she feels her own aging, “suddenly shriveled, aged, breastless… out of doors, out of the window, out of her body and brain which now failed…” Again, there is a hint of danger as death is portrayed as a somewhat alluring transcendental experience,

In the novel Mrs Dalloway, Woolf conveys her perspective, as she finely examines and critiques the traditional gender roles of women in a changing post-war society. Woolf characterisation of Clarissa Dalloway in a non linear structure, presents a critical portrayal of the existing class structure through modernist’s eyes. Titling her novel as Mrs Dalloway presents Clarissa’s marriage as a central focus of her life, drawing attention to how a women’s identity is defined by marriage. Despite the changing role of women throughout the 1920s, for married women life was the same post war. Clarissa experiences ‘the oddest sense of being herself invisible…that is being Mrs Dalloway…this being Richard Dalloway,”

At the Clarissa Ballroom the guests flood in, and everyone separates into their normal cliques; the mothers and aunts sit together at a table gossiping, the grown men all gather in an open area near the door and start complaining about the latest Vikings game, the younger kids start running around the tables and blowing out candles, and all the others separate, talking about how lovely the service was. Then there are always those few individuals who walk in and do their own thing. Aunt Bessy, for example, is taking her time looking over what will be served for supper, planning out each plate with such detail that her mouth begins to water in anticipation.

The audacious actions executed by Mrs. Dubose are used to illustrate how she is a fundamental character when it comes to demonstrating true courage. Throughout the years Mrs. Dubose was alive she was unafraid to speak her mind knowing that others had their own views and opinions they would later express. The readers are made aware of this during the time when Mrs. Dubose was speaking to Scout and Jem saying,

Clarissa and Septimus both feel trapped in their lives and oppressed by the people around them, which leads to them find ways in which they can escape the negative world around them. Clarissa is described to the reader as having “a perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very dangerous to live even one day” (Woolf, 17). Even as Clarissa walks down a crowded street the sense of loneliness controls her mind. Societal oppression of loneliness makes her feel distant from the rest of society. She describes herself as, “no longer being Clarissa, but simply Mrs. Dalloway” (Woolf, 11). Clarissa has lost a sense of herself and feels as though she no longer fits in. However, her parties serve as an escape from the outside world, which helps to explain why she loves

taxi cabs, of being out, out, far to sea and alone; she always had the

Clarissa is trying to arrange a party to celebrate the fact that Richard has won a literary award, but is getting little help from Richard's ex-lover, Louis. As she labors to help Richard through another day, he wonders if his life is worth the unending struggle. In the end, it is the individual who must determine their own destiny.

In this passage, the arrangement of sentences reveal Clarissa’s excessive pride in herself. What I mean by this is that there are compliments after compliments of Clarissa; she only focuses on her achievements but disregards her flaws. First, she thinks she is a “radiancy . . . in some dull lives” because she believes she is the only one who can brighten up the lives of others. This suggests that she is prideful and even looks down on people, whose social status are lower than hers. Also, consider this sentence, “she had helped young people, who were grateful to her” has a non-identifying relative clause that is merely an additional information. This is significant because Clarissa thinks highly of herself and assumes whoever she helped should

Little Miss Sunshine is a comedy movie about a seven year old girl named Olive who aspires to win the Little Miss Sunshine pageant. To help make her wish come true, her six-member family takes a road trip from Albuquerque to Redondo Beach, California. At the conclusion of the film, Olive and her family learned to trust and support each other, no matter the situation. Olive is the youngest member of her family who is entering middle childhood and adolescence just like her older brother Dwayne. Olive is the type of girl that is cheerful, most of the time and not particularly the kind you would see in a pageant. Olive’s brother, Dwayne, could be described as “emo”. Although he claims that he hates his family, he loves his sister, Olive. Their parents, Richard and Sheryl, and their Uncle Frank are in the process of entering middle adulthood. Throughout most of the film, Richard is considered selfish because he does not want his family to be seen as “losers”. Richard is obnoxious to his family, but he still means well and wants them to succeed. Sheryl is the normal member of the family who does not tolerate anyone's antics. Uncle Frank is very sarcastic and failed at his attempt to commit suicide. He used to be a college professor, so he is considered the smart guy. The sixth member of Olive’s family, her grandpa, dies during the movie due to an overdose, but was entering the late adulthood stage. The members of Olive’s family share some similarities and differences, but since they all vary in age, developmental concepts will be different in a way for each family member.

During the time of a young modern society, there were ideals and social standards that led people to feel isolated from their own expressions and thoughts. In Mrs. Dalloway, identity is a significant theme depicted in the novel and is prevalent between the characters portrayed throughout. One character in particular that represents the image and reflection of identity in the British society during the first world war is Clarissa Dalloway. All the attributes such as her love for flowers, her lavish entertaining parties, and the bonds she has between her friends and lovers reveal something about her identity that she discovers about herself at the end of the book. Clarissa’s personality is complex and moving as her emotions and life events are unraveled in the moment as things happen.

From the very beginning of the novel, the reader is confronted with thoughts of death from the main character, Clarissa Dalloway. When running her errand, she plummets into deep thought about her death and what would follow it,