Chaucer's Canterbury Tales - Idealism in the Knight's Tale Essay

A medieval romance is a kind of writing that has a mysterious, supernatural setting, idealizes chivalry and courtly love, and may involve masking a character's real identity. Usually the hero of a medieval romance is a knight who takes an unusual challenge and whose triumph brings glory to the king and the nation. This paper will be an analytical essay, I will examine the writing “Sir Gawain and the Green knight” and show how it fits into the medieval romance genre.

Satire. Satire is a biting literary tool, one that Geoffery Chaucer used liberally when he wrote his Canterbury Tales. Webster's New World Dictionary says that satire is "the use of ridicule, sarcasm, etc. to attack vices, follies, etc." Using that definition, I think that all of the pilgrims in the Canterbury Tales are satirized to some extent; some of the satirizations are more subtle than others. The Knight is one of the pilgrims that is more subtly satirized.

​Sir Gawain, nephew to the well-known King Arthur of the Round Table, is regarded as the most elite and noble of all the knights in the poem Sir Gawain and the Green Knight. Yet, like anyone else in the world, Sir Gawain is far from perfect. Gawain, a courteous knight living a life dedicated to honor, courage, and self-preservation, is tested on his chivalrous code throughout his journey; a search for the Green Knight. Throughout the tests, Gawain’s actions reveal that even the best of men can be selfish and are subject to guilt and sin.

The Canterbury Tales were written and pieced together in the late 1380's, early 1390's.  The author of the book is Geoffrey Chaucer.  When considering the structure of the tales, one can deduce that they were put together using Framework Narrative, a very unique style of writing.  The opening prologue speaks of 29 pilgrims, including Chaucer, who are all on a pilgrimage to Canterbury. All of them are seeking a certain shrine for spiritual cleansing, and relief.  The journey was to be long, but in the end it would all be worth it.  Chaucer's social views and prejudices are revealed through his description of the pilgrims in The Canterbury Tales.

Adapting to someone’s piece of art like this is like taking a craft, and altering it or to build off it to produce a new piece of art. Sometimes adaptation mimics the original piece. Other times the resemblance is so slight that it can be considered completely stray from the plot and theme.

For my report, I chose to summarize how Brian Helgeland’s movie “A Knight’s Tale” (2001) draws its medieval themes and story from Geoffrey Chaucer’s “The Canterbury Tales: The Knight’s Tale”. Besides the nearly identical titles of these works and the moderately similar storyline, it can be further proven that “A Knight’s Tale” is an adaption of “The Knight’s Tale” because Geoffrey Chaucer appears as a character himself—and a vital one at that—in the movie. Furthermore, just to make certain that there is no mistake among the viewers about who they are dealing with, Geoffrey Chaucer (Paul Bettany) even refers to himself as a writer in the movie and points out his very first own work “The Book of the Duchess” in disbelief when some peasants don’t

In the Medieval Period, knights dedicated their lives to following the code of chivalry. In Sir Thomas Malory’s Le Morte d’Arthur, a number of characters performed chivalrous acts to achieve the status of an ideal knight. Their characteristics of respect for women and courtesy for all, helpfulness to the weak, honor, and skill in battle made the characters King Arthur, King Pellinore, and Sir Gryfflette examples of a what knights strove to be like in Medieval society. Because of the examples ofchivalry, Le Morte d’Arthur showed what a knight desired to be, so he could improve theworld in which he lived.

Knights are one of the most mistaken figures of the medieval era due to fairytales and over exaggerated fiction novels. When medieval knights roamed the earth, it was known that they were only human and, like humans, had faults. These knights did not always live up to the standards designated by society. However, in The Canterbury Tales, the knight is revealed as a character that would now be considered a knight in shining armor, a perfect role model in how he acts and what he does. Modern day people see them as chivalrous figures instead of their actual role as mounted cavalry soldiers. As time passes, the idea of what a knight is changes from a simple cavalry soldier to a specific type of behavior.

Several fictional works set in Arthurian times contain numerous similar elements, whether that be in the structure of its plot or encounters with mythical beings; however, one particular element of these tales stands out among the rest, that being the knights in the stories. Both chivalrous and virtuous, knights are the very embodiment of Arthurian mythology, and are a staple in many Arthurian legends. Their courageous acts of selflessness and loyalty to their lords only add to their reputation, inspiring many authors throughout the ages to capture their likeness in various texts; however, only one author has been able to truly capture what it means to be a knight, that author being the “Gawain Poet.” Also known as the “Pearl Poet,” the “Gawain Poet” is most known for his chivalric romance Sir Gawain and the Green Knight. The story revolves around a central conflict in which the protagonist, Sir Gawain, must fulfill an agreement with a mysterious knight. Gawain’s “debt” must be repaid exactly one year after their agreement, and if Gawain should fail to do so, his honor and reputation would be tarnished. It is through his struggles that Gawain not only grows as a character, but also shows what it means to truly be a knight. Sir Gawain is the epitome of a knight because he is not only chivalrous and virtuous, but also stays true to his word in the face of danger.

In Geoffrey Chaucer’s poem, The Knight’s Tale, the author encapsulates chivalrous characteristics in his telling of a battle for love. In its fundamental form, chivalry idealizes a knight’s conduct, both on and off the battlefield (Gregory-Abbott). Chaucer employs this “heroic code [of] bravery, loyalty, and service to one's lord” to illustrate the idillic knight throughout the narrative (Rossignol). Chaucer’s poem, The Knight’s Tale, exhibits the ideals of chivalry in the form of two knights, desperately in love with the same woman, and a wise Duke who embodies the voice of reason. Each knight upholds honor through compassion, troths, and heroism on the battlefield, despite their afflictions with each other.

In Arthurian romances, the knight Gawain fulfills a central role as a member of the legendary Round Table. Alone or accompanied by other chivalrous knights, Gawain traverses the land of Logres, searching for adventures and achieving great feats of heroism. To those he encounters on his quests, Gawain often represents the epitome of chivalry and knightly valor. However, Gawain’s actual characterization is not constant in every tale where he is present. In Sir Gawain and the Green Knight, Chretien de Troye’s Perceval, and Sir Thomas Malory’s Le Morte D’Arthur, Gawain’s character vacillates from being the paragon of chivalry to the antithesis of heroism, and these characterizations serve as a foil to the figures of

The stories of Lancelot (The Knight of the Cart) and Perceval (The Story of the Grail) within Chrétien de Troyes’ Arthurian Romances depict a world of Medieval Romance that is somewhat different from one that was depicted in earlier epics. These romances are more focused on the battle between love and honor rather than on war and valor, which were depicted in earlier epics of de Troyes’ time. The tale of Lancelot follows a star-struck knight who undergoes an inner conflict between both the lover and hero inside him. His intense commitment to rescuing the queen causes him to make rash decisions which inevitably restrain him from controlling his own fate. Perceval’s story exhibits a different purpose for love in a knight’s life. Unlike Lancelot, he accepts love only when he believes it can further advance him in becoming the perfect knight. The two heroes’ actions showcase an inner conflict between maintaining their honor as knights and the love for another. Through these two tales, Chrétien de Troyes shows that that idealistic love and conscious chivalry cannot necessarily successfully coexist, yet it is the unachievable idealistic view that these two ideals do coexist.

Over the past month, we read the Story of the Grail by Chretien de Troyes. This poem details the progression of the knight Perceval. In the beginning, Perceval is not called by his name, instead he is referred to as “the youth”. This is an important detail to stress, because the poem is a coming of age story. As the poem progresses, the reader is able to see definitive changes in Perceval’s character. For example, in the beginning of the poem Perceval uses the limited knowledge that was bestowed upon him by his mother in order to complete his “knightly” duties. To make it worse, Perceval feels the need to tell everyone he meets that his mother is the one that taught him everything he knows. Eventually, Perceval outgrows this behavior and becomes a suitable knight. Throughout the poem, Perceval goes through many trials and tribulations, but for the purpose of this essay I will unravel the allegorical meaning of Perceval’s fight with the Red Knight using all four levels of interpretation.

In The Canterbury Tales, Geoffrey Chaucer comments on moral corruption within the Roman Catholic Church. He criticizes many high-ranking members of the Church and describes a lack of morality in medieval society; yet in the “Retraction,” Chaucer recants much of his work and pledges to be true to Christianity. Seemingly opposite views exist within the “Retraction” and The Canterbury Tales. However, this contradiction does not weaken Chaucer’s social commentary. Rather, the “Retraction” emphasizes Chaucer’s criticism of the Church and society in The Canterbury Tales by reinforcing the risk inherent in doing so.

A romance requires the telling of a true story in remote places and times. The Knight’s Tale begins with the lines “Once upon a time,” to retell the old events of Theseus in the ancient city of Athens (24). The Knight’s tale meets the requirement of a medieval romance in the first sentence, as it opens with a tale of a far off land in ancient times. Idealized aristocratic conduct, another requirement a medieval romance must meet, becomes present