Chicano LA: A Cross Cultural Event Analysis

The cultural practices that Chicanos/Chicanas partake in such as being pachucos and pachucas, being actively involved in feminism, creating music and using stereotypes in film reflect their struggle to attain freedom and empowerment against Anglo society and within themselves. The various elements that make up Chicano culture have helped them resist Anglo culture and develop subcultures within the Chicano community. In addition, it has also allowed them to free themselves from the idea of becoming just like standard the American that they are expected to be.

“I'm not Mexican. I am not American. I am not American in USA and Mexican in Mexico. I am Chicano everywhere. I do not have to assimilate anything. I have my own history”, stated the writer and novelist Carlos Fuentes. The Chicano subculture is the mixture of the Mexican and the American cultures. This subculture has its own history and unique characterizations that make it stand out. According to the Merriam Webster dictonary the word subculture is defined as “a group that has beliefs and behaviors that are different from the main groups within a culture or society”. The Chicano subculture has a history, language, leaders, art, literature, and even their music, and it’s the perfect example for this definition of the word subculture.

Historians are still unclear on when the first Latinos appeared in North America. The most prevalent theory is that they were nomadic hunters who came from the Asia mainland and across the then frozen Bering Straight into Alaska. Regardless of their origins their main region is now the Americas, both North and South and it is expected that the Latino population in the United States will increase by 40% in the next ten years (US Census 2010). Their culture and society is steeped in tradition and understanding and appreciating their culture is imperative for any person working in the social services field.

Edited by several scholars such as Gabriella F. Arredondo, Aída Hurtado, Norma Klahn, Olga Nájera-Ramírez, and Patricia Zanella, this book in particular highlights the development of Chicana identities in the twentieth century by showing “how Chicana feminist writings move discourse beyond binaries and toward intersectionality and hybridity” (Arredondo e.al. 2). What is interesting is how the feminist scholars in this book used different epistemologies and methods in capturing the experiences of the Chicanas which include oral histories, poetry, theatrical performance, painting, dance, music and social science survey. Some of the contributors also combine “analytical tools and cross disciplinary boundaries” (5). The approaches used are very unique as they enables to unravel the Chicana experiences thoroughly and disrupt “the notion of Chicana identity as monolithic and homogeneous” (6). Also, the format of the book which presents articles and then the responses by another activist or scholars offers a very distinct way of presenting critical and provocative analysis. Such format allows the editors to “reaffirm the tensions and creativity of individual and group consciousness that underlie Chicana feminism and scholarship” (Salas 122). From this edited volume, I choose three articles along with their responses. Those articles are Cartohistografía: Continente de una voz/Cartohistography: One Voice’s Continent by Elba Rosario Sánchez (response: Translating Herstory: A Reading

“Wow...there is no way you’re Latino. You’re way too white!” was the ignorant remark made by a one of my peers during my school’s annual Latin-American Fest. Initially, hearing this claim made me look into the mirror. I began to stroke my face and examine my physical features. Was this true? Was I not Latino enough? Did the amount of melanin or lack thereof deem me as Latino?

A misperception of the global community is that countries are comprised of a single culture. In this compartmentalized worldview, a country has the same food, ideas, and traditions as if our national borders are the only aspect to define us. However, Mexico is far from a homogenized culture or identity; there is a myriad of differences within present day Mexico and the Mexican-American Community. In Chicago, the Westside neighborhood of Pilsen showcases the rich diversity of Mexican culture. Pilsen has changed hands as many immigrants thrived in its streets throughout the century and is now predominantly Latino/Mexican. The small neighborhood’s vibrant culture is encapsulated in the brilliantly colored painted murals featured on many building,

During the late sixties and early seventies, a Mexican - American movement was taking place in the United States, The Chicano movement. This movement takes place because of the Mexican American society 's suppression in the country. Indeed, during the years, 1966 to 1981 was a period where the Mexican American society was looking for equality and justice from the Government of the United States. In fact, they will start to organize their own communities, where the Government will accept their new ideas. David Montejano, “a historian and sociologist, and Professor of Ethnic Studies at the University of California, Berkeley,” wrote about that movement that helps the Mexican - American society being part of the United States. One of his books is Anglos and Mexicans in the Making of Texas, 1836-1986, where he describes the relation that the Anglo and the Mexican American people have in those years. In the same way, he wrote Quixote’s Soldiers: A local history of the Chicano Movement, 1966 - 1981, where he describes the Chicano movement as a way of helping the Mexican American community. By describing the Chicano Movement and the political changes made in San Antonio, Montejano relates the problems of equality and justice, the organization created at that time, and the consequences of this movement.

To understand Chicanos, it is necessary to comprehend their Mexican roots. The Spanish interrupted the evolution of indigenous lifestyles and fashioned a colonial empire that remade the land, people, and culture. Spanish architecture, religion, language, and other institutions and practices were glorified as Indian culture was degraded, but many changes led to a new Mexican culture. New foods, religious beliefs and practices, social customs and cultural traditions arose and evolved. It also left a socio-psychological heritage in which skin color became associated with feelings of inferiority and superiority, with those who have whiter skin being privileged. Whether a person appears to be white or dark, still is significant among Mexicans as well as Chicanos. Could this possibly

The culture I choose to explore is the Hispanic culture. I choose this culture because many of the people I work with and many of my friends identify with the Hispanic culture and I feel it would be interesting to know more about a culture that is so relevant to my life. A few of the big things in Hispanic culture that I found interesting are language, traditions and food. Hispanic refers to a person of Cuban, Mexican, Puerto Rican, South or Central American, or other Spanish culture.

Chicano as defined by the American Heritage Dictionary , is “a Mexican-American”. Nationalism, as defined by the same publication, is “devotion to the interests or particular culture of a particular nation”. So by definition, we can infer that Chicano Nationalism is an interest in either the Mexican or American culture by a Mexican American, which is not a very concise definition. Before we can begin to define Chicano Nationalism, we must first define what is it to be a Chicano. In it’s simplest form, the American Heritage Dictionary’s definition of a Chicano is correct, but there is much more to it than being a Mexican-American. It is a realization of one’s past, present and future; realizing how far the culture

El Movimiento, also known as the Chicano civil rights movement, was the empowerment of Mexican Americans in the 1960’s and 70’s. Almost half a century later, Chicanos, Latinos, and Hispanics continue to fight a struggle. You may be wondering “what is a Chicano?” A Chicano is anyone who grew up in the U.S., but if their parents grew up in Mexico then moved to the states. This movement is one of the least studied civil rights socials, but this is a topic I have felt strong about for a while and I still do.

If the income level indicated above does not represent the approximate income level of your parents ' household during your high school years, please explain.

This is a narrative of one Mexican American woman’s experiences and her views on the importance of passing down the cultural beliefs of her ancestors. In the section of the country in which I live there is a large population within the community of Mexican American culture. Although I have frequent contact with people of Mexican American heritage either through employment or interaction out in the community, I have a limited understanding of their culture. For this reason, I chose to learn more about the population of people I have frequent contact with and as a professional work with as clients in the field of mental health counseling. The quest of finding someone knowledgeable to discuss the population, their cultural background and some of their necessities, as well as some past experiences, led me towards contacting a church. This took calling two different churches before the person at the second church informed me that I needed to speak with, Mrs. Socorro Garcia head of their Hispanic Ministries. Unfortunately, Mrs. Garcia was on vacation when I called, but I was able to speak with her over the phone the following week, setting up an interview in person at her office a couple days later. This was a relief because I was becoming concerned about locating someone for a personal interview.

Discrimination has been the brawn of injustices done to people of color. Most don't know of the Chicano struggle in the United Stated for the past four to six generations. Chicanos in America were forced to face chaos, poverty, and pain. Chicano, by Richard Vasquez is a perfect example of how Mexican Americans and Chicanos were treated in America during the 90's. Although Chicanos faced a burdensome life in America, lots of customs and culture immigrated to America with them, which has fabricated the Chicano Culture. The book Chicano profoundly demonstrates how hard it was for a Mexican family to immigrate to America. Once Chicanos started a life in America, it was very hard to get out of it. Mexicans were not socially accepted because

Borderlands/La Frontera: The New Mestiza by Gloria Anzaldua is full of personal narratives detailing the visible and invisible “ borderlands “ that exist within a race, gender, sexuality, and spirituality. Her essays and poems are based on her own personal experiences as a Chicana and lesbian activist. Through her writing, she challenges the true definition of the borderlands as more than a simple line that divides different cultures. It calls for those who are oppressors to change their attitudes and show support to those of the borderlands. By writing in both English and Spanish she expresses how one language would not be enough to describe her Chicana literature.