Clint Eastwood Research Paper

McQueen also had one of the biggest collection of classic motorcycles ever. Steve McQueen was born on March 24, 1930, in India to Julia Ann Crawford (lee) and William Terence. At at very young age, McQueen’s father left him and his mother. Because of this abandonment, Steve was a ‘troubled child.’

​Born in 1930, Eastwood began his career later than many actors. Focused on Jazz in high school, he became curious about the world of acting (Tibbetts, 1993). Naïve Eastwood was shy of 30 before his first appearance in film. In 1955, Eastwood began starring in forgettable background roles such as a sailor in a "Francis, the Talking Mule" vehicle, Francis in the Navy (1955), and an Air Force

I would like to state the importance of an actor performance and mise-en-scene of the male hero to portray the representation of masculinity in this film. Connells (1995) addresses that Bruce Wayne’s character is the definition of the hegemonic representation of masculinity which embraces and exploits the over exaggerated standards of masculinity of them being serious, unnaturally strong, wealthy and cool. His facial expressions also help contribute to this

The American western frontier, still arguably existent today, has presented a standard of living and characteristics which, for a time, where all its own. Several authors of various works regarding these characteristics and the obvious border set up along the western and eastern sections have discussed their opinions of the west. In addition to these literary works by renowned authors, one rather convenient cinematic reference has also been influenced by these well-known, well-discussed practices of this American frontier. “True Grit”, a film recently remade in 2010 by the Cohen Brothers, crosses the boundaries of the west allowing all movie-goers to capture one idea of the western world. The movie, along with a few scholarly sources

No matter what, we are almost always talking about violence masculinity in America. Whether we are talking about the horrifying, high-profile mass shooting we have seen over recent decades, the far greater rates of murder and gun violence we see on a day – to – day basis that barely register in the national news, or the epidemic of sexual violence and domestic violence, the vast majority of this violence is committed by men, young men, and boys (Jackson Katz, 2013). Throughout this essay the topics covered will be how culture defines masculinity, according to the film, violent masculinity as a cultural norm, agents of socialization that teach boys how to be men, the cool

Harris’s interest was the representational dialogic of racial difference within film and the real/representation dialect of cultural, gender, and sexual identity (Harris, 51). But the new images of black masculinity are problematic and limited. This was an operation of sorts, of “recoding masculinity from established, now historic, Hollywood codings of black men and black masculinity visualizes a more ambiguous, more discursive image, producing the meanings of an intricately constructed masculinity, more complexly dimensional than the submissive, docile Tom, or the morally corrupt, conniving, sexually threatening drug dealer” (Harris, 52). But these aggressive and politically charged black masculinities, now turned into these difficult ideological metaphors- they construct themselves from the existing “pop cultural and filmic representations of masculinity” (Harris, 52). Basically, Harris stated that black masculinity turned into a “fixed” culturally familiar/consumable construct; masculinity became reinforcement of singular, monologic meanings, only within different popular images. According to Robyn Weigman’s Feminism, The Boyz, and Other Matters Regarding the Male, Newsweek asserts, “Hollywood fades to black.” The primary images

How would you feel if I told you women had more of a hand in setting the Wild West than you have been lead to believe? How would you feel if you knew many of those women were prostitutes? Like a majority of people my views of the Wild West originally stemmed from the old Westerns I used to watch with my family. I never paid a second glance to the women in those stories for they all seemed the same. Just some saloon girl hussies with a tendency to be damsels in distress but after seeing a video from the Adam Ruins Everything series my views have changed.

Name: Nhat Ho Mr. Erwin Philosophy 432 30/10/2015 Hero in High Noon In many Western films, the roles of courage, women, integrity, community , individualism, Indians, landscape, and the wilderness were often presented in a similar thematic way, for the directors and their audiences shared a common view of the Old West and shared the same basic values. Courage, integrity, and individualism were greatly admired, women were admirable creatures but needed to be rescued quite frequently, and communities needed to be united in order to survive hostile Indians and an unforgiving wilderness. These values all reflect the idea of Sublime, Jonathan Locke’s view of property, Thomas Hobbes’ conception of human nature and human society, and Aristotle’s

In his monumental life, he influenced many different arrays of life from sports to civil rights. Cassius Clay Jr. was born on January 17, 1942, in Louisville, Kentucky. His father was Cassius Marcellus Clay and his mother’s name was Odessa Grady Clay. Young Cassius Clay Jr. and his brother Rudolph Valentino Clay grew up in an underprivileged family where they only had what they needed. Their father was a painter and

Furthermore, he made his first film debut in 1986, in the horror film “Monster in the Closet.” While at the same time, he was able to land a role in the TV show “Throb.” After he graduated high school, he spent some time attending various community Colleges. However, in 1993 he focused on nothing but acting. From which, he took on a role in the soap opera “The Young and the Restless.”

Who doesn't know Chuck Norris? And as the joke goes, even those who know will not dare cross him by saying this. The accomplished actor, screenwriter and producer, he has closely worked with legendary Martial Artist Bruce Lee in many films. At 75, he remains a legend, untouched by time. Ever since the year 2005, there were many internet trolls and memes directed at him, which, though fictional and some of them highly absurd in nature, have been invented on top of the glorious life of this man. In fact, on his 75th birthday, the Telegraph even had an article put up where the author said: "Chuck Norris turned 75 today, or should I say 75 turned Chuck Norris?"

Sean Connery is one of the most famous actors in history. In addition, he is looked up to by many individuals. Here are some facts that most people don't know about this actor. Stay tuned for part 2, coming soon!

Two men meet alone in a dusty town, facing off in one final gunfight or there is a line of cavalry men on horses waiting for the Indians to crest the hill that faces them. These are two visions of the Western film that has long been a staple of this genre. There are those that see the Western differently and their interpretation is just as intense or thought provoking, even comical. Unforgiven directed and starring Clint Eastwood and Blazing Saddles directed by Mel Brooks are two such films that took the Western to another level and envisioned the wild west in a new light. Their versions still held onto the some of the true Western themes and revered the scenic visions of the frontier and the mystery of the immense landscape while changing the view of how a Western film should be filmed. Both directors reexamine the typical Western characters, reenvisioned the role of violence, while still celebrating the beauty of Western frontier.

Brokeback Mountain, being the more homosexual romance-oriented Western that it is, subverts a large number of the typical traditional elements of the Western film genre as a whole, this one especially, by having another male be in the position of the love interest of the hero. Although this subversion in particular is very problematic for Jack, as it puts him in the shoes of being associated with all things relating to femininity in the relationship. For example, Jack is the one who makes the first move when seducing Ennis, using his own allure and sexuality into tempting Ennis when he calls him into the tent, leading Ennis down somewhat of a risky path. Ennis, however, is portrayed as somewhat of a saint, his being repressed and restrained by social standards, saying to Jack, “You may be a sinner but I ain't yet had the opportunity”. Another interesting typical thing in the Western genre that was altered was that instead of Indians being the villain, the enemy is that of a ignorant and oppressive society–a society that would kill Ennis and Jack for being “different”, Ennis says to Jack, “this thing takes hold of us at the wrong place, wrong time and we're dead,” which shows how much they both worry about it–but the two cowboys still have to find some way to pull through and struggle to find their true selves in this society, but it is also that fear which causes the devastating events

The Western genre is undoubtedly one that is governed by the traditional male 'hero' and its masculine stereotypes. Rarely does the genre break away from this mould, however Ang Lee's renowned film Brokeback Mountain defies the set expectations of the Western and its celebration of masculinity. The film depicts the tragic love between the two central characters 'Ennis del Mar' and 'Jack Twist', set against the backdrop of the American