Comparing The Sick Rose, My Pretty Rose Tree, and The Lily Essay

Since the beginning of time, women have been treated as second class citizens. Therefore, women were forced to face many problems. Because of this women were repressed. At that time, the Napoleonic Code stated that women were controlled by their husbands and cannot freely do their own will without the authority of their husband. This paper shows how this is evident in the "Story of an Hour" by Kate Chopin and " A Rose for Emily" by William Faulkner. In both stories, the use of literary elements such as foreshadowing, symbolism, and significant meaning of the titles are essential in bringing the reader to an unexpected and ironic conclusion.

Sun-flower,” and “The Lilly.” Wolfson argues that these three poems “tell a tale in three chapters,” (266) however each poem stands beautifully on its own only loosely an affiliated trilogy of different aspects of love. From plate 43, these short lyrics involve the personification of flowers. Often characterized for their delicateness and beauty, symbolizing love, and female sexuality, Blake uses botany to again establish a sense of sexual relationship within the poem. “My Pretty Rose Tree ” is constructed in two heroic quatrains written with an ABAB ACAC rhyme scheme. The speaker describes their temptation in being offered another flower (opportunity or other woman) as well as their protestation that he has his own “pretty rose tree” (Blake, Rose Tree 3) and does not need another. The outcome of his fidelity personifies the already feminized and objectified rose tree as jealous and dependent on the speaker for “tend[ing]” (6). In the trees jealousy, she only provides her barren “thorns” (8) for the speaker’s efforts in which he states is his “only delight” (8). Suggesting that the only delight a woman is capable of is the physical appearance. The thorns take on the Biblical symbolism of the crown of thorns in which Jesus wears up to his crucifixion to cause him pain and to mock his claim for authority. Similarly, the rose tree mocks the speaker’s possessive authority over her (as he

In the poems "The Lamb" and "The Tyger," William Blake uses symbolism, tone, and rhyme to advance the theme that God can create good and bad creatures. The poem "The Lamb" was in Blake's "Songs of Innocence," which was published in 1789. "The Tyger," in his "Songs of Experience," was published in 1794. In these contrasting poems he shows symbols of what he calls "the two contrary states of the human soul" (Shilstone 1).

Lastly, the final simile used, "And cancer, simple as a flower, blooms." compares something beautiful and full of life, with something horrible, an instrument of death. This is a very unusual simile; it is almost an oxymoron. It is almost sickening to think of cancer as a flower, as if something pure has been twisted into something perverse, this, however, is the poet's intention, to make the reader stop and think. In the

The Songs of Innocence poems first appeared in Blake’s 1784 novel, An Island in the Moon. In 1788, Blake began to compile in earnest, the collection of Songs of Innocence. And by 1789, this original volume of plates was complete. These poems are the products of the human mind in a state of innocence, imagination, and joy; natural euphoric feelings uninhibited or tainted by the outside world. Following the completion of the Songs of Innocence plates, Blake wrote The Marriage of Heaven and Hell and it is through this dilemma of good and evil and the suffering that he witnesses on the streets of London, that he begins composing Songs of Experience. This second volume serves as a response to Songs of

William Blake was deeply aware of the great political and social issues during his time focusing his writing on the injustices going on in the world around him. He juxtaposed the state of human existence through his works Songs of Innocence (1789) and Songs of Experience (1794), showing differentiating sides of humanity. The contrast between Songs of

To Browning, a rose still holds beauty even when it is unable to function in nature. By comparing the fairness of a rose after death and giving it more love “than to such roses bold” (30), Browning indicates that the rose is more deserving of praise than living roses because it is underappreciated. The passing of a rose does not mean that the beauty is gone, in fact, the heart “doth view [the rose] fair, doth judge [it] most complete” (24). Similarly, the departure of a loved one is devastating, however, there is peace in

What makes someone to live an isolated and antisocial lifestyle? What are the causes? What are the reasons that people are in the edge of madness when a great life with many opportunities are in front of them?

In comparing Alice Walker’s story “The Flowers” with that of William Faulkner’s “A Rose for Emily,” there are similarities and differences. The main difference in the stories is the way the characters react to the deaths. There are similarities such as the main characters of both stories personally face a dead body, both stories share the symbolism of flowers, and both present a theme of death.

This paragraph is found near the end of the short story, “A Rose for Emily,” by William Faulkner. In this excerpt, we are thrust into the funeral of Emily, and the effect of her death upon the townsfolk. Emily, a reclusive and apparently mentally disturbed spinster, has been a talked about figure in the town for the majority of her years. Her life and death have been all about relationships – both of the ones she had, as well of the ones she did not have. We learned that, although her relationships with the townsfolk were at times both cordial and strained, they came to her funeral in order to pay a kind of tribute to an object of their pity for,

     Abstract: William Blake's Songs of Innocence contains a group of poetic works that the artist conceptualized as entering into a dialogue with each other and with the works in his companion work, Songs of Experience. He also saw each of the poems in Innocence as operating as part of an artistic whole creation that was encompassed by the poems and images on the plates he used to print these works. While Blake exercised a fanatical degree of control over his publications during his lifetime, after his death his poems became popular and were encountered without the contextual material that he intended to accompany them.

Immediately beginning stanza 2 the “stain” is introduced, which easily relates to male, female, or shared semen. Eroticism is obvious with the “horned branches” which are piecing a smooth purple sky, just how a penis “leans heavily” against a vagina. The sky can is also the barrier between the branches and that beyond the sky, just how it can be taken as the inside of the vagina, it can too be considered the outside, right before penetrating. Saying there is no light puts the situation into an even more suitable location for sex. The honey-thick stain is relevant to the texture of fluids involved in sex and its dripping from leaf to leaf and limb to limb may easily equate leaves to the delicate body of a woman, and limbs to the robust physique of a man. His fourth stanza relates to the events before and during the climax of the man. He has been “buoyed up” and his head-a name that is used to describe the tip of the penis- has knocked against the vagina-relevant “sky”. In the fifth stanza the surrealism and dreamlike dimension covered in the beginning has its attention shifted to the speaker. He wants her to see him, “dripping with nectar” and finally with his arms and hands idle, implying they were once busied up. The last stanza can either be one of true love for this woman, as he asks the question or one of disposal. He might be saying that he is done with her and doubts he’ll love her after this sex-where his connection to her was greatest.

trying to tell us - most of the things do not look as they appear to

To understand what is being said in such poems as "THE GARDEN OF LOVE" and "The Little Vagabond" one must consider the poet's religious, or shall I say spiritual, position. William Blake considered himself to be a monistic Gnostic. That is, he believed what saved a person's soul was not faith but knowledge. Faith, he felt, was a term that was abused by those who thought spending every Sunday in a church would grant them eternal salvation regardless of what actions they exhibited outside the walls of the church. Church ceremonies were also dry, emotionless and meaningless, according to Blake. Church was evil, as Blake would have put it.

Some of William Blake’s poetry is categorized into collections called Songs of Innocence and Songs of Experience. Blake explores almost opposite opinions about creation in his poems “The Lamb” and “The Tiger.” While the overarching concept is the same in both, he uses different subjects to portray different sides of creation; however, in the Innocence and Experience versions of “The Chimney Sweeper,” Blake uses some of the same words, rhyme schemes, and characters to talk about a single subject in opposite tones.