Contemporary Design Intervention Consideration : The Church Of St. Pere Of Corbera D ' Ebre And The Convent Essay

In O’Gorman’s piece ABC of Architecture Venustas is touched on but not analyzed to the extent of both Utilitas and Firmitas. Contrary to Vitruvius’ criteria, modern buildings are built using the Vitruvian factors of Utilitas and Firmitas. The architect does not usually have the freedom to design whatever they desire, they usually follow a set of criteria and constraints in the form of a plan.

The Dome of the Rock (688-92) is a building project which demonstrates a particular way of achieving uniqueness in architecture. Architectural uniqueness can be established by introducing the same building form and materials in a slightly different way, complimenting its surrounding. Again, this uniqueness can be achieved by having a completely different building vocabulary, contrasting with its surroundings. In this context, this essay will investigate what type of architectural uniqueness the Dome of the Rock possess and how this uniqueness has been achieved through various architectural elements.

Question 1. Choose an architect or practice whose work is covered by or relevant to this course and discuss critically one or more of their design projects or drawings or urban proposals as precedent case-studies. Selectively situate this work in relation to their body of work, and against the practices and concerns of the period. Focus on the architectural qualities of a specific key aspect of the design of the projects. Selectively consider how they might relate to the historical situation, cultural values, theoretical concerns and design practices of the time. This may involve a selective analysis of compositional design practices, material fabrication production and the experiential reception of built outcomes of the projects.

Many architectural and urban forms and elements that we witness today are largely influenced by how buildings were design and laid in Rome. Not only in terms of its external design that brought upon important messages but the design of interiors and the significance of spatial arrangement of spaces exist within them has created the sense of physical experience in the buildings as well. Rome’s urban development and the rise of architectural movement began during the time of Augustus

The Basilica of San Vitale is a church in Ravenna, Italy and is a prime example of early Christian Byzantine art and architecture. This essay by Sarah Bassett considers the correlation between the certain paintings and pieces of poetry from the early Byzantine era. Bassett primarily goes into great detail about two specific paintings, the sixth century mosaic portraits of Emperor Justinian and another of his consort Theodora. These two magnificent portraits are set across from one another in the space of the apse. As we have learned in many great civilizations before the Byzantine Empire, power on earth is often perceived as a result of power in the after-life or heaven. Emperor Justinian’s mosaic depicts great power through art in forms of

Heritage buildings act in the same way; the characters of built environments have changed and continue to change as architectural styles do throughout time. The architecture of today adds to and becomes but one of the layers in the urban fabric. New designs in an existing city set out to mimic, integrate, juxta-pose, harmonies, contrast, juxtapose or even com-pete with the existing status quo. Each situation re-quires a different approach with different design re-quirements assessed on a case-by-case basis (Or-basli, 2010). The proposed research will discuss the adaptation of the cultural heritage between tra-dition and innovation: how case-by-case design re-quirements impact on heritage building’s identity, looking at museums in

Peter’s Basilica are architecturally different, yet they both unite those people who put their faith in the Catholic Church and into the hands of God by using these structures as propaganda. St. Peter’s Basilica is an excellent representation of Baroque and Renaissance style art and architecture due to the time period that construction began for this magnificent building. Gaudi’s La Sagrada Familia is unique even for other basilicas and cathedrals built in the Gothic style. He brings together new ways of architecture and construction that make La Sagrada Familia such an interesting and outstanding structure years before its completion. However, despite the differences in appearance between St. Peter’s Basilica and La Sagrada Familia, they both share similarities that tell the story of Catholicism and bring visitors from different backgrounds and religions to one meeting

Historical buildings play an important role in describing the social and cultural beliefs and values of a place of its establishment. People visiting the historic buildings are able to develop a proper insight into the community beliefs and practices that exist at the time of construction of a building (DuTemple, 2003). In this context, the present essay examines and evaluates the way in which the architectural building of ‘The Colosseum’ describes the societal and cultural values of Rome. In addition to this, the essay also demonstrates the technical and spatial features of the buildings and illustrates the way through the building is able to develop a language of classical architecture in Rome. The thesis statement of the present essay can be stated as ‘The extent to which the architectural building of ‘The Colosseum’ in Rome depicts the cultural and societal values and principles practiced in Ancient Roman Society’.

Postmodernism is a universal movement, present in every art and discipline. In architecture, postmodernism is precise as well as ambiguous thereby in need of an explorative pursuit for a consensus of what is meant by the movement in this perspective - between the works of Charles Jencks, a primary theorist of this architectural turn; Heinrich Klotz, a leading architectural critic; and William Curtis, an architectural historian. The progression of this paper is highly influenced with Jencks’ studies as his works are often times referenced as well by both Klotz and Curtis in their individual interpretations and further accompanied with either supporting statements or contradictions.

This book was written by Juhani Pallasmaa with regard to ‘Polemics’, on issues that were part of the architecture discourse of the time, i.e. 1995. It is also an extending of ideas expressed in an essay entitled “Architecture of the seven senses” published in 1994.

Gropius traces the growth of the New Architecture and the work of the now well-known Bauhaus, with accuracy, calls for a new artist and architect educated to new materials and approaches as well as meeting the requirements of the age. It is also mentioned in The New Architecture and the Bauhaus that the intention of the Bauhaus was not to reproduce any “style”, system or belief, but simply to exert a revitalizing impact on design. Even though the outward forms of the New Architecture differ primarily in an organic sense from the old, it is the inevitable logical product of the intellectual, social and technical conditions of our age. A gap has been made with the past, allowing us to face a new aspect of architecture corresponding to the technical civilization of the age we live in. The analysis of the dead styles has been destroyed. Furthermore, the new building throws open the walls like curtains to allow an abundance of fresh air, daylight and sunshine. Instead of securing the building ponderously into the ground, it poises them lightly, yet firmly at the same

The ‘Community Architecture’ is kind of architectural practice between architects and users. Also, it can be described as architect follow the wish of users or community to design the building fit the requirement by using local materials and helps the residents to build the structure. Royal Institute of British Architects (RIBA) described ‘Community Architecture’ should follow the idea about "The aim of community architecture is to improve the quality of the environment by involving people in the design and management of the buildings and spaces they inhabit." () In general, architect call ‘Conventional Architecture’ product, nevertheless ‘Community Architecture’ represents the process rather than the product and most proponents claim that the built product of ‘Community Architecture’ is often better than the product of conventional architecture. “Community architecture means that the personal who inhabit it are involved in and may even be instigators of, its creation and its management as well. The inhabitants are the clients; and the architect works for, or at least with them--in contrast to the typical situation where architects and user never meet.” () The ‘ community architecture’ was the newly invented notion that user participation in the environment is more important than any of another architectural concept, especially in contrast to ‘conventional architecture’. The reasons of that could be limited resources, materials and

The Sant Antoni Market is one of the most popular and architecturally brilliant markets in Barcelona. Originally designed by Antoni Rovira i Trias, an architect and urban planner who publically favored the destruction of walls in Barcelona and supported free growth in the city. Trias was a very outspoken architect and called for a change in the way Barcelona should be urbanized and he actually won the competition, in 1859, for the design of the expansion of the city. However, the central Spanish government in Madrid favored Cerda’s plan instead. Nevertheless, Trias continued with his work as an architect and he designed the markets of La Concepcio in 1885, the Born in 1873, and most importantly for this research paper, the San Antoni market completed in 1882. Throughout this research paper, I will be analyzing the design philosophy of Rovira i Trias in his works particularly the Sant Antoni market and how it

The five principles of architecture that Le Corbusier proposed in 1923 can be noted in, not only Le Corbusier’s work, but also in other modern architecture, because each principle contributes to the overall aesthetic of the building, as well as providing a functional use. However, all five principles don’t have to be incorporated into one design, which is what this essay will explore. It will attempt to show that one principle can prevail over the other four, but all five are needed to create a full representation of Le Corbusier’s envision of architecture. This is shown through Le Corbusier’s villas, specifically the Villa Shodhan and this essay will analyse how the principles contrast against one another. Furthermore, a small scale design project will be created alongside the essay in an attempt to produce a unique villa through the embodiment of Le Corbusier’s five principles of architecture. Through further analysis of the Villa Shodhan I will also argue that not all principles are independent and that some principles can function efficiently without the rest. Nonetheless, Le Corbusier’s most renowned villa, Villa Savoye, utilizes all five principles; therefore, it is the most accurate image of Le Corbusier’s five principles of architecture. However, after this villa had been completed it became clear that the flat roof, which served a domestic purpose as a roof garden had failed

The book consists of twelve chapters that propose this idea that designers should explore the nature of our senses’ response to the spatial built forms that people invest their time in. It tries to cover a specific topic in each chapter that in order to deconstruct the book, it is necessary to cover each chapter individually.