Contributions Of Claude Monet

Impressionism is an artistic style of painting that originated in France in the 1870s. This style of painting attempts to capture an experience or emotion opposed depicting a scene accurately. Every impressionistic painter has a distinct method of rendering as well as their own distinct set of qualities that reflect the artist themselves. For instance, The Basket Chair by Berthe Morisot and The Orange Trees by Gustave Caillebotte are two impressionist works of art of oils on canvas that contrast in many ways. These two paintings will be compared side by side with an in depth approach comparing the artist’s personal status in society, modernism’s role in the piece, and the execution of composition.

Born in 1840, Claude Monet began to show promise in the arts as a young boy. Although discouraged by his father, Monet made enough money to support himself through art school by selling caricatures. At the age of 15, Monet’s name, amongst the people, became well known for his talent. Although he never finished school, he established himself and initially chose to concentrate his paintings on still life. His first large work, “Dejeuner sur l’herbe”, however, would not depict the scenes for which he would later be known; for example, his landscapes and sights from his garden at Givenchy. He started painting scenery as a result of the influence of a co-worker named Boudin. While at Givenchy, Monet is captivated by his garden. He spends the remainder of his life there and paints his Japanese footbridge a great many number of times.

Ferdinand Loyen du Puigaudeau was a French Impressionist, so his paintings were created in the Impressionism movement. Impressionism is where the artists would want to capture a moment of any time a day and to focus on weather conditions. The most popular paintings from the Impressionism movement are landscapes. The artists would paint by doing light brushing strokes and use bright colors. The impressionists were the first group to embrace painting outside.

During his ‘Dutch’ period, Van Gogh’s subject matter was primarily focused on the lifestyle of the poor and the bible (Dubecky). In his ‘French’ period, Van Gogh had begun to shift his focus to drawing nude figures and portraits. Monet, conversely, liked to paint his subject matters in series. He would paint “the same subject at different times of the day in different lights” (Brown 1536). Some series that he painted included water lilies, bridges, and haystacks. Something that Van Gogh and Monet both really took passion in is basing their art on their life experiences. They both painted their surroundings such as landscapes, seascapes, and people around them. Van Gogh would also draw still lifes of food and would paint paintings based on his emotions during his recovered bouts of mental illness.

Claude Monet is one of the most familiar and best loved of all Western artists. His images of poppy fields, poplar trees, water lilies and elegant ladies in blossoming gardens are familiar to people who have never seen the original paintings and may never have visited an art gallery. Monet's works have won a place in the affection of the general public that seems almost without parallel. (Rachman, 4) In the decades since his death in 1926, Monet's work has been intensely studied by a variety of art critics. However, none of his works have been as deeply studied as those done in Giverny, in the early twentieth century. During this time Monet's paintings, which focused on specific subject matter from various viewpoints,

Claude Monet was the leader of impressionist painting movement. Manet, Cezanne, Degas, Morisot, Pissarro, Renoir, and Alfred Sisley, gave art the ability to

Vincent was a quiet child growing up. He himself once described his childhood by saying “My youth was gloomy and cold and sterile”. At the age of 7 he attended the town 's school and at age 8 he and his sister Anna were taught by a governess in their home. At the age of 9 he attempts to draw his first drawing called The Goat Herd it is in a private collection. Then at age 11 he began schooling in Zevenbergen and studied French, English, and German. At the age of fifteen he had to quit school to help support his family, he worked at his Uncle Cornelis’ art dealership in Paris called the Hague. At the age of 20 he was transferred from the Paris branch to the London branch of Goupil & Cie, art dealers. This is thought to be one of the happiest years of his life. He was very successful and then he fell in love. However, when he confessed his love, the girl rejected him saying

His audience especially supported him on his road to fame in the late 1880’s and 90’s after his waterlilies series of artworks. During an exhibition in 1874 critics viewed Claude’s work ‘Impression Sunrise’ and dubbed painters who do such artworks as ‘Impressionists’. This was intended to be insulting as the critics thought the works to be more like unfinished drafts rather than a complete artwork. Claude on the other hand quite liked the term and embraced it fully as it fit his style quite well. During his lifetime Claude’s works were displayed in the Salon and by the Société Anonyme des Artistes, Peintres, Sculpteurs, and Graveurs in Impression Exhibitions. Currently, his works are displayed all over the world with most in Paris but many others in Britain, the USA and other European

Claude Monet sparked the beginning of the Impressionist movement and began to paint “en plein air” as suggested by a friend. Monet focused on the creation of a modern painting instead of subjects on social commentary that the artists (the “Realists”) before him depicted. He explored personal impressions of light and color throughout his career, mainly focusing on the way light played across a surface. He would change the appearance of a painting the more the natural light changed throughout the day, “capturing the fleeting effects of light and atmosphere” (Stokstad 989). This is shown in his painting Impression: Sunrise; even though, this painting, and technique, were criticized. Critics ridiculed his fast, open brushstrokes, and calling it “unfinished” (Stokstad 987). However, this was the intention of Impression: Sunrise and that of his future paintings as well.

In the year of 1840 little did France, let alone the world, know that it was a year to be put in the history books. On this beautiful year a man of great recognition in the art world was born. The founding father of Impressionism, Claude Monet. He had been a painter of a new style. One of his paintings titled “Across the Meadow” was simply one of the art pieces among a multitude of other phenomenal impressionist works he had completed.

His younger life was not particularly grand. Magritte was the eldest of three boys. His family struggled with money and had to move about the country quite often. As he grew older, he took an interest in art and pursued life at an art college. In 1916, Magritte left home for Brussels where he would spend the next two years attending the Academie Royale des Beaux-Arts. No drastic turns in Magritte’s life influenced his desire to begin art. He simply just enjoyed it; but a tragic event in his life did lead him to paint in a new and unusual way. In 1912, Magritte’s mother committed suicide by drowning in a river. This major event took Magritte in a place he never thought he would go.

Van Gogh stares at guests with such solemn eyes that seem to be all colors at once. Claude Monet takes you to the French country side that are covered in swaying pastures of yellow wildflowers and haystacks. The relaxed posed of Renoir’s nude female models shows the realistic ideas the impressionism artists had for the future of art. They painted the true colors of the world around them and present them to us as we pass through the hallways. There is a muffled quietness in the exhibit as everyone observes the sound the paintings reflect as though trying to here the gentle breeze in Monet’s painting of water lilies. Everyone gathers to gaze at George Seurat’s meticulous work that covers an expansive wall which barely contains the impressive effort. Cameras flash trying to capture the unique and awe-inspiring talent and dedication that made Seurat famous but none are able. No one can truly capture the detail and dedication that all artists put into their work through photos, you have to stand right in front of it to come

The Art Story Foundation (ASF) (2015) discusses Claude Monet (1840-1926) as one of the leaders of French Impressionism of the late nineteenth century. With Edouard Manet (1832-1883) as an inspiration, Monet developed his own distinctive style in the 1860s. He blurred the clarity of forms and linear perspective with bold colors emphasizing on qualities of light and atmosphere going against traditional artistic precision.

Claude Monet’s piece titled Sunrise (Marine) illustrates the daylight in the industrial port of Le Havre of the north coast, France. This piece was made in March or April of 1873. The piece’s present location is the J. Paul Getty Museum, west pavilion, gallery w204. The medium is oil on canvas and is next to another piece made by Monet called The Portal of Rouen Cathedral in morning light. Claude Monet was part of the impressionist movement that changes French paintings of the nineteenth century. For Sunrise (1872), people criticized the paint due to the appearance of an unfinished painting, however other artist saw it as an honor and eventually called themselves “impressionist”. The painting brings out a beautiful image due to the colors, texture, and technique that plays an important role in society and culture.

Claude Monet was born in Paris in 1840 and would become known as one of France’s famous painters. Monet is often attributed with being the leading figure of the style of impressionism; but this was not always the case. Monet started out his career as a caricaturist, showing great skill. Eventually “Monet began to accompany [Eugène] Boudin as the older artist . . . worked outdoors, . . . this “truthful” painting, Monet later claimed, had determined his path as an artist.” Monet’s goal took off as his popularity grew in the mid 1870s after he switched from figure painting to the landscape impressionist style. William Seitz supports this statement through his quote, “The landscapes Monet painted at Argenteuil between 1872 and 1877 are