The portrait of Kenneth Slessor is part of the Australian voices raised through poetry. His poems “Beach Burial” and “Country Towns” allow the reader to compare the honor and the nostalgia raised in two entirely different environments. In “Country Towns” the poet describes a relaxed and peaceful atmosphere through the use of figurative language, sensory imagery and alliteration. In contrast, “Beach Burial” portrays the poet’s voice about the insignificance and unnecessary sacrifice in war, using symbolism, imagery and onomatopoeia.
Throughout “Country Towns”, Slessor describes nostalgic portraits of the past, contrasting those in the elegy “Beach Burial” by conveying portraits of lost Australian soldiers. These features in the poems are depicted through onomatopoeia. In an admiring tone, Slessor’s “Beach Burial” explains how the bodies of dead soldiers have been helplessly floating
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Similarly, in both poems these pictures are conveyed through the use of imagery. In “Beach Burial”, Slessor’s word choice, such as ‘stake of tide wood’ and ‘driven stake’, form an image of the ‘unknown seamen’s’ graves – labelled with a cross as general symbol of sacrifice and death. However, the words ‘driven stake’ evoke an image of very violent and cold blooded murder. The effect of this imagery shows the realities of war and the agony that remains after. Furthermore, unlike the imagery in “Beach Burial”, in “Country Towns” the imagery is sensory. The description of the season by referring to insects and plants that are common in the rural area is creating a vivid images of country towns. Also, the illustration of old buildings with yellow woods and the use of old terminology – ‘public house’ for a hotel – are picturing another era that evokes a nostalgic tone. The images of these two poems form completely different emotions but yet depict conflict and
Kenneth Slessor’s poignant poem, ‘Beach Burial’ contemplates on the improper and unfair burial that the Australian soldiers, who were at war with the Germans during World War 2, receive as a result of the fact that they could not get back home. The main idea that the poet was trying to get across was that as a result of the soldiers not being able to get a proper burial, they are not able to be recognized and are considered to be just another casualty of war: without honor or recognition. The poem emphasizes sadness on the completely useless waste of life; they are simply left how they had died and are now cared by only nature. In the poem, it appears as if these men are soldiers fighting a war at
Often, personal experiences are what influence a poet’s writing. Since the 1600s and up until World War One, poets have been heavily impacted by the glorification of war, as well as the catastrophic losses the world has suffered from. Poets such as Richard Lovelace and Lord Tennyson glorified the sacrifices soldiers made for their countries and honored them. While poets like Mary Borden and Wilfred Owen expressed their outrage towards war because they have witnessed the brutality and wickedness of it. In the two poetry collections, diction is the main factor in establishing the tone and theme of each poem.
Dorothea Mackellar’s ‘My Country’ is a poem expressing Mackellar’s deep passion and love for her country, Australia. The whole poem’s intention seems to evoke the sense of praising for the country and express Mackellar’s deep relationship and passion with her land. Mackellar attains this response from the audience by using numerous language techniques such as; Juxtaposition, personification, sound patterns including alliteration and assonance, imagery, and paradox. The use of first person throughout the whole poem suggests that the theme of this poem has been evoked by personal experience.
Through the use of poetic devices, the author has successfully encouraged the audience to explore their thoughts on Australian identity and to reflect on our nation’s history.
The appreciation of nature is illustrated through imagery ‘and now the country bursts open on the sea-across a calico beach unfurling’. The use of personification in the phrase ‘and the water sways’ is symbolic for life and nature, giving that water has human qualities. In contrast, ‘silver basin’ is a representation of a material creation and blends in with natural world. The poem is dominated by light and pure images of ‘sunlight rotating’ which emphasizes the emotional concept of this journey. The use of first person ‘I see from where I’m bent one of those bright crockery days that belong to so much I remember’ shapes the diverse range of imagery and mood within the poem. The poet appears to be emotional about his past considering his thoughts are stimulated by different landscapes through physical journey.
Mourning and mortality is a constant concern that transcends time. Slessor’s poetic treatment of these ideas continue to engage readers as it evokes a sense of awareness. This is evident in Kenneth Slessor 's poem Five Bells as the persona 's grief for his deceased friend, Joe Lynch causes him to realise the significance of time and the strength of spiritual attachments. This further leads him to question the purpose of human life.
This text response will be looking the comparison of the two poems, ‘Drifters’ by Bruce Dawe, And ‘In the park’ by Gwen Harwood under the name of Walter Lehmann. Drifters is about a seemingly constantly moving family, it describes the process the family will go through leaving their newest home. In the park is about a seemingly single mother raising her children, it describes the mother sitting in the park with her children when a previous lover comes by and talks about the children. With in each poem, the form and structure, language techniques and the tone and message will be analysed and compared with the other to gather a grater understanding of the Australian voice.
The line ‘driven like stakes into the earth’ is a simile and can be interpreted in two different ways. It can be seen as the fact that man is trying to build a city of impermanence, and the other is the literal meaning of mans crucification of the earth with buildings. Robert Gray also uses contrasting juxtaposition of imagery extensively in the poem. ‘On a highway over the marshland...cars like skulls, that is rolling in its sand dunes.’ This not only emphasises humankind’s assault on nature and the urbanisation that is contaminating natural spaces, but also compares the two landscapes as existing together. It once again forces the responder to visualise the situation, one of which they may be able to relate too and question life’s morals. The poem shows the destructive nature of mans actions, which is an issue in society that is prevalent.
values, assumptions and voice of the poem and of Australia at that time, one that shows courage and
In Kenneth Slessor’s 1942 poem ‘Beach Burial’ he also comments about survival in war and the power in distinctively visual ways through particular words. He relies upon adjectives, personification and the use of imagery to describe the suffering.
This first stanza from the poem, explains the journey of a man driving through a sawmill town and his observations. Murray describes his journey through a small sawmill town in New South Wales whilst using strong, vivid imagery and emotive language.
In 1876, in his preface to Adam Lindsay Gordon’s Poems, novelist Marcus Clarke coined the phrase ‘Weird Melancholy’ in reference to what he perceived to be the ‘dominant note’ of his country’s landscape and his subject’s verse. In doing so, he distilled the entire mood of Australian Gothic into one eerie essence, an essence present, to varying extents, in all texts of that genre. This can be seen through an examination of two exemplary Australian Gothic texts, each vastly different from the other in form and content, but united by their pervasive aura of Weirdness and Melancholy: Henry Lawson’s 1894 short story ‘The Bush Undertaker’ and Peter
Slessor is without doubt one of Australia’s great poets as his poetry invites us to feel and think about human experience in new ways. He shapes meaning in his poems through the use of sophisticated and appropriate language. Within the poem “Beach Burial” Slessor provides various insights on how the human condition is questioned and allows the reader to experience personal encounters with death, loss and grief that he laments throughout this poem, thereby underlining the futility of war. He also demonstrates the everyday struggles during the Great Depression in Kings Cross within the poem “William Street” during the financial state in the 1930s.
The careful choices of literary devices Paterson had successfully conveyed his underlying purpose to the reader. This text also paints a picture of the mood of one of the facets of Australians in the war which is the main focus of this poem.
Poems using strong poetic technique and devices are able to create a wide range of emotions from the readers. Wilfred Owen’s poetry effectively uses these poetic techniques and devices to not only create unsettling images about war but to provide his opinion about war itself with the use of themes within his poem. The use of these themes explored Owen’s ideas on the futility of war and can be seen in the poems: Anthem for Doomed Youth, Futility and The Next War. The poems provide unsettling images and belief of war through the treatment of death, barbaric nature of war and the futility of war.