Death Of General Wolfe Analysis

Images, such as paintings and photographs, are intensely visually striking and evoke strong emotions in those who view them.“Into the Jaws of Death” provides a perfect example of that intensity, having been taken by Robert F. Sargent during the early morning hours of the D-Day invasion of Normandy. Even today the famous photograph evokes strong emotional reactions in many people who view it. This photograph served a purpose more significant than was realized at the time, to the point of becoming a pivotal point in support for the war effort. How was this accomplished? By conveying personal themes of heroism, patriotism, and mortality through devices such as angles, colors, uniforms, and proxemics.

On the left, the picture has darker shades of green and some grey as well. These represent the sense of danger and chaos among a world untouched by man. On the right side, the picture is filled with lighter tints of green and the sky is blue rather than grey, and this represents how land that has been altered by man is simple, organized, and calm. This shows that the inevitable, the occupying of land in America, was not only expected to happen, but it was also encouraged because Americans believed it was their destiny to expand the country. Americans believed that organizing and inhabiting the land was what was best for them and for the land itself. Along with the various colors Cole used in the painting, he also used similar textures throughout the

Paintings are different than books or movies because they allow you to create your own thoughts and interpretations rather than telling you what you should think. This allows creative and different takes on an original piece of art.The Surrender, a painting by Joseph Griffith, was published in October of 2006. It features two sides in what appears to be a war. The left side is occupied by the epitome of American icons and showcases the American flag, while the left side contains, not only enemies of America, but “bad guys” from classic movies surrendering with a white flag. This painting can be interpreted as labeling popular American icons as heroes, showing the change in society’s change in what they consider a role model.

Like the painting, the sketch exhibits a number of West 's finest imaging and clearly and convincingly depicts all of the feeling of a frightful scene. The larger oil on canvas work isn 't one portrait, but rather, a

The focus of the painting is based on the two soldiers passing the shell to each other and then into to the artillery to shoot against the German army. The gesture of working together in harsh realities carries the message of unity and self-sacrifice for the war. One soldier does not have his uniform on meaning no protective gear that characterizes unselfishness in the center of a great battle. Furthermore, there is a soldier, who has an injury on his hand, yet still continuing to fight. The wound shows contribution in the face of danger and heroism marked by the bandaged arm on his return to the conflict. It sets an example of selflessness and bravery and the artist shows that in war, sacrifice can be represented by their schedule of duty.

There are many values within this print, but only constitute a handful of colors: Blue, brown, black, white, and gray. Blue is the main color within this print, there are many values of the color blue used. The deepest part of the waves are the darkest blue, while the parts of the waves closest to the surface are lightest blue or white. The sky has a gradient, which is going from the lightest color to the darkest color or vice versa; the sky is creating a gradient, from the bottom up, of black to a very light gray, then to a white-yellow. The colors chosen by Hokusai can also interpret feelings and emotions. The habitual feeling when seeing the color blue is sadness. Sadness and despair would be fitting emotions for this work, due to the giant wave about to crash upon the men in their boats. Blue can also emit a feeling of elegance. The composition of the print and how the lines of the wave flow can be considered a form of elegance.

Other than shading, the artist puts great detail as to how he positions his characters. The second pair of a white soldier and contraband in the front of the Union lines captures the

The lighting of the picture is very natural and comforting. The artist painted the setting to be a bright sunny day. The execution of a person should be a sad,

The colors in this piece are instrumental in moving the eye across the piece and drawing attention to specific parts of the piece. For instance, for the most part, the colors that are used are dark. However, to emphasize General Wolfe, the focal point in the middle, his outfit is painted in a brighter red and yellow and the ground beneath him is light as well. Also, in order to allow the eye to glide across the painting almost all of the soldier’s uniforms are red, creating rhythm. One solider, who is apparently rushing into see Wolfe, is painted in green, which is the complimentary color to red. The use of complimentary colors brings the eyes attention to the panicked solider, emphasizing the overall sense of urgency in the piece. The piece is also well balanced and uses appropriate scales and proportions.

In Alexander Gardner’s Photographic Sketchbook of the Civil War, the haunting image “Harvest of Death” catches one’s eye with the seemingly endless field of corpses. The jarring facial expression on the figure in the foreground draws one into the narrative of the piece. However, our initial understanding of the image’s narrative is limited to what we can see and what we know of the circumstances surrounding it. While we know it was taken during the American Civil War, by simply looking at the photograph, we cannot know who is depicted. In black and white, it is difficult to even tell what side of the conflict these fallen soldiers fought for. We can interpret the image for our own readings, but we cannot tell what the artist intended us to see or what message he wanted to impart with it. These unknowns, however, are addressed in the related text associated with the image. These short passages can tell us a great deal about the photographer’s intentions and influence the way we read the image. Through the excerpt, we not only learn the intended meaning of the photography, but we also learn about Gardner’s political intentions and the key points he wanted his viewers to note within the image. Published as a pair, Gardner used his text to contextualize his images and inform the way we perceive them. This is clearly illustrated in “A Harvest of Death” and its accompanying passage.

1. Two things that I learned about gas warfare that I see represented in the painting are the effects of the gas and the devestation of it being released. The effects of gas are shown in the painting by all of the men wearing blindfolds and walking in a line with their hands on the person in front of them. This shows the effects of gas because the blindfols make it seem that they are blind from the gas and and their eyes must are sensitive to the light. Also, the soldiers walking in a line with their hand on the person in front of them shows that they need to be guided by someone who wasn't hit by the gas because they can't see and can't find their own way back to the hospital where they will be treated. On the other hand, this painting

Concerning color, there is a stark contrast between the figure on the painting and the background. More specifically, the figure of the woman is predominantly delineated in white color, especially pale, ashen white, as far her apparel and facial complexion are concerned, while there are also various hues of grey, with respect to her hair and accessory feather. These white and grey shades are vividly contrasted with the prevailing red and crimson hues of the background (viz. the drape, armchair, and table). Moreover, one can detect colors of dark green (jewelry), some beige on the left (pillar), and darker or lighter shades of blue on the right side of the canvas (sky), which all in concert and in addition to the subtle purple hue forming the sun or moon exude a certain dramatic sentiment. Also, there is brown, which often easily segues into gold (viz. books and attire details respectively). The main contrast of colors between white and red would be interpreted as serving the purpose of rendering the figure of the woman, and especially her face, the focal point of the work, despite, paradoxically enough, the lush red shades at the background. Bearing that in mind, the significance of the woman’s face will be enlarged upon later, when discussing aspects of her identity.

The colors in this painting are mostly dark because the perilous trek to the northern states was done at night. The darkest element in the painting is Harriet Tubman. The depiction of Harriet Tubman is that of a dark and mysterious superhero. Jacob Lawrence doesn't sugarcoat the blackness in his artwork so he made sure to make Harriet Tubman unmistakably black. The lines in the art seem to be shading for all the dark spots in the painting. The dark horizontal lines on Harriet Tubman's white shirt is a great sign of her blending into the darkness.

The shapes of the figures are sharply defined and the objects such as the table, book, and string instruments. There are diagonal rhythms throughout the painting in which it creates movement. The light source in the upper left allows the source light to have a more natural appearance throughout the painting. The shadows at the right-hand corner and the men wearing green in the middle contrast the main object with the most sources of lighting. The objects shadows and lighting create dimension and a vivid sense of more contrast. There are areas in the making with more contrast and the sharp contrast that creates movement in the painting. The shadows and the lighting throughout the painting show gradations and the highlights create more depth. Staring from the upper-left hand corner with the first figure of a gentleman wearing a hue of blue and yellow, the left side of his face and garment shows the source light in right above him. The source light above the