Degeneration of Kurtz, Colonialism, and Imperialism in Heart of Darkness

In the first parts of the book most of the characters Marlow meets tell him all good things about Kurtz. When Marlow inquires about who Kurtz is he is told by the chief account of the company that Kurtz is, "a first class agent...he is a very remarkable person." (p. 33). Another person tells Marlow that Kurtz

Although Kurtz was alone, that loneliness helped him in the end. Through isolation, Kurtz was able to see who he really was. The main place where Kurtz finds himself is on his deathbed. Marlow says, ‘"But the wilderness had found him out early, and had taken on him a terrible vengeance for the fantastic invasion. I think it had whispered to him things about himself which he did not know, things of which he had no conception till he took counsel with this great solitude-and the whisper had proved irresistibly fascinating’"(Conrad 57). Marlow is saying that since Kurtz has been in the wilderness,

From his first mention in the novel--“[Mr. Kurtz] is a very remarkable person”--it is made clear to readers that Kurtz is no ordinary member of the Company. Before narrator Marlow actually encounters this man, he is described as “exceptional”, “of the greatest importance to the Company”, and a “universal genius”. Readers learn that Kurtz came to Africa “equipped with moral ideas” and has brought in an unprecedented amount of ivory, which is the primary goal of the Company. Overall, Kurtz is a prodigy, expected to move up the Company hierarchy quickly, and becomes a sort of obsession for Marlow. Despite this, higher-ups in the Company seem to fear, and

Joseph Conrad's novella, Heart of Darkness, describes a life-altering journey that the protagonist, Marlow, experiences in the African Congo.  The story explores the historical period of colonialism in Africa to exemplify Marlow's struggles.  Marlow, like other Europeans of his time, is brought up to believe certain things about colonialism, but his views change as he experiences colonialism first hand. This essay will explore Marlow's view of colonialism, which is shaped through his experiences and also from his relation to Kurtz.  Marlow's understanding of Kurtz's experiences show him the effects colonialism can have on a man's soul.

In Heart of Darkness, Kurtz is the very representation of the oppression which is impressed upon the natives of the Congo by white men seeking to spread imperialism.

Kurtz was a centralized character in Conrad’s Heart of Darkness who began his expedition as a trading post commander and ivory collector. Before they met, Kurtz was described to Marlow as an idol by the Company’s chief accountant. “‘He is a very remarkable person.’ Further questions elicited from him that Mr. Kurtz was at present in charge of a trading post, a very important one, in the true ivory country, at ‘the very bottom of there. Sends in as much ivory as all the others put together…’” (Conrad 382). Kurtz is obviously very valued

Kurtz’s lack of restraint and hunger for ivory consumes not only his soul but drains all of his physical existence. Upon seeing him, Marlow states, “I could see the cage of his ribs all astir, the bones of his arm waving (126)”. Conrad focuses on the physical features of Kurtz to display the madness that has consumed him. However, though Kurtz’s body is deteriorating, Kurtz’s mind continues to thrive. Conrad shows this in Marlow’s shock of witnessing a flame of passion that remains in Kurtz’s eyes as he converses without signs of exhaustion (126). Conrad continues to describe Kurtz as a shadow composed of tranquility and satisfaction. Conrad’s incorporation of this detail signifies the evil and greed that consumes Kurtz and is reflected through his physique. However, the power of Kurtz’s presence is personified through the action of his words. As the strength in his voice captures Marlow’s attention, it merely reflects his influence upon his followers. The power reflected through his voice displayed his confidence as well as his position as a leader for the natives. Hi demeanor displays an air of arrogance that makes others feel less equal to him. Those who follow him fear him, but also continue to respect him.

This isolation lends Marlow a sort of objectivity, allowing him to keenly assess the true damage Europe has inflicted upon the Congo. Unbound by friendships or any close ties, Marlow is able to survey the Congo and its colonists from an outsider’s perspective. As previously noted, he refers to them as “pilgrims” as a means of detaching himself. He comments on how when attacked by natives, “The pilgrims had opened with their Winchesters, and were simply squirting lead into that bush” (Conrad 41). By distancing himself from the others, Marlow is able to recognize the pointlessness of the chaotic violence the Europeans perpetuate. Though his distaste for European methods is not always well defined, it is definitely evident, seeming to escalate as he travels further along the Congo. Perhaps, then, the “heart of darkness” that Marlow so frequently says he is journeying into is not the jungle itself, but rather the truth about European brutality. At the core of this heart, both physically and symbolically, lies the Inner Station, where Marlow finds Kurtz. When Marlow first hears about Kurtz, he is fascinated. The colonists rave, “He is a prodigy…He is an emissary of pity, and science, and progress, and devil knows what else” (Conrad 22). These colonists are naïve, uninformed, beholding Kurtz as

    Joseph Conrad's Heart of Darkness is full of oppositions.  The most obvious is the juxtaposition of darkness and light, which are both present from the very beginning, in imagery and in metaphor.  The novella is a puzzling mixture of anti-imperialism and racism, civilization and savagery, idealism and nihilism.  How can they be reconciled?  The final scene, in which Marlow confronts Kurtz's Intended, might be expected to provide resolution.  However, it seems, instead, merely to focus the dilemmas in the book, rather than solving them.

At the end of his journey he realized the reason that everyone who went on this expedition was trying to make their fortune and that is how Kurtz eventually died. His “appetite for more ivory had got the better” of him. No matter what the cost to himself and the people around him, he was going to be the best and get the most money. His selfishness eventually caused his death when the manager downstream would not send food because he hoarded all of the ivory all to himself. Marlow knew that Kurtz was very serious about his job when he saw “heads on the stakes” in front of his house. Which could have been a warning to other people who try to come get his ivory. But the interesting part was most of the heads are faced toward his house. Kurtz wanted attention and loved to have power. These heads could be there to adore him just like the natives when he was with them. Kurtz search for power and wealth left in its wake death and destruction, showing that humanities quest for wealth leads to destruction.

We are always taught to appreciate the little things in life; the things that don’t seem to have much of significance at first but end up meaning the world to us. These small things have a value so great but so hidden that they are usually taken a granted for. In The Heart of Darkness by Joseph Conrad, there are a few characters that aren’t present in the book for a large amount of time but have a great affect on the story. Kurtz is one of these characters. Kurtz is introduced towards the end of the story but he has an affect on the action, the theme and the other characters development even when he isn’t present.

     The film also depicts the character of Kurtz in a very different light. Conrad builds up the appearance of Kurtz so much that his first scene is intentionally anti-climactic. He is discovered to be an ailing, elderly gentlemen, malnourished and on the verge of death. Marlow himself is simultaneously impressed with and disappointed by Kurtz. He enjoys listening to the old man’s philosophies, but he is let down by Kurtz’s lack of realistic thinking. He has clearly lost his mind, and with it, some of his credibility and mysticism.

     Even from the beginning, Kurtz was made out to be an icon, an idol. To Marlow, he was the only thing that made sense in the company, on a journey, in a wilderness full of confusion. The

 Marlow's journey leads him in an urgent search for Kurtz, the one man who can provide him with the truth about himself. Like Marlow, Kurtz came to the Congo in hopes to bring "light" and civilization to a backwards society. He is a highly-educated, refined gentlemen; yet, in the end, the brutal nature of the Congo forces him to resort to the life of a murderer and pilferer. The name Kurtz itself has symbolic meaning. "The physical shortness in Kurtz implies a shortness of character and spirit" (Heart of Darkness: A systematic evaluation). Marlow and Kurtz both symbolize the two conditions of human nature. "Kurtz represents what man could become if left to his own intrinsic devices outside protective society. Marlow represents a pure untainted civilized soul who has not been drawn to savagery by a dark, alienated jungle." (Heart of Darkness: A systematic evaluation). When the two come face to face, each man sees a reflection of what he might have become in the other. In Kurtz, Marlow sees the potential

As Kurtz’s title grows, he is able to work his way into the natives’ minds. He becomes their leader, even though he is an outsider. Little does Marlow know, Kurtz’s corruptness and his imperialistic and colonialist efforts to rule the African land would become his demise. In the end, Marlow understands that Kurtz is not all he is made out to be, and finds that his practices are harsher than necessary as he reads in Kurtz’s book his plans to “Exterminate all the brutes!” (50). Kurtz is referring to the natives he befriends and uses to his advantage. While Marlow and Kurtz move throughout the Congo as foreigners of a “First World” country, the Natives of the Congo are forces reconcile with Kurtz’s colonization and rule of their land and over their people. What Conrad presents in Heart of Darkness are the dangers of naiveté regarding “First World” practices of imperialism and colonialism, and then becoming aware, as Marlow gradually does, of their implications.