Divine Comedy Poem

The poem Inferno is about a man who has “lost the path that does not stray” (Inferno, Canto I, line 3) where “the path” represents the path to Heaven. Dante, having strayed from the path, is in danger of being sent to Hell. When Beatrice, whom Dante loved before her early death, finds out that Dante has strayed she becomes worried that he will not be able to join her in Heaven. Beatrice wants to help Dante find God again, but because she is an angel, she cannot walk through Hell or Purgatory and in her stead she asks the Roman poet Virgil to guide Dante on a cautionary trip. Much the way Dante travels through Hell in the Divine Comedy, Macbeth must endure the consequences of his actions.

Dante Alighieri wrote the Divine Comedy from 1308-1320. The story narrates Dante’s pilgrimage through hell, purgatory, and heaven while guided by Virgil and Beatrice. Throughout this journey Dante conforms himself to virtue, properly orders his passions, and conforms his conscience, “Dante 's psychopoiesis operates through the mimetic deformation, reformation, and transformation of conscience” (Macready, 2). This essay will examine what a true conscience is according to the Catechism of the Catholic Church and explore the nature of the conscience in Dante’s Divina Commedia. Additionally, this essay will examine the errors of Dante’s conscience regarding divine justice, love, and courage; and who contributes to this formation.

Domenico di Michelino (1417-1491), an Italian painter and medieval poet was known best for his epic poem, The Divine Comedy, which includes sections representing the three tiers of the Christian afterlife: Purgatory (Purgatorio), Hell (Inferno), and Paradise (Paradiso). This poem was a great work of medieval literature and was considered the greatest work of literature composed in Italian. The Divine Comedy was a Christian vision of mankind’s eternal fate. When The Divine Comedy was written, Dante made a cathedral painting that represents his poem called Dante and His Poem. In the painting, the Dante shows the 3 tiers related to the Christian afterlife. Dante was standing in a red robed colossus, revealing his poem to the city of Florence. The painting was full of great meaning, inspiring so many artists from Rodin to Robert Rauschenberg.

A subtopic worth further exploration within The Inferno is the depiction and representation of women. The Inferno mentions very few women throughout, and that makes it all the more salient to analyze the presence of these feminine characters for the fact that they are female carries more weight within the context of the poem than what they say alone. Dante lived in an era when women did not occupy influential roles in the public realm, and were actually discouraged from engaging in intellectual or philosophical debate. Women were not allowed to take part in political discourse nor communicate through the medium of poetry. For the exclusion of women from the historical and literary western canon, Dante’s perception of women in The Divine Comedy can be seen as an underlying framework for further discussion about the consideration of women. What makes Dante’s dialogue even more germane is his use of women from both pagan and Christian epochs, endowed with key virtues of salvation, but closely linked to secular goals (Glenn, xiii-xiv).

Alighieri, Dante. "The Divine Comedy, Inferno." Rpt. in The Norton Anthology of World Masterpieces. Ed. Mack Maynard. New York: W W Norton & Company, 1995. 1703-1829.

The theme of equilibrium between reason and faith is one of the core messages of Inferno and it is essential in conveying the main idea of the Divine Comedy and of the pilgrim’s journey that the exploitation of intellect and the misuse of will is the cause of sin, and that through faith, those who are morally lost find their salvation in God. In Inferno Dante makes it clear that he greatly values knowledge and reason in a way that is more characteristic to the Renaissance rather than of his own Medieval time. However, throughout this first book, the author reminds the audience of the Christian nature of his poem as he uses the stories of the sinners he encounters to stress the idea that without faith, the intellect is not sufficient to achieve divine salvation and that the misuse of reason can often lead to terrible sins.

The beginning lines of The Divine Comedy by Dante Alighieri indicate a pragmatic journey through the dark woods. It is soon evident that The Divine Comedy is in terms of an allegory. Midway through his life, Dante finds himself lost and in darkness. He is confused and unaware of how he has ended up in these dark woods. Dante soon comes across Italian poet Virgil, who will guide him through the Nine Circles of Hell. Dante Alighieri’s The Divine Comedy: Inferno portrays Dante’s life and adventure through Hell which allegorically represents a much broader subject: man’s journey through life to salvation.

While St. Thomas Aquinas established himself as the New Aristotle of the 13th century, Dante Alighieri established himself the new Virgil. The two men made an immense impact in their respective fields (poetry and philosophy). Yet surprisingly, the two share common ideals. In each of their respective literary and philosophical views, they establish the importance of the relationship between nature and grace. In Dante’s Inferno the unique relationship of grace and nature is made apparent and reflects the writings of Aquinas’ “Summa Theologica”. Dante’s pilgrimage through Hell, Purgatory and Paradise exhibit and reflect St. Thomas’ understanding of the relationship of nature and grace. Dante

In literature during the medieval and renaissance time a comedy meant that characters in a play, peom, or movie had to endure a hardship or disaster and the come to a happy ending. Comedy sometimes isn’t even a comedy, sometimes it has a deeper meaning. The significance of comedy in Dante`s Divine Comedy is that it stands up to the structural meaning of comedy. For example, it has a happing ending, which in most literature works, is the meaning of comedy.

At the same time, however, the religious function of Dante’s poem must not be neglected. In the opening lines of The Inferno, Dante embarks on a journey and finds himself “in a dark wood, for the straight way was lost” (Inferno, I, 2-3). Dante’s description of the dark wood indicates the lack of God’s light, and thus informs readers of the life he lived in the condition of sin. These opening lines establish the religious context for the poem, as Dante has deviated from “the straight way”, the way to God. Furthermore, Lee H. Yearley contributes to this religious perspective by

Dante had his fair share of the real human experience, whilst traveling through hell in Dante Alighieri’s “The Divine Comedy”. Characters in literature have been popularized since this masterpiece to favor sins as a type of personality trope. The lazy bum, the angry husband, or the prideful peacocks; the list goes on and on. The cause and effect of these traits have served well to teach generations of readers, the ideas and meanings of our actions as humans. Although it is rare, some works leave open ended plots for us to contemplate the meaning of said sin. In conjunction to some of the deadly sins, the main characters from “The Cask of Amontillado”, “The Veldt”, and “Soliloquy of the Spanish Cloister”, all display a truth about human nature.

Often when we set out to journey in ourselves, we come to places that surprise us with their strangeness. Expecting to see what is straightforward and acceptable, we suddenly run across the exceptions. Just as we as self‹examiners might encounter our inner demons, so does Dante the writer as he sets out to walk through his Inferno. Dante explains his universe - in terms physical, political, and spiritual - in the Divine Comedy. He also gives his readers a glimpse into his own perception of what constitutes sin. By portraying characters in specific ways, Dante the writer can shape what Dante the pilgrim feels about each sinner. Also, the reader can look deeper in the text and examine the

Dante's `Divine Comedy', the account of his journey through hell, purgatory and heaven is one of the worlds great poems, and a prime example of a most splendidly realized integration of life with art. More than being merely great poetry, or a chronicle of contemporary events, which it also is, the `Comedy' is a study of human nature by a man quite experienced with it. The main argument I will make in this essay is that Dante's `Comedy' is chiefly a work of historical significance because in it lies the essence of human life across all boundaries of time and place. I feel that such a reading is justified, nay invited, by Dante himself when he says;

The Divine Comedy is much more than an epic poem depicting a man’s interpretation of Heaven, Hell, and Purgatory. Written by Italian poet, Dante Alighieri, the Divine Comedy frequently alludes to the political turmoil that was prevalent throughout 14th century Italy, specifically, the city of Florence. During this period of Italian history, there was a lack of a stable government and a power struggle between the Papacy and the Holy Roman Emperor. This paper will analyze the political aspects within the Divine Comedy and its connection to religion, focusing specifically on the Inferno.

The Divine Comedy is considered the greatest work of Dante. The author worked on it for many years and inserted all his internal and external experience in it. He called this poem a comedy meaning its middle style and a happy ending. The Divine Comedy is written in the genre of vision which was highly popular in medieval literature. In this genre, authors described people walking through torments. Dante modified greatly this genre, adding the whole universe to the abyss of Hell. Moreover, he goes personally through all the circles of the otherworldly place where he to his surprise comprehends such entities as truth, love, and beauty. The Divine Comedy is infused with the theme of love, which is especially noticeable when Dante enters Heaven and meets his beloved.