Doctor Faustus Analysis

Therefore, it is this paper’s aim to examine some of the similarities and differences in Christopher Marlowe’s The Tragic History of the Life and Death of Dr. Faustus and David Mamet’s Faustus, specifically the presence of religious practices in these two texts.

Then Faustus does repent, but the devil comes and is very angry with him, and he begins to frighten Faustus for repenting to God. But Faustus begs for the devil to forgive him and promises never to call upon the Lord or look unto heaven for help. "Nor will Faustus henceforth. Pardon him for this, and Fautus vows never to look to heaven"(II, ii, 101-102). This shows Faustus' weak character, and that he is more willing to attain worldly goods in the here and now, then to attain heavenly goods in the after life.

I think that this play is an example of a damning folly. The reason behind that is that  Faustus is not a good guy. It is also a damned folly because he sold his soul to the Devil and that is not a good thing at all. I think that this play is kind of confusing as well. Faustus said that he could not take it anymore and so he decided to sell his soul to the Devil. I do not think that was good of him to do so. He also said that he would do anything to stay with the Devil. I think that he should have made a better decision when it came to his life. This play was to have specific things about certain things. I do not know what else to think about. I think that Faustus is also a romantic person. The reason behind that I because he was asking

Reading the Book of Job and Goethe’s Faust, it triggered the urge of comparing Job of the Bible and Faust. Both men were knowledgeable and morally upright, and Almighty God has faith and confidence in their strength of withstanding any pressure directed to them. When comparing two scenarios, it is evident that Job was more loyal, but Faust was put under more pressure, and this made him succumb to greed.

There is constant references to the beliefs and ideas of the Catholic Church such as confession, penitence and the Virgin Mary this suggests the catholic centered society in which the play existed. It concentrates on the qualities of the catholic religion that are important in the journey to heaven. Everyman is a symbol of the human condition and how it is understood by medieval Catholicism. Whereas in the sixteenth century in which Doctor Faustus was written, saw a shift of Christian ideals. No longer was there only the

Although Faustus may not think it, he guilty of each of those sins, namely jealousy and avarice. This shows an interesting contrast between his self perceptions and reality. He takes full advantage of the power the devil brings him. Faustus has fleeting regrets about his vow to the devil, yet never serious. In his thoughts of repenting, it seems to be only for his own good rather than reaffirming his belief in God. In the end once Faustus becomes conscious that his life of power will be over and he will remain a servant to the devil for eternity, he realizes his huge mistake. When his death is inevitable he curses his choice: “Accursed Faustus, wretch, what hast thou done? I do repent, and yet I do despair. Hell strives with grace for conquest in my breast. What shall I do to shun the snares of death?”

Just as each Devil’s motivation for enlarging his kingdom varies, so do their relationships with God. This differing in goals also reflects the change in humanity’s religious pursuits between the time periods. When Faustus tries to seek God’s forgiveness, Lucifer expresses his displeasure when he says “We come to tell thee thou dost injure us […] Thou shouldst not think of God: think of the Devil” (Marlow 5). This Devil’s dislike for God is evident in his jealousy over Faustus’s pledge of allegiance. He can’t seem to stand it when Faustus talks about Paradise or creation. This ultimatum to only think of the Devil, as well as the previously identified thirst for power, alludes to some sort of conflict between the Devil and God in Dr. Faustus.

At the end of the last act Faustus is taken by Hell and he finally realizes that what he believed about the existence of hell is false and that Hell is as real as he is but the

who seeks pleasure so much that he sells his soul to the devil for a

I. The play Doctor Faustus by Christopher Marlow was first published in Manchester by Manchester Publishing in 1588, no information about the play’s first production date was found.

In Dr Faustus, the supernatural suffuses the story with a gloomy and serious atmosphere. There is stillness to Dr Faustus, unlike the tempestuousness of Shakespeare’s play; as in The Tempest, however, the supernatural invades every corner of Dr Faustus, and Mephastophilis tells Faustus: “Why, this is hell, nor am I out of it” (I.iii.80). Where it is not Heaven, it is Hell. Depression settles on Faustus and even on the devils when they realize that Hell is everywhere. As Mephastophilis says, “Solamen miseris socios habuisse doloris”(I.v.42). The devils aim to recruit more lost souls to accompany them in Hell and to expand Lucifer’s dominion, but they are never joyful even when they are successful. There is but dread and suspense when the clock strikes midnight in scene viii – one can see Faustus’ expressions of fear and disbelief, but the supernatural beings do not reveal any emotion. The supernatural only spread a sense of miasmal doom in Dr Faustus. In The Tempest, the supernatural seems to be all-seeing. When Caliban curses Prospero in the opening of II.ii, there is a roar of thunder, as though Prospero’s supernatural servants are warning Caliban to not overstep his boundaries.

Good and evil are represented as a battle in various ways throughout the play. One of the ways it is represented as such is with the way various characters are fighting for Faustus’s soul. The characters the good angel and the bad angel represent this struggle for Faustus’s soul because every time Faustus begins to question the state of his soul the good angel and bad angel appear on his shoulders. The bad angel wants Faustus to believe he is damned to hell no matter what. However, the good angel wants him feel bad for his sins, repent and therefore be saved. One particular example of when the Author, Christopher Marlow uses this theme is in act VI, lines 12 through 18. “GOOD ANGEL: Faustus, repent; yet God will pity thee. BAD ANGEL: Thou art

Almost every human faces temptation in everyday life. However, for Christians, acting on these temptations turns it into a sin. Doctor Faustus struggled with temptations and sin in his search for endless knowledge but safely could not implement his Christian faith to save him. Christopher Marlowe displayed Faustus’s struggles through themes such as free will and predestination. Reflecting upon the story along with these themes creates the question of whether Faustus was predestined for damnation and if there is a point of no return for him on his trip with the devil. Due to the Christian background throughout the play, Faustus is not predestined for damnation and there is not a “point of no return” because of the devils constant temptation, various signals to escape his deal, the countless chances he is given to seek redemption and the opportunity as a Christian to seek redemption.

The play is a human tragedy for not only is Faustus tragically constituted in his boundless ambitions but, at the same time, the play questions the effectiveness of the cultural aspirations that shape his ambitions. Consequently, the play provides a complex interaction between the human dimensions of the dramatic character and the ambiguities and ambivalences of the cultural situation the character is placed in.

Things aren’t always as they appear to be. This is true in John Faustus’s case in terms of his relationship with Mephistopheles and in turn the devil himself. Poor Faustus believes it is he who has called upon the demon Mephistopheles and it is his tongue that orders the servant of hell, yet he could not be any more mistaken. In reality, Faustus is the one with strings attached to him and it is Lucifer, Mephistopheles, and the Evil Angel playing the role of the puppeteer. Nevertheless, Faustus remains a student to the ideology of Christianity throughout his adventures, even amongst the bleakest of hours. God never leaves the side of John Faustus, as He relentlessly tries to bring Faustus back onto the path of righteousness.