Dystopian The Selection

In her article What's Wrong With Cinderella, Peggy Orenstein looks at the present "princess" fever that has spread among young women, and how this example could impact their personality later on. Orenstein states that there has been a goliath spike in the commercialization of princesses by Disney and diverse associations, which has incited most toys that are sold to young women being princess themed. The issue with this is being a princess influences young women to endeavor and be "perfect" when they grow up, and Orenstein says that various young women feel monster strain to win concerning all that they do and furthermore be stunning like the princesses they grew up with. In any case, Orenstein is exploding by trying to shield her young lady

pushes Asia to practise a routine one more time, for her Western Wear routine. The final scene also shows that the very next day after the pageant, Asia is practising and preparing for her very next pageant. This shows how she has obviously lost her childhood, and how the parents have a forceful attitude, having absolutely no break, even after such a large and significant pageant. Therefore further selection of images has positioned the viewer about the effects that beauty pageants and the participation in them can have.

“A small 2005 study, published in Eating Disorders: The Journal of Treatment & Prevention, that involved 22 women, half of whom had participated in child beauty pageants, concluded that there were ‘no significant differences’ between the two groups on measures of bulimia, body perception, depression, and self-esteem. But it did find that the former pageant girls scored significantly higher on body dissatisfaction, interpersonal distrust, and impulse dysregulation” (Hollandsworth 7). With this statistic, readers can see the negative effects on a smaller scale which enables them to understand and agree with what Hollandsworth is saying. “The promise of a tiara has always been a fast, easy sell to young girls who pine to be princesses— just ask Disney, which reportedly makes approximately $4 billion annually from its more than 26,000 princess-related retail items. The connection between princesses and pageants exploded in 1954 with the first televised broadcast of the Miss America pageant; 27 million viewers tuned in” (Hollandsworth 3). This shows an example of cause and effect; they can see that the media encourages little girls by giving them an unrealistic dream in order for them to join pageants. The facts that he uses are based on the idea that pageants are allowing companies to sexualize children by offering them things that are unnecessary for their age. "Now,

This is a battle not of beauty, but of material. The prince does not recognize the face of Cinderella, only the gown she is wearing, making this fight for marriage one based on the clothing on the girls’ backs (288). While Cinderella comes home from the ball, her mother is hard at work making sure she is not seen for who she really is. Panttaja claims, “...it is quite possible that we are meant to see the mother's influence also at work in the rather mysterious way that Cinderella manages to avoid too-early detection” (287). This symbolizes how hard Cinderella's mother is working and how little it matters that Cinderella is pious and

Orenstein begins by using her daughter as an example of a typical girl who is fond of princesses, categorizing her with the many girls influenced by the “princess craze”. Then she continues to analyze how industries use the fixation and further promote it to secure large amounts of money for their company. Subsequently, she returns the argument to her real life experiences, describing a time when her daughter goes to dress up like a princess, saying, “I’m convinced she does largely to torture me — I worry about what playing Little Mermaid is teaching her.” Not only does this statement show how her opinions as a feminist are displayed in her opinion of her daughter, but also introduces her argument of the negative impacts this craze promotes from a parental point of view. The author’s ability to balance her opinions with valid evidence and her relatable worry as a parent, allows her to state her strong opinions openly.

When you think of a princess you may picture a girl with a lavish dress on and a crown full of jewels on top of her head, but not in William Goldman’s The Princess Bride. The readers encounter just a regular girl from a family that was never royalty, and who is always thinking of her one true love who was once thought dead.

The article “Toddlers in Tiaras” by Skip Hollandsworth discusses the beauty pageant industry and its harmful effects in the young girls who participate. He gives many examples of beauty pageant contestants. He describes their appearances and attitudes which seem to match those of adult women. Specifically, he refers to 6-year-old Eden Wood who is commonly known from the reality television show Toddlers & Tiaras. The author describes how Eden’s personal stylist does her hair, makeup, and touches up her spray tanned body with bronzer before a pageant (Hollandsworth 490). I believe that the intended audience for this article is the mothers of these young girls and anyone in the public he can convince. Hollandsworth uses a couple aspects of Toulmin and they are rebuttal and qualifiers.

The article “Toddlers in Tiaras” was written by Skip Hollandsworth, and was published by Good Housekeeping on August 2011.The author argues that child pageants can have negative effects on the young girls’ lives. Hollandsworth wrote this article in response to the popularity of the TV show “Toddlers and Tiaras”. This article “Toddler in Tiaras” can be divided into five sections. In the introduction, the author presents an example of a young girl getting ready for a pageant. Hollandsworth then introduces a pageant girl by the name Eden Woods and her mother Mickie. The author Skip Hollandsworth describes every little detail about Eden’s process of getting ready from all the thick layers of foundation they’re putting on the 6-year-old girl face,

The argument of The Beauty Myth is that as women have received more eminence, the standard of their personal appearance has also grown. Wolf’s position on the issue is that this type of social control is potentially just as restrictive as the traditional roles of women. The Beauty Myth discusses how society’s viewpoint of beauty is detrimental to women because it causes many emotional and psychological problems to women who strive to become “perfect”. This book is important due to the fact it raises awareness to the issues that many young women are currently facing.

Lori Baker-Sperry and Liz Grauerholz discuss the concept of female empowerment through beauty in their article “The Pervasiveness and Persistence of the Feminine Beauty Ideal in Children’s Fairy Tale.” Baker-Sperry and Grauerholz state that, “women willingly engage in ‘beauty rituals’ and perceive being (or becoming) beautiful as empowering, not oppressive” (712). Baker-Sperry and Grauerholz argue that in children’s fairy tales, the female characters see their beauty as their most useful tool and would undergo “beauty rituals” to attain this beauty. By being beautiful, the Fairy Queen is able to win the attention and loyalty of Lanval. Not only does the Fairy Queen receive power in this bond, but also Lanval himself finds good fortune in the form of physical wealth. To further emphasize the Fairy Queen’s beauty and the power she holds over the court, France uses the series of girls prior to the Fairy Queen’s entrance. This builds a sense of suspense and the fact that the Fairy Queen easily trumps the girls in beauty further emphasizes her superiority. By emphasizing the Fairy Queen’s bodily beauty, France is able to show the power the Fairy Queen has over Lanval and the court.

Authors James Poniewozik and Peggy Orenstein are both concerned with the increase of princess culture among young girls. Poniewozik’s article “The Princess Paradox” and Orenstein's article “Cinderella and Princess Culture” discuss similar aspects of princess culture that could be potentially harmful to it’s audience. Both Poniewozik and Orenstein take on a feminist perspective in their articles. Specifically, both authors discuss feminist themes in princess culture but Orenstein focuses on toddler to pre-teen aged girls while Poniewozik is more concerned with specifically teenagers.

Cassandra Stover explains in her Journal Damsels and Heroines: The Conundrum of the Post-Feminist Disney Princess, the dramatic shift with Disney princess at the peak of the late 1980s and early 1990s. She explains that the shift can derive from feminist movements and how the change can be directed to the third wave of feminism. She examines the original Disney princesses and decribes them to be more passively aggresive and unindependent, while the new princesses are more independent and brave. The author then explains if the shift from the old to new princesses are actually better, and not just different. Stover analysizes that Disney princesses evolve and are a part of the worlds change on feminism.

What young girl does not dream of becoming a princess and living in a castle happily ever after? Virtually every young girl identifies with princesses and has watched at least one Disney Princess movie. From the first movies of Snow White and Cinderella, to the later movies of The Little Mermaid and Beauty and the Beast, to the most current movie Moana, Disney Princess movies permeate not only the movie theaters, but also our culture. In fact, “becoming a princess is as easy as purchasing a tiara and hosting a princess-themed birthday party or buying a Halloween costume and playing pretend” (Garabedian, 2014, p. 23). Nonetheless, as declared by Princess Merida in the movie Brave, “there comes a day when I don’t have to be a princess. No rules, no expectations. A day where anything can happen. A day where I can change my fate” (Andrews & Chapman, 2012). In other words, does the life of a princess measure up to the expectations of little girls everywhere? The Disney Princess brand has grown incredibly popular, especially with young girls. In spite of this, the franchise has also become extremely controversial due to potential gender stereotypes in the films. “Gender is one of the most discussed topics in today’s society…[it] represents and also reproduces certain attributes, expectations and roles which are associated with male and female…influencing the views and opinions of future generations” (Maity, 2014, p. 31). Yet, is the Disney Princess brand harmful to young children due to gender stereotypes? Two essays that contemplate the Disney Princess brand and gender stereotypes with opposite viewpoints on this controversial issue are “Girls on Film: The Real Problem with the Disney Princess Brand” by writer Monika Bartyzel and “In Defense of Princess Culture” by writer and mother Crystal Liechty. However, Liechty’s essay “In Defense of Princess Culture,” is the most effective article in convincing the audience of her point of view due to the claim, support, warrant, language, and vocabulary employed.

The purpose of this paper is to assess the negative effects of children beauty contest on its contestants. Although many people argue that there are some benefits of this contest such as build up the confidence, self-esteem, public speaking skills, tact, and poised it is also true that it can result to negative psychological effects and interferes in child development worldwide. The Toddlers and Tiaras, and Little Miss Perfect are popular reality TV shows that features young girls the real hardship and obstacles from their mother’s pressure or preparation for the pageant. They are ages from 1 to 12 years old, with main goal of winning and get the tiara and money or ribbon or teddy bears. Generally, the parents of these young girls believe and make decision that the beauty pageant is okay. Pageants, particularly those designed for younger children, focus primarily on appearance, attire, and perceived “cuteness.”

This excerpt shows how more emphasis is put on women’s appearance and its keep up, and also shows the negative connotation of this prettiness; it is associated with shallowness. Not only is there an assumption that women spend much of their time on their appearance, but also there is the connected fact that others pay more attention to their appearance than their other character traits. This is still a reality of today as can be seen on the red carpet. Female celebrities have a whole industry devoted to making them look fashionable and pretty for events. The focus of these events becomes what they’re wearing rather than their work as actresses and singers.