I have picked these furniture pieces because it doesn 't have any social or cultural influences on the design. Back in the 1920’s and 1930’s the society was still stuck in the Art Deco period while the old design with flower patterns and fabric was very common however Eileen 's design used materials like tubular steel, aluminium and glass and people were lacking interest for Eileen Gray’s furniture because it was an unusual design for them. Here is the comparison of what the society would have wanted at the time vs what Eileen Gray designed:
Eileen Gray’s design
So why is her furniture still in fashion in the twenty first century? It 's not difficult to answer this question, because what the society fancied
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Therefore she didn 't restrict her design to what the current technology was capable of producing. Eileen knew that it was going to be difficult to produce her furniture but she also knew that it wasn 't going to be impossible.
As the technology improved, making furniture didn 't take as much time as it would in the past as they had to make the furniture by hand. Also the identical furniture being produced had the same size and shape. This was the key to successful mass production. Therefore it was possible to give life to Eileen Gray’s furniture design.
THE DAYBED
Finally, the last piece of furniture I have decided on is the Daybed. Eileen Gray was passionate about history therefore her knowledge of the history had influenced her design of The Daybed. Gray was influenced by the Provencal and Mediterranean culture of Siesta when she was designing the daybed. As I am from Turkey, I feel very comfortable with the Mediterranean Culture. I believe that the Daybed designed by Eileen Gray reminds me of the large divans that Turkish people used to have in their ‘Salons’ (sitting rooms) for their guest to feel comfortable sitting and facing any direction they like with no back rest and no arms on either side. Also they don’t need to leave and go to their guest rooms to relax where they can easily just lie down and feel comfortable on these large divans and still be around with the people they love.
Eileen Gray had the same idea of making her
Russel Wright is an American industrial designer and architect that lived during the early to mid twentieth century. Many of Wright’s ideas and designs were considered to modern at time, drawing influences from not only ingenious designers like Frank Lloyd Wright but nature as well. Wright’s influences would lead him to create a design style unlike any at the time; a style that would eventually become almost standard in many homes in the United States. The designer Russel Wright and his wife, Mary Wright together published a guidebook known as Guide to Easier Living. In it contains numerous suggestions and thoughts on home architecture, interior design, as well as product design. Many of the thoughts and suggestions conveyed in the book can be seen in present-day design and architecture. Wright’s book also laid the groundwork for his home, Dragon Rock, which of itself possesses elements of design that are seen in today’s homes. Russel Wright’s Guide to Easier Living is clearly a response to interior design at the time; containing numerous design ideas, Wrights guide influences Wright’s own future works.
Bethan Gray is an award winning Welsh designer that has an unusual but impressive family origin. Her ancestors originate from an ancient Rajasthani clan that spent many hundreds of years journeying across Arabia and Persia before choosing to remain in the Celtic region of Wales. This very heritage wove its way into being some of Bethan Grays’s main influences and inspirations, which pull ideas shown within craft traditions of both the East and West. These influences are reflected in Gray’s style, showing a clear passion of detail, tactile textures, and extravagant materials such as rare stones, wood, marble and hand-tooled leather. Complex but complementary patterns of dark and light, texture and clear attention shown to the detail that defines her highly unique style. Even while using blacks and whites, Gray is also not afraid
As the calculated data showed a lot of potential in the sales of chairs and tables the design majorly focuses on sitting space. The design area can be looked as functional bedroom with a Sofa bed right in the front complimented with chairs placed in an irregular circular fashion. The Rug is placed diagonal in the room rather than the usual rectangular pattern to bring out the empty space more. Because of the Minimalistic design the Display is majorly populated with items that are for sale.
Sarah E. Goode was one of the first black female inventors to receive a patent from the United States. Sarah invented the “folding bed” after receiving her freedom after the Civil War and becoming an entrepreneur. She created the idea of the folding bed because she realized that her customers [lived] in small apartments. When it was not being used as a bed the bed doubles as a desk. She received a patent for her invention in July 14, 1985. As someone born into slavery in 1850, she understood ways to make living in working-class environment easier. She opened a furniture store with her husband, Archibald, in Chicago after the Civil War. Sarah and her husband married in 1880. The cabinet bed was like an antecedent for the murphy bed. Sarah E.
Elsie de Wolfe, Eleanor McMillen Brown, and Dorothy Draper were three extraordinary women who pioneered the field we know today as interior decorating. All three of these women grew up in high societies, which gave them an excellent understanding of the rich, the famous and their expensive tastes. De Wolfe, McMillen, and Draper all had prominent careers from the mid 1800’s until the early to mid 1900’s. Most of their work was for the rich and famous in American high societies.
Bits and pieces of Grandpa Jattell's Paisley shirts. And one teeny faded blue piece, about the size of a penny matchbox, that was from Great Grandpa Ezra's uniform that he wore in the Civil War.” They made the quilts out of old clothing from about fifty years ago. They probably didn’t have the money to go buy new fancy material to make their quilt so instead they used creativity and made quilts from old clothing. This shows how they made the best out of everything even if they didn’t have the right materials to make the
‘When intelligent designers of the late 19th or early 20th century looked at the anonymous artifacts of 18th- and 19th-century industrialization, they saw great beauty in the simple, engineered structures, and set
In this memory, my grandma, Mary Ann, recollects owning a certain style of furniture that was popular during the 1950s. During this time period, there were not many styles to choose from, but now, fifty years later we have warehouses and warehouses full of diverse styles and brands of sofas and chairs. During the decade of the fifties, people did all they could to keep up with fashion trends, just as we do today.
Perhaps Mr. Thomas should have studied and evaluated what pursuing a standard line of furniture in addition to maintaining the custom line of furniture would
The Canadian furniture market has brought success to IKEA Canada due to the high quality and low priced “quick-assembly” furniture designed by IKEA’s European engineers. However, this success brought many imitators. Sears Canada has recently published a new catalogue that includes a new line of furniture called “Elements”. The new line of furniture very much resembles IKEA’s knock-down, self-assembled line. IKEA is facing an imitation threat and should tactically respond to minimize its effects.
In this essay, I am going to talk about the famous furniture designer George Nelson and his most
Even early on in 1942, Herman Miller was producing new furniture that people had not seen before. The fact that it kept hiring new designers and experimenting with different designs shows its innovation.
Further more, Eileen Gray proposed four problems that the great architects of the time, like Le Corbusier, Frank Lloyd Wright, and Mies van der Rohe all thought about, but did not incorporate them into there work. Eileen proposed the problem of the windows. There were three types that the three had come up with, but all of them were similar, unlike hers. The problem of shutters, they never used any. The problem of independence and privacy. They all believed in free flowing open spaces, but Eileen incorporated room, that were private and independent, and gave the plan a free open space. The final problem that came into play was the idea of an open access kitchen, but with out the odour spreading into the house. All these problems were looked at closely when Eileen Gray built the E-1027 house. The problems also made the other architects to think and plan their buildings and incorporate these ideas.
The center of the room is what draws your attention. It leaves your mouth open in amazement. The long rectangle table is made of strong mahogany solid wood, trimmed in a thin layer of gold. The top of the table is filled with brownish marble. The long back and tall legged chairs are also made of mahogany wood. The cushion on the chairs are soft like down alternative pillows. The square crystal clear dinner plate, trimmed in platinum, sit in front of the 30 chairs that surround the table. A fresh mixed green centerpiece is in the center of the
We will look more closely at Renaissance and Neoclassical furniture and furniture design using examples like the Savonarola Chair, Leonardo Da Vinci’s ‘self-propelled car’ and a Writing Table and Marquetry commode from the Neoclassical period.