Thesis
The theme of actions have consequences, applies in both Fahrenheit 451, by Ray Bradbury, and “Harrison Bergeron”, by Kurt Vonnegut.
First Example from Fahrenheit 451:
To begin, in Fahrenheit 451, by Ray Bradbury, a citizen tipped off the firemen about her neighbor, who might own unauthorized book. Almost instantaneously, the firemen appeared at the suspicious neighbor’s front door. However, the house was not vacant, as the homeowner was still inside her house, and not in the asylum. The firemen attempted to persuade her to leave the vicinity, she refuses, ignites the kerosene herself, and commits suicide.
First Quote from Fahrenheit 451:
“They [the firemen] coated each book [with kerosene]...the woman knelt among the books, touching
…show more content…
Once she was caught, instead of taking responsibility for it, she decided to end it all.
First Example from “Harrison Bergeron”:
Furthermore, this is evident in “Harrison Bergeron”, by Kurt Vonnegut, when Harrison was arrested at the young age of fourteen, from his home. The government was suspicious of Harrison because they thought he was planning to overthrow them. While he was imprisoned, he was forced to wear various handicaps, like carrying a three-hundred pound weight.
First Quote from “Harrison Bergeron”:
Harrison “is under-handicapped, and should be regarded as extremely dangerous”
…show more content…
Hold a gun on a man and force him to listen to your speech” (Bradbury 123).
Explanation of the Second Quote from Fahrenheit 451:
When Beatty taunted and threatened to track down Faber, it triggered Montag’s emotions. To stop the hypocritical Beatty, Montag decided to engulf him in flames. Beatty received what he deserved since Beatty considered himself to be superior, compared to all other members of society.
Second Example from “Harrison Bergeron”:
Additionally, in “Harrison Bergeron”, this becomes apparent when Harrison escapes prison, after only spending a brief amount of time behind bars. Just before he arrives at the studio, a public announcement warns the public of Harrison’s escape from jail. Once Harrison arrives at the studio, he removes his own handicaps, and then each of the handicaps from ballerinas and musicians. After that, he proclaims himself Emperor.
Second Quote from “Harrison Bergeron”:
“...the Handicapper General, came into the studio with a...shotgun. She fired twice, and the Emperor…[was] dead” (Vonnegut).
Explanation of the Second Quote from “Harrison Bergeron:
When Harrison escapes, the Handicapper General was furious, and she decided to kill him. She would have rather killed him than potentially risk him causing more
The short story “Harrison Bergeron” contains quite a bit of irony. In this particular period of time, all people are required to be the equal physically and mentally. If they are superior to other people, they will be forced to wear handicaps in order reduce their capabilities to make them like other normal people. The story contains examples of situational, verbal and dramatic irony.
The last handicap Vonnegut mentions proves to be humorous by hyperbole. The government uses weights to oppose above average athletics. The handicap can range from any size, shape or weight. For example, George wears “forty-seven pounds of birdshot in a canvas bag, which was padlocked around [his] neck,” (Vonnegut 159). The more physically fit a person is, the more handicaps
A fire starts out as a small match, and it moves to a roaring flame. Guy Montag is also a simple match when he is introduced in Fahrenheit 451 by Ray Bradbury. He starts out as a casual fireman, and he is hypnotized by society. Montag’s life sees a spark of change as the story begins. Many events influence his characteristics. When he is filling a house with kerosene and the lady inside voluntarily remains inside to burn. When the house is finally ignited, Montag suddenly ponders why a person would die over books. He fights to find a clear answer and discovers that only books can restore thought to society. Montag is a changing character throughout the novel. Like a match held to a newspaper, Montag’s mind starts searing away in thought.
Towards the end of the passage, Montag threatens Beatty with a fire hose, prompting a lengthy dialogue from Beatty. Beatty responds to Montag’s threats with an allusion to Shakespeare, saying, “‘There is no terror, Cassius, in your threats, for I am arm’d so strong in honesty that they pass by me as an idle wind, which I respect not!’ How’s that?” Beatty’s ease and familiarity with Shakespeare confirm that Beatty has definitely read books, and that he is an intelligent man has some notion of what books have held deep within their pages. In this way, Beatty is similar to Montag, he is another book burner that is knowledgeable about literature. What separates the two is that Beatty is simply unable to diverge from societal norms, and his stubbornness takes over and refuses to admit the worth of books. This differs greatly from Montag, who is finally starting to rebel against society. In this same scene, Beatty also taunts Montag when the fire hose is pointed at him, urging Montag to, “Go ahead now, you second-hand litterateur, pull the trigger.” While this may have just been Beatty egging Montag on, later on Beatty’s lack of resistance seems to suggest that Beatty really didn’t care whether or not he died. Moments before his death, Beatty simply says, “‘Hand it over, Guy,” and then proceeds to smile as he knows he is about to be burnt. Through dialogue, Bradbury is able to reveal information about Beatty’s background and knowledge of books, as well as his
Kurt Vonnegut’s unique story “Harrison Bergeron,” displays a theme which is a warning about the dangers of equality, which is equality is a hindrance to an individual’s success and society’s success, but this hindrance is ironically, unequal. In the story, Harrison and his bride are arrested for their unwillingness and inability to stay within the bounds of equality enforced by the Handicapper General. Equality hinders the success of an individual like the weights hinder the beauty and grace of the ballerinas in the story. Equality doesn’t promote everyone to be equally better, but to be unequally worse. Handicaps are no use in ensuring equality, because one’s strengths will always shine through, such as Harrison’s strength and wit, or the
Harrison is the perfect example of this kind of rebellion. Although he is only fourteen, “he is a genius and an athlete, is under-handicapped, and should be regarded as extremely dangerous” (141). Due to his abilities, he is in prison because he is a threat to society. Harrison is aware that a new society must emerge, and he breaks out of prison, removes his handicaps, and for just a moment, shows his individuality. In the government’s eyes, Harrison is a rebel, and rebels are people that have no place in society, and must die. Diana Moon Glampers, who is the Handicapper General and represents conformity, kills Harrison and his selected mate with whom he wanted to rule a more humane America. She then threatens everyone else with force in the television station with a shotgun by “aiming it at the musicians and told them they have ten seconds to get their handicaps back on” (143). Although Harrison’s actions take place, conformity and equality still rule. In an article in Contemporary American writers, it describes Harrison’s parents after the murder, “They resume their passive, acquiescent lives; having forgotten the entire scene almost as soon as they witnessed it” (2396). This dehumanization is the result of government oppression, as well as the physical punishment that awaits if anyone tries to be rebellious like Harrison Bergeron.
Beatty uses his knowledge to attack Montag after the fireman has made the decision to join the radicals and to oppose the burning of books. Montag returns to the fire station in order to surrender a book, creating the illusion of conforming to Beatty’s expectations. Before Montag has an opportunity to speak Beatty begins to confound him with contradictory statements from
Harrison’s actions of can be described as heroic due to the fact that he attempted to revolutionize the society in a way that benefitted the population as a whole, not just himself. Many other people were angered and confused by the idea of handicaps, and by standing up to the government when all other people were afraid to do so, he acted in a selfless manner, a characteristic of a true hero. An example of another person doubting the intentions of the Handicap General can be seen at the beginning of the story, when George, Harrison’s father, realizes that it is unfair to place the hindrance of a handicap on a ballerina. On page 2, the text states, “George was toying with the vague notion that maybe dancers shouldn't be
Although Beatty decides to reject what he learned when given the opportunity to read books, Beatty is unhappy with his life as a fireman and persuades Montag to kill him by using pathos as shown through his words and actions. Firstly, Beatty orders Montag to burn Montag’s own house, creating anger and sadness within Montag. Messing with Montag’s emotions makes it a pathos appeal. This action alone does not make Montag kill Beatty, but it does push to that goal. In addition, Beatty continues to irritate Montag by insulting him, saying “It was the act of a silly, damn snob” (Bradbury 118). Even though Montag was acting like a snob, or a stuck-up individual, when he read the “Dover Beach” poem to Mildred and her friends, Beatty calling Montag
There are many themes in Fahrenheit 451, one of these themes found is that a society full of distraction will lead people to ignore. Ray Bradbury demonstrates ignorance throughout the when he writes about people caring about them self and the ¨parlour walls “ and not being concerned about others.
In the short story, Harrison is used to showing what happens when you aren’t like the others in other words “average”. Harrison is forced to wear weights, glasses, earphones, rubber nose, and teeth caps that try to handicap him so that he is “average”. “Instead of a little ear radio for a mental handicap, he wore a
In “Harrison Bergeron” it talked about how Harrison tried to take over the government, he took off his handicaps along with a ballerina who he claimed as his “queen” while he was the “king.” The ballerina and Harrison were shot because they were trying to make everyone different, trying to make a difference in the government and they were trying to make people follow them rather than the government.
Vonnegut's, short story, “Harrison Bergeron”, portrays Harrison as a considerate, ignored hero but also an outsider, standing up for the people’s and his rights. Vonnegut made it clear that Harrison’s appearance and beliefs are portrayed negatively to others, while the equipment used on him and others, but also the responses from him and to the handicap generals, ballerinas, and news reporters have made them get a wrong
Harrison Bergeron’s decisions throughout the story “Harrison Bergeron” end up not making an impact on the society that he had lived in before his death. After Harrison broke out of his jail cell, he proceeded to the studio where the ballet is held on television and shouts, “I am the Emperor! Everyone must do what I say at once!” (Vonnegut 5). His goal to take over the government, actually did not affect society other than striking fear into the people. Also, his hopes of gaining support from the society does not happen, mainly because everybody still has their handicaps on so they forget why he is even on the television after his escape. Also his actions are
Kurt Vonnegut’s “Harrison Bergeron” tells a brief story of the Bergeron family. The family is torn apart and suffering under an oppressive, dystopian society in which the government puts physical limitations on people who have above-average intelligence, looks, and athletic abilities. The story’s main characters are husband and wife George and Hazel Bergeron and their son, Harrison Bergeron. Harrison is ultimately gunned down after breaking out of jail and dancing without limitations by the Handicapper General Diana Moon Glampers, responsible for enforcing the handicap laws that govern their society. Lexi Stuckey argues that Kurt Vonnegut is a strong advocate for a “homogenous society” and, in a way, endorses the execution of society rules