Fairytales are not what they seem. Essay

There are numerous genre’s in literature, but the level of importance and influence on an individual will differ. Exposure to books and stories is especially important for children because it their chance to acclimate themselves to written language and in turn create their own visuals for the toneless words. “Why Fairy Tales Matter: The Performative and the Transformative”, by Maria Tatar contains an ample amount of textual evidence from author’s research into fairytales, as well as writer’s personal experiences with fairytales. Although Tatar supports her claims with evidence, her resources are not concrete, and seems excessive at times. Also, her assertions are weakened by her failure to defend her conclusion against competing beliefs.

“The Company of Wolves” by Angela Carter is very similar to “Little Red Riding Hood”, the little girl heading out with a basket full of liquor and goodies for her grandmother. The wolf stopping her on her way to the grandmother’s house; the wolf races to the house, eats the grandma, pretends to be the grandma and makes “Little Red Riding Hood” believe that he is her grandma. He pounces on her and tries to eat her but a hunter comes and kills the wolf and saves the grandma. The story reveals an extensive imagination by elaborating on different ideas and points of view of gender roles. Carter’s characters portray these roles very similar to the way we view gender roles today.

The version Perrault had Little Red Riding Hood had a cake and a little pot of butter her mother gave her to take it to her sick grandmother’s house. So off she went to her grandmother's house into the woods where she was found by the wolf. The wolf had asked her a lot of questions only to find out where she was going so that he could later eat her. With the questions, the wolf had found out she was going to her grandmother's house then tricked her into giving him the location. He took the straight path making it first while Little Red took a roundabout way. The wolf had made it to the house and then ate Little Red's grandmother. Then he waited in the grandmother's clothes for Little Red. When she got there she knocked on the door and the wolf told her how to get in. then Little Red began questioning the wolf in her grandmother's clothes. Little Red had ask her last question “Grandmother, what big teeth you have got!” The wolf then ate Little Red. The story then

Once upon a time, there was a literary genre commonly know as fairy tales. They were mystical and wonderful and a child’s fantasy. These fairy tales were drastically misunderstood throughout many centuries, however. They endured a hard life of constant changing and editing to fit what the people of that time wanted. People of our own time are responsible for some of the radical changes endured by this undeserved genre. Now, these fairy tales had a young friend named Belle. Belle thought she knew fairy tales very well, but one day she found out just how wrong she was.

Triumphant reward in spite of unjust punishment is a universal sentiment that transcends languages and cultures. There are thousands of folktales and fairy tales that are firmly rooted in individual cultures, yet the tale of Cinderella has been told through many centuries and throughout the far corners of the world. With thousands of versions of this classic tale in print worldwide, the tale is believed to have originated with the story of Rhodopis, a Greek slave girl who is married to an Egyptian King. The story of Rhodopis, which means rosy-cheeks, dates back to 7 BC and is attributed to a Greek geographer named Strabo. The Chinese variation of this fairy tale is named Yeh-hsien. The Chinese version is traceable to the year 860 and appears in Miscellaneous Morsels from Youyang by Duan Chengshi. Yeh-hsien is a young girl, motherless and in the control of her stepmother, who befriends a treasured fish. The jealous step-mother kills the fish, but it’s bones provide Yeh-hsien with magical powers, eventually enabling Yeh-hsien to escape the control of her step-mother for a royal life. The Story of the Black Cow which is found within the pages of Folk Tales from the Himalayas by John Murray, published in 1906, the child who is mistreated by a stepmother is a male and the role of savior is portrayed by a snake, with a cow serving as the moral of the story, faithfulness. These two versions of Cinderella carry many common threads that are

The story of Cinderella is well-known by most people, however, there are several versions of this beloved tale. There is the one told by the Grimm Brothers, depicting a world where moral choices can affect your life in extreme ways, but it is Walt Disney’s 1950 cartoon version of Cinderella that most children think of when the story is mentioned. This version leaves behind both the question of morality and the bloody punishments, allowing children to enjoy an eye-catching, G-rated film. Both of these versions use their respective mediums to emphasize what the creator deems to be most important: a lesson about piety and goodness in the Grimm tale and the entertainment factor in the Disney cartoon. These are each shown in different ways, according to the medium used.

‘The Company of Wolves’ is a twisted and raw reinvention of ‘Little Red Ridding Hood’ while symbolizing female sexuality and embracing it. The wolves in the story have been described by the author as skin and bones, “so little flesh on them that you could count the starveling ribs”. Their food source has been taken away by

It's not uncommon for middle school and high school students to develop a "personal fable." Such a fable is a common teen and older tween belief that arises from adolescent egocentrism, which develops between the ages of 11 and 13. Some research has shown that belief in the personal fable and one's invulnerability is directly connected to common adolescent risk-taking behaviors such as promiscuous or unprotected sex, use of alcohol or illicit drugs, and physically dangerous acts, such as driving without a license or driving recklessly or while intoxicated. Colloquially, these individuals are known as "special snowflakes." In other words, the adolescent thinks that since others are so obviously fascinated by him (adolescent egocentrism), he

The tradition of telling fairy tales to children effects not only the listener but also the reader. Maria Tatar, in her book Off with Their Heads!, analyzes how fairy tales instill and reaffirm cultural values and expectations in their audience . Tatar proposes that fairy tales fall into three different tale-types: cautionary tales, exemplary stories, and reward- and- punishment tales. These three types portray different character traits as desirable and undesirable. Due to the tale’s varying literary methods it can change the effectiveness of the tale’s pedagogical value. In Tatar’s opinion, all of these tales are similar in the way they attempt to use punishment, reward, and fear to encourage or discourage certain behaviors. In the cautionary fairy tale “The Virgin Mary’s Child”, the use of punishment and fear to discourage certain behaviors is enhanced by the Christian motifs and values employed by the tale. These literary devices encourage the audience to reflect on and internalize the lessons that are presented in the fairy tale.

With his eyes closed and his arm gripping Dumbledore as tightly as he could, Harry stepped into that felling of compression. Then, instantly, they were there, at the top of the astronomy tower.

In her transformation of the well-known fable "Little Red Riding Hood," Angela Carter plays upon the reader's familiarity. By echoing elements of the allegory intended to scare and thus caution young girls, she evokes preconceptions and stereotypes about gender roles. In the traditional tale, Red sticks to "the path," but needs to be rescued from the threatening wolf by a hunter or "woodsman." Carter retells the story with a modern perspective on women. By using fantasy metaphorically and hyperbolically, she can poignantly convey her unorthodox and underlying messages.

But in fact we use the stories that we tell children, and especially those that we tell over and over, to instill messages, to teach cultural norms, to establish the roots of what we hope will be proper behavior as the children grow up. Fairytales are a form of propaganda. The traditional fairytale almost always reflects (and therefore works to reproduce) the power relations of patriarchy; its rigid sexual patterns teach that fear and masochism are tenets of femininity and all of the symbolic inversions that occur are not chances to upset the standard patriarchal hierarchy but are instead ways of maintaining it (Bacchilega, 1997, pp. 50-1).

Little Red Riding Hood is European folk mythology which teaches children the dangers of the unknown through the story of the titular protagonist and her encounter with ‘The Wolf’. Charles Perrault penned the first version for print in 1697 in Tales and Stories of the Past with Morals. Tales of Mother Goose; these stories are highly moralized and didactic with their roots in early French folklore. It was in this version that the significant meaning of the iconic ‘red hood’ was first noted. I will be focusing my exploration into adaptation on three of Angela Carter’s short stories from her collection The Bloody Chamber; The Werewolf, Wolf Alice and The Company of Wolves. Collectively these stories are known as ‘The Wolf Trilogy’ and henceforth

     When examining adaptations of fairytales you must look at the original source. This can be a very difficult task because with fairytales we never really know where the original came from. I will base my paper on the theory that the original tale of Cinderella comes from the Grimm Brothers version of Ashputtle. In comparison we will examine two movies. First there is the Disney version Cinderella. Secondly we will look at the movie 'Ever After'.

Once upon a time there lived a lanky little rat named Rudy. Rudy’s fur was very dull and felt like needles. She lived in a tiny village where all the animals knew each other. Every afternoon she would meet with her friends at the riverbank to tell stories of their morning. One day Rudy scurried to the riverbank excited to share with her friends a cheesecake she had baked just for them, but when she arrived at the meeting spot, no one was there. Worried and confused, Rudy hurried in to town to look for her friends there. Just as she reached the main road, her body froze as she watched the most beautiful creature strolling through town. Rudy looked around and noticed she was not the only animal in the village mesmerized by this beautiful