I watched the premier of Fats Domino and the Birth of Rock ‘n’ Roll when it debuted on PBS February 26 during Black History month in honor of Domino’s 88th birthday. As much as I have always enjoyed the genre, I had never actually heard of Domino--a man Elvis Presley once referred to as “the king of Rock ‘n’ Roll”--before switching the channel to PBS while at the hotel on our Honors class trip. One person featured in the film stated that, “People don’t really credit Rock ‘n’ Roll with ending segregation, but in a way it did”. I chose to review this movie because I found it very informative and interesting, and because I wanted to learn more about this claim regarding music and integration.
Antoine Domino was born to a large family in
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Domino’s dreams turned to reality when he met musician and bandleader Billy Diamond who gave him his nickname “Fats” and helped him get a regular job at the Hideaway club in New Orleans. It was there that he began to attract attention singing and playing the piano. Soon, he was signed on by Imperial Records, and his first record rose to number one on the R&B charts (pbs.org). Along with Dave Bartholomew and their band members, Domino recorded a number of hit songs. His greatest successes were songs that reached a wide audience, appealing to both black and white Americans. According to PBS, “In 1957, the Domino band travelled 13,000 miles across the United States working 355 shows, and selling out nightclubs whenever they played” (pbs.org). Domino’s concerts were integrated; however, racial tensions were still high--especially when alcohol was involved--and riots broke out at several of Domino’s concerts. In addition, Fats and his bandmates were victims of discrimination while touring on the road, and were often treated poorly, forced to use facilities designated for African-Americans.
Black and white teenagers listen alike to rock music on the radio and attended clubs to hear it, together. Rock ‘n’ Roll’s roots helped accustom white teens to black music through the lenses of white, male vocalists—a normalcy to ground these drastic changes in race relations. The stars, like Elvis Presley—know for his sexual and riveting performances—began to blur the line between different forms of music and more importantly, black and white music.3 Rock ‘n’ Roll music was a blend of these two different cultures, demonstrating the enormous consumer power of this emerging youth culture and giving it the power to unite an entire
In the 1950’s and 1960’s, Rock N’ Roll made a steady influential climb into the blossoming generations’ norm. Elvis Presley, The King of Rock, debuted his first number one hit song “Heartbreak Hotel” and it climbed steadily to the top of the charts as the number one song in February of 1956. When Elvis’ popularity first grew, it sparked outrage through the previous generations in fears that his music would intertwine cultures. In the 1950s and 1960s, Rock N’ Roll was classified as “African American” music and those listeners who do not fit that class, would be frowned upon. Mr. Presley was a Nashville native, who sang hard driving rockabilly, Rock N’ Roll dance songs and ballads, and laid a foundation for other rock musicians to follow.
The social and political context of the 1950’s is crucial to any understanding of the birth of rock n roll.
Rock ‘n’ roll music came of age in the sixties which was a period in the nation’s history when a young generation expressed their anguish and sense of alienation to the country’s social establishments by searching for new answers to the age-old questions concerning the meaning of life, the value of the individual, and the nature of truth and spirituality (Harris 306). The classic rock music which was created during this period gave form and substance to this search. Songs such as “My Generation” by the Who recorded the keen sense of alienation that young people felt from the past and the “Establishment” and it also showed the keen sense of community they felt among themselves. Classic albums such as the Beatles’ “White Album,” the Who’s “Who’s Next,” Dylan’s “Highway 61 Revisited, and Pink Floyd’s “Dark Side of the Moon” capture what was essential about the time because they were both a result of that time and because they helped to produce it by reinforcing the younger generation’s feelings of alienation and separation. Although
Coined by black artists, none of the whites listened until Elvis came around. His music, which was blues, gospel, jazz, and boogie-woogie, all created by black artists, blended to make rock n roll brought whites audiences to accept black culture. Presley’s music broke the racial barriers of that time, and was a key to the movement of racial tolerance between whites and blacks. Presley was one of the first singers to be appreciated and loved by both the black and white communities. (Introduction 3) Elvis tearing down barriers opened the world to so many opportunities. Opportunities not only arrived for white people, but mostly for the black. Elvis Presley’s music was a representation of the idea of racial tolerance and supported the concept, which stated that just because your skin color is different that doesn’t mean you don’t matter. (Introduction 3) Whites were now supporting blacks, which was unheard of before the 50’s. Without Elvis, it would have taken longer for whites to appreciate black
Elvis Presley was one of the most influential rock and roll singers in the American history. Presley’s work revolutionized the music and brought about significant changes in the entertainment industry. He grew up in an environment where racial segregation between the whites and African Americans was highly pronounced. In fact, Presley schooled in Memphis where he graduated from a whites-only high school. However, he upheld the Black’s music and made it possible for their music to be accessed by the White American youths. Presley’s tracks broke past the racial barrier as many teenagers loved his amazing voice. Through his music, he confronted racism and challenged both social and moral values. Elvis Presley changed the manner in which the Black minority were treated in the U.S. through his music, and this initiated the fights against racial discrimination leading to the civil rights movement.
Rock ‘n’ roll music has widely influenced music and society and continues to do so today. Rock ‘n’ roll emerged in the 1950’s a time where whites and blacks were heavily segregated. Rock and roll music not only changed the nation’s current musical norms, but indicated the joy of the emerging youth culture of the generation. It influenced artists whether black or white to come into the mainstream music. Famous artists still remembered today also influenced rock and roll. Those pioneers helped change the musical norms and the overall history of music. White rock ‘n’ rollers helped build a ladder for black artists to come into the scene. It was certain that rock ‘n’ roll made it possible for greater acceptance, appreciation and a wider
I watched a video from the 50th anniversary presentations. The video I watched was about Rock and Roll, Segregation, and The British Invasion of 1964. It was lectured by Dr. Christy Talbott, and she first talked about the pre rock and roll period. The term Rock and Roll came from a song from the year 1938, that stated “My baby rock and rolls me all night.” Rock and Roll or also known as American Rock, was changed completely after the British Invasion came in 1964. The invasion turned Rock and Roll into what is known today as Rock, it made a change for the good. Musicians in the pre Rock and Roll era, sang about current events similar as we do today. The events they sang about was Segregation, North Vs. South inferiority and the wars that were happening at the time World War 2, Korean War and Vietnam War. THe artists of this time consisted of The Everly Brothers, Buddy Holly, Jerry Lee Lewis, Ritchie Valens and the most famous of them all Elvis Presley. Elvis Presley’s music was called “White man with an African American feel.” In 1959 Motown records in Detroit, Michigan hired an all black group called “The Temptations.” Their song “My Girl” hit number one on the billboards in 1964. The man that hired them was Berry Gordy Jr. Berry Gordy Jr also hired all black women groups as well, but unlike the all black male groups he dressed the women groups as white folk.
“The warden threw a party in the county jail. The prison band was there and they began to wail. The band was jumpin' and the joint began to swing. You should've heard them knocked-out jailbirds sing.” These lyrics from Elvis Presley’s hit song “Jailhouse Rock” clearly illustrate how teenagers reacted to his new brand of music, Rock ‘n’ Roll in the 1950s. Elvis and his music came in a time when the baby boomers were teenagers and beginning to identify themselves and discover music. The civil rights movement was just about to begin, and the tension between whites and blacks was just beginning to decrease. The two races found companionship when listening to music, and Elvis helped to connect the dots even more. Elvis was a music icon that the
Rock ‘N’ Roll was the opportunity for African-Americans to get rid of segregation. It was also their opportunity to make black culture mainstream. But since white dictates, they fear blacks as part of their culture. They would shun and exploit performers, bleached their music and promote white Rock ‘N’ Roll instead. Whites believed that black Rock ‘N’ Roll promoted delinquency and sexuality to the children thus wanting it ban. When Nat King Cole was being assaulted and boycotted by the white community, the African-American have lost hope of being free. But it was when “Fats” Domino appeared. He becomes the first black Rock ‘N’ Roll millionaire. Many blacks were proud of him as he was the representative of influencing American Society.
“The rise of rock ‘n’ roll and the reception of it, in fact, can tell us a lot about the culture and values of the United States in the 1950s. According to historians James Gilbert, there was a struggle throughout the decade ‘over the uses of popular culture to determine who would speak to what audience, and for what purpose”. At the center of that struggle, rock ‘n’ roll unsettled a nation had been “living in an ‘age of anxiety’” since 1945” (p.15). Altschuler talks about how music and race interlock with one another. Rock had become a “highly visible and contested arena for struggles over racial identity and cultural and economic empowerment in the United States” (p.35). Other chapters within the book state the battles involving sexuality, generational conflicts, as well as other social issues. The author states ideas that are somewhat problematic. For example, he states that there is a myth that rock ‘n’ roll went into a “lull” following the payola hearings (the practice of record promoters paying DJs or radio programmers to play their labels ' songs) of 1959 and did not come about again until the arrival of the Beatles in 1964.
It was no coincidence that rock ‘n’ roll and the civil rights movement started at the same time. The genre originated from African American music and was greatly discriminated against. Traditional white Americans would target anything bad about it. But as the teenager demographic of the 1950s started increasing the sales of the music, the genre started gaining more popularity. It was the style of Elvis Presley and his new voice that made girls weak in the knees and boys want to be him. Artists such as Presley had enough influence to change the view of their devoted fans on civil rights issues. Soon as protest songs and rock ‘n’ roll became more popular and influential, it began a gap between the young adult generation and their parents
The emergence of Rock and Roll was one of the most pivotal moments of our nation’s history. The impact that this genre of music made is still evident in our culture. However, before this genre was able to gain momentum, it faced many cultural conflicts. The book, All Shook Up: How Rock ‘N’ Roll Changed America by Glenn C. Altschuler analyzes the impact that rock and roll music has made on American culture. It explores how the Rock and Roll culture was able to roughly integrate and later conflict with preceding cultural values. This is especially apparent in chapters regarding race and sexuality. Overall, Rock and Roll was extremely controversial amongst parents and educators. This new music genre was condemned by the previous generation as
The broadcasting and recording industries did not solely represent the conquering racial assumptions of the 1950's, they internalized them and helped to continue them. Racial conventions permeated the organization and structure of the music industry at every level. The very existence
Just as it was a crucial time for America in terms of politics and social issues, it was just as big for the music industry. People expressed their social opinions and political beliefs in a way that was the most true to them. Music was, and still is, a worldwide phenomenon for it has been able to take the shape of justice and to mold the minds of it’s listeners. Artists at the time had extreme social and political influence and used their defined stances on cultural issues to influence their music as well as their