Las Vegas is a place where a lot can be gained but a lot can be lost. Everything that happens there is based on luck. If you are feeling lucky Vegas might be the option for you. Vegas is a place for risk takers and gamblers and for people trying to achieve something. In Hunter S. Thompson’s novel Fear and Loathing in Las Vegas, Duke and Gonzo take a road trip to Vegas. Drugs and alcohol were prominent in the main characters’ journey and the substances were used to show Duke and Gonzo escape from life, their path to find the American Dream and to bring out the truth of the drug culture in America. Drugs and alcohol can be used as a depressant or as a stimuli but one thing is certain is that they help forget who you are and what you are doing in life. They keep you away from thinking. Duke and Gonzo were afraid of thinking. They did not like where their lives were headed so they did drugs and got drunk. Ether is a drug they used and one the main advantages of it is that it “makes you behave like the village drunkard in some early Irish novel... total loss of all basic motor skills: blurred vision, no balance, numb tongue – severance of all connection between the body and the brain” (19). This drug allowed them to stop thinking about their life. It cuts the connection and your body is just floating and that is it. They are so afraid of the future that they do not want to think about it. The drugs and alcohol also keep themselves from feeling. Duke wondered what would happen
The Roaring Twenties fostered a split between America’s past and future. Prior to World War I, America remained rooted in the conservative nature of the nineteenth century. After the war ended, Americans broke away from their traditional habits and intellection as they transitioned into a modern era. The rapid social and economic change influenced innovation that caused people’s morals to deviate from their upbringing. Many people began to take bold moves that later influenced a decade full of cultural advancement and prosperity. Among the many influential figures of the 1920s, Louise Brooks became an icon of the decade. Brooks developed her fame as soon as she began her career, and her personality stood out among other women, and
Las Vegas is one of the nation's favorite vacation destinations. Las Vegas, in Nevada’s Mojave Desert, is a resort town famed for its buzzing energy. It's a 24-hour city where gambling is a loved past-time and dreams of striking it rich can come true. Its focal point is the Strip, just over 4 miles long and lined with elaborate theme hotels such as the pyramid-shaped Luxor and the Venetian, complete with Grand Canal; luxury resorts including the Bellagio, set behind iconic dancing fountains; and innumerable casinos.
Consumerism has been embraced in Fear and Loathing in Las Vegas. This is well brought out by the two protagonists in the novel. The lifestyle of the Duke and his attorney on the journey to Las Vegas is characterized by heavy spending on drugs, accommodation, transportation and gambling. The writer says they had bought “two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether and two dozen amyls.” This were hefty expenses which the writer goes ahead to acknowledge that they did not actually need bur for the fun of it.
Every man has opinions, some which are stronger than others, but do these thoughts define the man? In Jerome Lawrence and Robert E. Lee’s play Inherit The Wind opinions do not define the people who advocate them. Each character in this play has viewpoints that influence their actions. The bravery, honesty and determination required to express an opinion defines a person more than the opinion, allowing one to respect a man who advocates unpopular opinions.
The novel-based American drama movie Rumble Fish was directed by Francis Ford Coppola in 1983-the author of the novel S.E. Hinton also co-wrote the screen play. The cinematographer is Stephen Burum, the music is by Stewart Copeland, and the editor is Barry Malkin and the. Zoetrope Studios produced the movie with a 10-million-dollar budget (Clarke).
To kill a man is to take away everything he has, and ever will have; and in War, death is inescapable. Vietnam War veteran Tim O’Brien was drafted to fight in the War in 1969 and states in the book as his “character/narrator” self that he attempted an escape to Canada out of fear. But the stronger fear of people being ashamed of him took over and had him turning back to home to enlist in the U.S. Army. O’Brien published The Things They Carried in 1990 and explored the physical and mental realms of war-time combat with stories. These stories are based on his own experiences, but they include a fictionalized version of himself as “the narrator” and are said to only be what felt like the truth rather than being the actual truth. Despite this, the intention of these stories are to give readers the understanding of what it was like to be a soldier fighting for their life and country overseas. In the chapter “The Man I Killed”, the narrator tells the story of a man he killed outside the village of My Khe who was “a citizen and a soldier” of Vietnam (119). Although this man was the enemy, O’Brien’s character displays how ending another’s life in battle is not an easy pill to swallow. O’Brien, the narrator, uses repetitive descriptions, vivid and gory details, and his glum emotional response to the fatality he caused in the chapter to illustrate how feeling responsible for another man’s death can have traumatic effects on the mind.
In the novel "American Psycho" written by Bret Easton Ellis, Patrick Bateman 's use of violence and his wealth are exemplified in scenes involving the murder of his ex-girlfriend Bethany. As well as appealing to the idea to maintain an upscale image by any means such as purchasing expensive merchandise and taking the initiative to attend upscale restaurants. His actions with the implications of those elements reveal the consumptions of status and privilege. The detailed narration of Bateman 's intense violent acts and purchases of expensive products creates imaginary and conflict for readers to accept the appearance he is trying to come across to his associates and the general public. This may result in readers rejecting his character and concluding that he is worthy of the position in society, he desires to achieve or deserving of it. This plays a significant part in how to read this novel because it demonstrates the obsession of acknowledgment and the measurements individuals are prepared to grasp it. The only sense of acknowledgment Bateman receives from the other characters in the novel is his tan instead of his presence or success. Experiencing treatment like this can possibly help the audience understand his motives for preying on women. Feeding off the vulnerability and the weakness of women provides him with the confidence and authority that he lacks. Overall, the consumption of seeking prestige and praise through aggressive behavior towards powerless people
Chapter ten flashes forward to McCandless death, and it was published in the New York Time and Anchorage Daily News. The media wrote of how foolish and ignorant McCandless was for going into the wilderness so unprepared. Once the death is being investigated by the police the police begin to question Sam, McCandless’s half-brother. To identify him he shows them a picture with long hair and a beard. This made me question who was the man in the picture, was it really McCandless? He wasn’t reported as having long hair, ever. As the half-brother informs his parents of McCandless death the parents respond in devastation. I find it weird that the police contacted his half-brother first and not the parents. Oddly enough I find myself agreeing with the media more than I do with the author. I cannot seem to grasp the thought of going into the wilderness, and not being overly prepared. While I understand that it is a brave action, it is also foolish and somewhat stupid on his part. I also find him to be very selfish. In chapter eleven the author starts to interview McCandless parents, and starts to question the family’s dynamics. The father is very similar to McCandless in the aspect that he is very intense and highly intelligent. Chapter twelve is a continued exploration of McCandless’s character. The author wants to know what made McCandless, McCandless. He finds that he took a road trip to the desert the summer before his freshman year of college, and nearly died of dehydration. I
An issue that has been circulating is whether or not to conform. Rob Siltanen says, “... The ones who see things differently. They 're not fond of rules. And they have no respect for the status quo. You can quote them, disagree with them, glorify or vilify them. About the only thing you can 't do is ignore them. Because they change thing.[...]” ( cited) What he says is agreeable because the one that does not conform, will be the one that changes themselves,their society and even their future. This matter is an open topic of debate because one may agree that an individual does not need to conform to society 's ideals in order to find their happiness or be successful in life.
“The American Sniper” by Chris Kyle is an account of the deadliest American sniper ever. He was called “the devil” by the enemies he hunted and “the legend” by his Navy SEAL brothers. From 1999 to 2009, U.S. Navy SEAL Chris Kyle recorded the most career sniper kills in United States military history. The Pentagon has officially confirmed more than 150 of Kyle 's kills (the previous American record was 109). Iraqi insurgents feared Kyle so much they named him Al-Shaitan meaning “the devil” and placed a bounty on his head. Kyle earned
In this next part Richards hijacks a car from a lady named Amelia Williams who is from a higher social class than most of the people that he has run into. When Richards gets into the car with Amelia she quickly judges him and asks him "Will you rape me"(202) and continues to be frightened even though Richards repeatedly says to her "I have no intention of harming you"(202). I compared Amelia and Bradley in my mind and related it to the theme that there is a large divide between rich and poor and white and black and soon realized that an aspect as simple as grammar can be a huge difference between the two. It shows that the government only cares about educating the wealthy and does not care about the poor and only uses them for entertainment. Richards begins to conjure up a plan and soon comes up with one as he says "There will be a dozen free lance cameramen around in no time"(208). In my opinion he does this because he knows that they will not kill his hostage who is a wealthy lady and who is recognized in the community as a "good" person. He knows that if the community finds out
The literary element setting includes the time when the story happens and location where the story takes place. Some stories use variety of settings to initiate an interesting beginning. However, the 12 Angry Man has only one fixed setting – the jury room, which is not commonly used in a novel. The author, Reginald Rose, overcomes the limitation in setting by describing changes in weather, initiating different types of character and imitating the events of the murder.
Have you ever wondered what it is like to live in Las Vegas, the entertainment capital of the world, a gambling mecca for millions every year? What could it possibly be like for a person to live in a city known as "Sin City," where the only thing hotter than the bright lights is the sun. According to lasvegasnevada.gov over 600,000 people live in Las Vegas now, which is triple what it was just twenty years ago. It is a city built as a railroad town that has turned into one of the most well known cities in the world. Las Vegas is not just a tourist destination, but a great place to live. With countless job opportunities, strong economy, beautiful weather and state of the art education, Las Vegas is
Stephen King’s fore note to Danse Macabre, he suggested that zombies act as fast-moving terrorists. “By 2004, only three years downriver from 9/11, rampant consumerism was the last thing on our minds. What haunted our nightmares was the idea of suicide bombers driven by an unforgiving (and unthinking, most of us believed) ideology and religious fervor. You could beat ’em , burn ’em , but they’d just keep coming, the news reports assured us.” (King 40) Here Stephen King says that terrorists are relentless killers. What Stephen King is not mentioning, is that terrorists are not necessarily fast moving and neither are all zombies. Stephen King is generalizing zombies and terrorists which, makes his argument weaker than it appears. There are many myths about zombies in literature and movies that do not fit the characteristics in which King is discusses. Some other examples of zombies, such as the Resident Evil films, portray zombies in a different way. In Edgar Allan Poe’s The Tell-Tale Heart he describes a man with a disfigurement that gives us insight to the true nature of the fear created by zombies.
“In modern war... you will die like a dog for no good reason.” - Ernest Hemingway.