All women in their lifetime go through an experience that makes them feel proud and dignified to be a woman. Marjane Satrapi strives to find this feeling of self-worth and the satisfaction of being a woman in Iran as she grows up during her war torn childhood in her bildungsroman, Persepolis. Marjane experiences both positive and negative moments throughout the memoir such as growing up alone in Austria, speaking against women's dress codes, and her constant struggle to make her grandma proud, all which help her learn independence and help form her into a strong feminist woman.
As Marjane experiences new ideas and culture once she moves to Austria as a teenager, she finds that there are many things she doesn’t agree with or understand. Fitting in as a teenager is hard enough without having to deal with being stranded all alone, which is exactly what Satrapi had to endure for years on end. During those years of growth, Marjane ran into many obstacles including her relationship with boys and smoking. One of Marjane’s first friends that she made while living in Austria was the influence for much of her confusion when it came to social activities. Marjane was surprised when she attended a party and it was the opposite of what parties were like in Iran where there was dancing and food, instead “people preferred to lie around and smoke” (Satrapi 185). Almost everything Marjane experienced in Austria was against how she was raised in Iran. Marjane thought to herself, "And then,
Given that western clothes and icons were outlawed in conservative Iran, Marjane’s dressing up in jeans, denim jacket, and Nike shoes is an attempt to express her modern outlooks, Satrapi conveys the importance throughout the text reinforcing the conflict between Eastern values and Western values. In this scene, Satrapi embraces both cultures. She wears modern with a Michael Jackson button and Nike, and says ‘of course, my headscarf’. This displays Satrapi’s multiple personal identities: following middle eastern customs while sharing western values. A portrait image of Marjane is illustrated to show that she is proud of who she is and her posture and body language of her standing tall like she wants to show off her personality. But this doesn’t last long when she meets two guardians of the revolution that arrest women who are improperly arrested. When Marjane is caught, expressionism is used when Marjane is bawling her eyes out. The eyes look ghost-like representing the whole idea swapping personalities so that she could fit the government's likings. Marjane is not being able to fully express herself by wearing the clothes she wanted, doing her hair how she wanted, or listening to the music she wanted. From a young age is prevented Marjane from finding her identity and making her feel trapped. The revolution brought back Islamic ideals and customs, which were welcomed initially but soon became overbearing and restrictive and eventually totalitarian.
Women are often frowned upon in many societies. Although most do not, some societies make it possible for women to be equal. When not equal, women are usually forced to do things beyond their will. When women are free in a society and once the leader dies, who made them free, it will often turn back to the way it was before that leader, leaving women unequal. Persepolis forced their women into many things they didn't want to. Muhammad's vision of Islam is depicted different than Persepolis on topics of gender equality.
Marjane Satrapi sacrificed many things for education, and her parents made sure she had access to it, no matter what the cost. As a girl in Iran Satrapi faced many disadvantages even beyond a lack of education which was prevalent because of the many restrictions on their clothing, the hijab they were forced to wear, and that they were unable to wear makeup (Satrapi 3-341). These restrictions attempted to control women in every aspect by denying them certain rights and regulating their actions, and because the restrictions are not imposed on men as well, they lead to an inequality that is unfavorable for women. In order to overcome these restrictions, Satrapis’ parents sent her to school in Vienna where she could pursue an education without the restrictions imposed upon her in Iran (Satrapi 145-153). There Satrapi could learn without the distraction of the restrictions she faced in Iran. It also allowed her to freely study and receive the most beneficial education possible for her. Upon her return to Iran, and
Marjane Satrapi’s memoir Persepolis is considered a “coming of age” story based on her experiences growing up in Iran during the Islamic Revolution. This graphic novel explores the life she lead in Tehran which encompassed the overthrow of the Shah’s regime, the triumph of the Islamic Revolution and the devastating effects of war with Iraq. Undergoing life with such a chaotic environment, it took Satrapi courage to act and live as her “authentic self” and explore what it meant to her to be authentic. Similar to Aristotle, May and Medinas Persepolis examines the concept of courage, through the view of innocence; through Satrapi’s childhood.
The historical background of Iran is the most important idea that influences Marjane 's novel. Mohammad Reza Shah was the leader of Iran from 1941 to 1979. During his reign, Iran was living a westernized life. He initiated a revolution called the White Revolution, which included permitting women to vote, the abolition of illiteracy, land rehabilitation and distribution of oil. Basically, everyone in Iran, including Marjane’s family, was living a westernized live during Shah’s regime. As Satrapi’s mentioned, she used to go to a non-religious French school, in which boys and girls were mixed. On the other side, there was a
On pages 3 and 4, Marjane gives us the years for, when the revolution began, when children were required to wear a veil and her date of birth. The dates, enable the reader to get a sense the time period and the historical background of Iran. Timelines are imperative to understanding her life story. Next, Satrapi demonstrates pathos through illustrations and the speech bubbles. The emotions of the characters can be shown through their facial expressions and actions they take.
Iran during the Iranian Revolution and the Iran—Iraq war was shrouded in darkness; it represents a time of major oppression by the Islamic-based government and a huge shift in culture for the Iranian people. The coming-of-age film, Persepolis, reveals the plight of a young girl trying to find herself whilst simultaneously living in fear and being prosecuted for her seemingly normal (at least to western culture) behavior. The major geographic theme of gender in Persepolis is paramount; although both genders see some form of repression of rights, women are far more effected by the ideology of Islamic fundamentalist government. Furthermore, the geographic theme of culture and ethnicity is also pertinent in Persepolis. Notions of religion,
Marjane Satrapi was a young independent girl, strongly reliant on her own decisions and logic. However, throughout the novel “Persepolis” she is greatly impacted by many different women in her life. These women helped her develop her character and built her to be stronger and wiser. Women such as her grandmother, the maid, her school teachers and her very compelling mother have helped her to evolve into an independent, ambitious and quite intelligent lady. Throughout this powerful novel displayed by comic strips, Marji never releases her roots and she stays true to herself. This is due to the influence these women had on her.
In the book, “The Complete Persepolis” written by Marjane Satrapi every woman had a prescribed role. The role of Marji’s maid was to show that social class differences do exist and to show what happens within these social class differences. Marji’s mother’s role was to support Marji and make sure that she was well off, while her grandmother’s role was also to support her and give her words of wisdom. Her school teachers’ role was to make sure that the female children, attending the school, wore their veils, while the guardians of the revolution’s role were to arrest females that were improperly veiled. The younger Marji’s role was to show us how the Iranian Revolution/ the mandatory wearing of the veil affected
Marjane Satrapi, in Persepolis writes about a memoir of a little girl growing in Iran. She refers to a secular pre-revolutionary time through contrast, the oppressive characteristics of the fundamentalist government upon women in specifics. In comparison, her work is very similar to Margaret Atwood’s, A Handmaid’s Tale, in which the central character, Offred, reflects upon her former life’s freedom, cherishing her former name and in doing so, emphasizes the isolated and enslaved live that she must now endure. Although Both Margaret Atwood and Marjane Satrapi show how a totalitarian state oppresses women in different ways by
Marjane Satrapi says in multiple interviews that she does not subscribe to feminism; instead, she describes herself as a humanist. However, her graphic novel memoir, Persepolis, has several themes at its core that convey feminist ideals. Throughout the novel, Marjane constantly expresses frustration with Iran’s strict regulations on women. She also grows up with strong female relationships in her family; these women help shape Marjane into the woman she is today, a woman who won’t stand for inequality.
Persepolis by Marjane Satrapi is a graphic memoir that reveals the life of a woman growing up in pre and post Iran, as well as her experiences in Western countries. In this book, Marjane utilizes historical events that affect her life during her upbringing in Iran. These include the oppression of the Shah, as well as the rise and effects of the regime. These events’ integration into the story showcase how they affect Marjane and the other citizens of her country. Additionally, these events are important for the context and understanding that they grant readers unfamiliar with the text.
Persepolis is a coming of age story for Marji living in the middle of the Iranian war and adapting to the changes to both her culture and her personal life. Inequality between genders is heavily discussed within the story, as well as the struggles between the fundamentalist ideas and customs compared to the less extreme morals of some families: it is shown through the simplistic, but effective images by Satrapi.
Lysistrata is portrayed as a hero by Aristophanes and just as Antigone had played a social role in politics, so is Lysistrata portrayed. Most ancient Greek writers were people who had established themselves in the society. They were people of class, and when they wrote about women, they mostly wrote about women from their own social class. Women were shown to participate only in the domestic roles of childbearing and that saw many women confined to their houses. They rarely ventured out of the proximity of their domestic dwellings, let alone participate in manly politics. Lysistrata,
The year is 1980 and Marjane, “Marji”, is just ten years old living in Iran. The Iran and Iraq war is beginning to unfold and life for her and her family is changing. Being a woman is hard enough during this time period, and Marji’s hard headedness did not make it easier for herself. She eventually was moved to Austria for her own safety, she was sent alone, none of her family came with her. During this time, she really struggled with finding out who she really was supposed to be. Here in Austria, she met new people, changed her look, and lost touch with her Iranian identity. Eventually she moved back to Iran, she met a man and married him not too long after that. She tried to be the perfect woman, perfect wife that society wanted her to be. She was still not happy with this life and felt empty, so months later she took a risk and divorced her husband. She decided she would leave Iran for good this time and moved back to Europe, never looking back at the country that was