Lone star is a contemporary western set in Texas in the 90s. The film reflects themes of police corruption, immigration and the inter-cultural relations in a small border town. The film captures the backstories of different characters and intertwines them together through their interpretation of history and community.
Lone star focuses on the history and its relevance to the present. We see the perspectives of the different racial groups and their memories of the hated Sheriff Charlie Wade. Wade was a corrupt enforcement official who used his position to terrorize the community. He took bribes and flexed the law to bend to his will. Wade represented a corrupted system that eliminated justice.
After Wade’s disappearance, Buddy Deeds becomes
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Mercedes Cruz refuses to speak Spanish and uses racially insensitive language to rid herself from her past and identity. It is not until the end of the film when she is required to help another immigrant that she sees her past in the woman she is assisting. She can try to forget the past and change her identity, but history holds her …show more content…
Sam’s ex-wife is a stereotypical Texan. She loves football and her home is surrounded by football memorabilia. She follows the statistics of players and is enthralled by the game. She is unburdened by the present by living in a created world of football. Her history lies with sports. She does not have any burden to the social and political events of the present.
Lone Star depicts history as subjective. Truth can be accepted or ignored. We learn that it was Deputy Pogue who shot Sheriff Wade. Pogue had witnessed the murder of a man and he wasn't going to let Wade murder another one. Sam doesn't expose the truth because it has to relevance to the present. Pogue now the mayor is on the edge or retirement, and the truth has no effect on the people.
The film represents two time periods. The Charlie Wade age, an era of segregation and racism and the early 90s, a time period that is becoming more multicultural. Each time period deals with race relations differently. The Wade era is now a shadow to the present. The citizens of Frontera are trying to figure out what is relevant. What needs to be remembered. In the beginning of the film, we see the argument between teachers based on what history should be taught. The conversation is about trying to teach the complexities of history. The coming together of different cultures. Showing the complete picture and not just the “winning
“Steel Magnolias” is a story about the close-knit relationships between six eccentric Southern women living in a small town in Louisiana. The film has a home spun, unpretentious feel to it. The plot alternates between humorous, everyday events with good-natured quips and the seriousness and heartaches to life’s unexpected crises. Through the laughs and tears, the six women learn to endure hard times and emerge from the struggles with grace and dignity. The film is set in the 1980’s with a tight knit homespun atmosphere. The Southern belles who are goofy on the outside but strong enough inside to survive any challenge that life deals them. Friendships help with a
If the Syrian refugee articles weren’t the wake up call then 9500 Liberty is. 9500 Liberty drives the point that immigration and accompanying prejudice are not ficticious. These are real people not numbers, or a simply feeling. One of the main ideas that drive this documentary is emotion. Both Hispanic citizens and supporters of the law are guilty of letting emotions be the driving factor in decision making. On the side of supporters, their choice to react ignored a critical factor: empirical data.
The Alien is a science fiction horror movie. Its setting in space and the presence of technology and artificial intelligence empathizes on its science fiction genre. Moreover, the presence of the Alien and the fact that it is a threat to human lives reflects it is also a horror film. The movie revolves around seven human beings that have the mission to return to earth from the space.
This movie Directed by Paul Haggis who also directed Academy Award Winning "Million Dollar Baby" and had also won an Academy Award for this movie as well puts a twisted story in this film. This movie is trying to symbolize what goes on in the world today in regards to racism and stereotypes. He tries to make a point on how societies view themselves and others in the world based on there ethnicities. This movie intertwines several different people's lives, all different races, with different types of beliefs. Such ethnicities include Caucasians, African Americans, Hispanics, Asians and Middle Eastern. This movie includes conflicts on both sides of the picture from cops and criminals as well
Nathanial Ayers portrayed the “textbook” diagnosis of schizophrenia appropriately throughout the movie. During The Soloist, Nathanial experienced hallucinations and delusions. Individuals diagnosed with schizophrenia can experience symptoms. Nathanial would hear voices inside of his mind, telling him he was not talented enough to perform at Julliard. Nathanial also had delusional thoughts about his family trying to poison and kill him. There are positive and negative symptoms related to schizophrenia (Reed, 2014). Nathanial displayed signs of more positive symptoms of schizophrenia rather than negative symptoms. Nathanial would get overly excited about Beethoven and classical music. When Nathanial talked about
This reaction paper is based on a film by the name of “Lone Star.” The Director of this film is an independent director by the name of John Sayless. Lone Star is a contemporary film that was created in 1996. This film is a Western based film that. But it is set in the present day was created on the U.S./Mexico border. It describes a sheriff that is trying to get revenge of his father’s Buddy Dee death. In doing so he sorts out to solve a crime. The crime has to do with him and his father, Buddy Dee. The film also details the sheriff's love life and his relations to his high school history teacher. The teachers mother a restaurant owner was one of many people to jump the US border. Towards the end of the movie the Sheriff finds out the love of his life is not only his true love but his sister. He finds out that his father and the teacher’s mother had an affair in which the teacher was conceived. It was ironic because the sheriff had method to the teacher while having sex with her that it felt weird later to find out that they were brother and sister.
We see a large contrast between the American characters and Mexican characters in the film. The American characters are chivalrous, courageous and dressed in a typical “Western” fashion; raccoon fur hats, formal wear or button down shirts while the Mexican characters are depicted as cowards and womanizing drunks in sombreros, ponchos or soldier uniforms with darkened skin. These negative depictions of Mexicans are used as a contrast from this perfect image of what it is to be “American”. For example, the General Santa Ana is portrayed to be a weak leader who is detached from the battle and who is preoccupied with exploiting women. In contrast to Davy Crockett who is able to band together with others to fight and protect Texas while on the battle front. Griffin uses these historic Alamo figures to emulate what it means to belong to America. The idea of Americans not backing down against a threat is portrayed through figures like Davy Crocket.
The story formula for Stagecoach structures around characters in the Tonto and introducing the characters, traveling to Lordsburg, stopping at Dry Fork way station for food and unforgettable dinner table scene, traveling towards Apache Wells in the snow, Mrs. Mallory’s baby born in Apache Wells, finally getting to Lordsburg but got attacked by the Indians, and ended with Ringo Kid in a shooting conflict. Stagecoach did a great job in the characters types. There are the protagonists, prostitute, gambler, schoolmarm. These are the specific character types in Western movies. The setting of the movie is on point. It’s in the American West and takes place in the 1880s. The location of Monument Valley is a favorite location for John Ford. The presentation of Stagecoach has many great exterior shots that collocate the characters with the environment they occupy. The stars in Stagecoach does fit in a Western movie. Like John Wayne, he stars in many Western movies. What makes Stagecoach a western is the traditional western theme. Like the fight between whites and Native Americans. There is a good use of the American West’s open plains and mountains.
Following the end of the United States’ Civil War, new territories had becomes states, notably what is now known as the West. The West, iconized by its Cowboys, gunfights, and horses in the years that followed the Civil War, made its way to the silver screen as one of the first genres of movies to be produced. The genre is popularized as a “Western” and is devoted to telling the
The main issue throughout the movie is racism and the perspectives on different cultures. The movie is set in Los Angeles, a city with a cultural mix of every nationality. The movie starts out at
The southwest is a region of the United States that makes our country unique. Without the southwest, we would undoubtedly lack the spirit, hope, beauty, and truth that this vast region brings to the rest of the United States as a whole. The southwest represents many things, such as journeying, racism, violence, the clashing and cooperation of cultures, and spirituality, as well as primitivism and pastoralism. All of these elements that the Southwest is comprised of is perhaps the reason why the rest of the country feels so captivated by it; why the southwest is considered a place to “find yourself” or to “regenerate”; and why literature and film regarding the Southwest has been and continues to be of the most popular genres. The western film was one of the most popular during the first half of the twentieth century. Audiences far and wide were mesmerized by actors such as John Wayne and Roy Rogers, and their roles as heroes who fought to tame the American frontier. This very concept, ‘taming the frontier’, gives way to a larger theme that was prevalent in many western films and literature of the southwest: ubi sunt, or rather “where are those who came before us?”. Director Sam Peckinpah’s The Ballad of Cable Hogue portrays this idea better than any other western film; the concept of ubi sunt is undeniably the film’s overarching theme, clearly seen through its components.
The movie starts off with an event that took place in the early 1960s in Birmingham, Alabama. Four little girls were killed in the bombing of the Baptist Church. This event turned the wheels of King’s Civil Rights Movement since many African Americans believed that these girls were killed because of their race. I thought this scene stood out the most to viewers in the beginning because there are crimes like this happening in society still that people believe is because of a race. In fact groups have formed to put an end to racial inequality, however, the bombing of the Baptist church seems a little more extreme than the incidents involving Garner, and Martin. DuVernay was able to illustrate the graphic
The movie, Glory, tells a story of the 54th regiment of Massachusetts journey in the Civil War. The 54th regiment was the first group of freed African Americans who volunteered to fight in the Union army. The film describes the journey of these brave men as they face prejudice to fight in the Union army and how they sacrificed their lives to fight for the cause of freedom. The film captures the heroic acts of the 54th regiment of black soldiers and their leader Colonel Robert Shaw.
It started with a man named Charlton Heston whom spoke his views at a Harvard Law School Forum. By him speaking his mind it proved that the cultural balance is still in favor of ignorance. Charles mentioned that we are fighting a great cultural war against one another that can hijack your very own birthright. Charles has proven why we are in a cultural war within our own fellow Americans. No matter the outcome that he instills in to any of his speeches people would react no different no matter the background he has gone through. The audience does not know who or what Heston has done to prove that he believes that every fellow American is all one. Heston mentions, “the stuff that made this country rise from wilderness
Film noirs describe pessimistic films associated with black and white visual styles, crime fiction, and dark themes. Sunset Boulevard is a 1950 film noir directed by Billy Wilder. Sunset Boulevard presents many themes that are common with the genre film noir, but also introduces some differences from the typical movie in that genre.