Film Analysis Of The Film 'Blue Velvet'

We can observe the selection of blue color symbolizing melancholy in these scenes. Also, during the film, another color scene, this time yellow, can be seen, reflecting madness, insecurity, and obsessive by these scenes in the jury and streets. The catastrophic events, scenography and audio incremented the tension of every scene and complemented the facial expressions in the characters, creating a circle of the dramatic tension in the movie.

The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.

In contrast, ‘Pleasantville’ does not have any colour at the beginning of the film. Objects and,

Film- Precious Knowledge Precious Knowledge is a documentary that takes place in Tucson, Arizona and focuses on how the Unified School district wants to completely ban the Mexican American Studies Program. In the film there were many scenes with examples of rhetorical appeal. I believe that the way the film was set up since the beginning had an impactful and direct emotional appeal on the audience. For instance, in the first scenes of the film we have the opportunity to get to know the main characters in a more intimate level.

Sterility and cleanliness is suggested by the use of cold, deep blue hues. The use of blue is constant throughout the film, as is the significance in detail. These concepts tie to other scenes, such as ‘The Eyelash’, where Vincent’s own ‘invalid’ eyelash is discovered during a murder investigation. This concept highlights the precision of technology in the future, and that life with such structure becomes complicated. Audiences can learn lessons from examples such as these scenes as they can relate the situations Vincent is put in with possible futures based on the direction society is heading in present times.

This film is a black and white film and the lighting is more towards dim effect which terrified the audience. Music plays the biggest effect in the film. Bernard Hermann’s theme is used for this film because it uses mostly high-pitched string instrument notes so the suspense and horror mood can be formed to the audience.

Sixteen candles was written by John Hughes, this movie was his first 1980s teen movies. Hughes was inspired by Molly Ringwald, to write the screenplay. As, he was finishing up writing the screenplay for Mr. Mom and National Lampoon’s Vacation, Hughes' agents at ICM gave him a stack of photos of young actors. When he was going through the stack he noticed Molly Ringwald, then began write the screenplay for the Sixteen Candles. John Hughes finished the script over a single Fourth of July weekend. Hughes also was so impressed with Anthony Michael Hall's performance in National Lampoon's Vacation that he created the role of Ted “The Geek” just for him. Michael Schoeffling got the role of Jake Ryan, as the leading male because of his good

The Australian cinema in the 1960’s failed to communicate with the audience due to their lack of promotional messages that weren’t disseminated. Media is formed by cultural, political, economic and social conditions. These influenced or even directed its characteristics and its intended meaning. After a devastating blow to the film industry in the 1960’s, filmmakers of Australia had stopped creating and making quality Australian films. However, the Australian New Wave brought a revival of the Australian film industry during the 70's, 80's and 90’s. It introduced Australian qualities into film, including larrikinism, mateship and a classless social hierarchy. The Castle and Gallipoli confirm, promote and explore features of Australian identity

Mo' Better Blues is a 1990 music drama film. Mo' Better Blues follows a jazz musician named Bleek Gilliam (Denzel Washington) who is obsessed with his art, but because he begins a path that separates him from the person closest to him. Another band member encountered a problem in another quintet named Shadow Henderson (Wesley Snipes), which led to everyone in the band. Their manager Giant (Spike Lee) is Bleek's best friend because he is a child, but as a manager, he is absolutely horrible, deep gambling debt. In addition, Blake (Bleek) balance the two women indigo (Joie Lee) between the love of life, another name is Clark (Cynda Williams) is a lady of the upcoming singer The His film has a strong message about causality, a bit about fate

The film, the Untouchables, was directed by Brian De Palma. It was set in the prohibition era, which was right at the start of the 1920’s. Prohibition can be described as a law that made selling and manufacturing alcohol illegal. By putting this law into effect, it actually increased the amount of crime and violence throughout cities in the US. This was ultimately due to the rise in organized crime, also known as gangs. In the movie specifically, it was centered around the rise of the Mafia in Chicago. By looking at the production of the movie, we can see how during prohibition, the Mafia controls everything and the violence ultimately it leads to.

The ending of Dorothy Must Die is not the best ending. The book ends with Dorothy and Amy going head to head before Dorothy escapes from Amy's grasp escaping. Then, Amy goes to see the wizard to get advice on what she should do. She still wants to kill Dorothy, but the wizard says Amy cannot at the moment. Instead, Amy has to wait.

Any movie can have a romantic plotline, consisting of a picturesque town, a lonely woman, and forbidden love, but only one can narrate societal hypocrisies and social stigmas while paying homage to a classic Hollywood melodrama directed by a German-expressionism-influenced director from the 1950s. Enter stage right, Far from Heaven. Directed by Todd Haynes, this film, set in the 1950s, tells the story of Cathy Whitaker, a suburban housewife who seems to have the perfect life—until it starts to fall apart, and she has to learn how to keep her husband’s homosexuality and her personal infatuation with her gardener, an African American man, from affecting her flawless image and place in society. This movie was heavily influenced by the midcentury melodrama All That Heaven Allows, directed by Douglas Sirk, as suggested by the somewhat similar plotlines, but their similarities are heavily apparent in the cinematography and mise-en-scène. What makes Far from Heaven unique from its predecessor, though, is how it uses modernized topics in its storyline in order to unveil the hypocrisy of society and the Whitakers’ dysfunctional relationship.

David Lynch's Blue Velvet is an exploration of things above and below the surface. This surface is really a borderline between not only idyllic suburban America and the dark, perverted corruption that lies underneath but also between good and evil, conscious and subconscious, dream and reality. Although this division seems quite rigid and clean-cut some of the most important implications of the film stem from the transgressions of these borderlines. In the initial scenes of the film Lynch introduces Lumberton, the typical small town in Middle America where the fireman waves at you, the children are well protected, the lawns are green and there is a smile on everybody's face. Naturally, the most important clich?

The opening scene in David Lynch's Blue Velvet portrays the theme of the entire film. During this sequence he uses a pattern of showing the audience pleasant images, and then disturbing images to contrast the two.

In this paper, I will write about “Thelma and Louise” (1991) movie. I choose a last scene of the movie which the police came to arrest them in the Grand Canyon (from 122 to 125 minutes).