Zootopia (Howard 2016) is an animated film of Zootopia’s first ever bunny cop, who overcomes various obstacles, while working with an edgy, prideful, con-artist fox, to uncover a conspiracy. I will argue that formal elements, including low-key lighting, mise-en-scene, editing, and framing portrays real world issues of how discrimination and stereotypes affect people, or in this case, predators. Throughout the film, predators are marginalized and affected by various stereotypes, the press conference scene proves this argument. During this scene, framing portrays the emotions of Nick Wilde, as he listens to a press conference, in support of his friend Judy Hopps. As Hopps digs deeper into the facts of the case, she derails giving some input on why predators are having vicious outbreaks. Without her knowledge, her comments come off as discriminatory to Wilde, and his reaction clearly shows his discomfort. The scene begins with a med shot of Wilde, beginning with a change of pace in his breathing, he begins to breathe slower, heavier, sticking out his chest, as his posture fluctuations, showing he is surprised with her comments. Wilde’s ears perk back and his eyes widen as his head tilts, by the look on his face, the expression of disturbance is evident. As Wilde attempts to get a better look at Hopps’ presentation, a close-up of Wilde occurs. This enhances his emotions, in effect of the remarks being made. Wilde continues to breathe heavier and heavier, while his ears perk all
Based off Charles Webb’s 1963 novel by the same name, The Graduate is an American romantic comedy/drama released in the United States on December 21, 1967 starring Dustin Hoffman, Anne Bancroft, Katharine Ross, and William Daniels. The film was directed by Mike Nichols, produced by Lawrence Turman and the screenplay written by Buck Henry and Calder Willingham. The film was produced by Lawrence Turman/Mike Nichols productions starting in March of 1967. Mike Nichols has also directed other well known films such as Catch-22 (1970), Working Girl (1988), and more recently Closer (2004). The film was distributed by AVCO Embassy Pictures nationally and United Artists internationally. AVCO Embassy Pictures studio, founded by Joseph E. Levine, the films executive producer, also claims production/distribution for other hit films such as Godzilla, King of Monsters! (1956), The Fog (1980), and Prom Night (1980). The movie was well received due to its $104 million dollar box office opening tab. The score was produced by Dave Grusin and the songs written by Paul Simon and Art Garfunkel.
Rosina Lippi-Green's article "Teaching Children How to Discriminate - What We Learn From The Big Bad Wolf" (1997) examines the discrimination and stereotypes toward different race, ethnicity, gender, religion, nationality and region that Disney presents in their animated films. Lippi-Green also points out the use or misuse of foreign accents in films, television and the entertainment industry as a whole. Such animated films are viewed mainly by children. Lippi-Green makes a central argument in which she says that children are taught to discriminate through the portrayal of the different accented characters in Disney films.
Analytical Thesis: Get Out is a psychological thriller that analyzes the racial issues in modern America through the use of visual rhetoric: such as film noir, symbolism and metaphors.
What images come to mind as one reflects upon his or her childhood? Playgrounds, blackboards, and soccer balls may be among the fondest of memories. Yet, for many, mermaids swim their thoughts, princesses get swept off their feet, and lions roar to their royal place in the animal kingdom. Disney films have captivated the American culture for years and have become a pivotal part of popular culture as well as a form of education. However, these films have devoured the youth of America and, in the process; have perpetuated an institutionally racist society based on harsh stereotypes. Minorities are often underrepresented, and even completely left out, of many Disney films such as Dumbo (1941), The Lion King (1994), Aladdin (1992), and
The Matrix is a film about the enslavement of humankind by artificial intelligence, sentient beings, with mechanical bodies, created by people to service humanity, and the discovery of a person, Neo, that possesses abilities that can defeat the Artificial Intelligence and manumit humanity. The majority of human beings have their consciousness/minds trapped within the Matrix, a computer simulated world in which their minds are born, live in, and die, while their bodies are connected to it via cerebral connection but, remain in a dormant slumber and are never used. While they are connected to the matrix, their bioelectricity is harvested, powering the artificial intelligence. Neo, with the help of Morpheus (the leader in the resistance
This movie is a great example to help everyone realize the stereotypes, discrimination, and labels that we give to those around us. Not everyone is the same, and we can't judge them based on who they are or where they came from. In this movie, “Zootopia” has reflected stereotype, prejudice, and discrimination. The movie shows that preys are perceived as weak and incapable where it also shows that preys that are small in size such as rabbits are even more discriminated then others. On the other hand, predators are also apparent as dangerous and threatening. Sociologically this explains that race is a group of animals who are aware to share the same biological traits and physical differences because of these observations, individuals make distorted generalizations about the characteristics of an entire social group. More significantly, it affects the attitude they have for the other social group and are used to justify discriminatory
Both Laura Mulvey and bell hooks describe the idea of the “gaze” in film. In both of the theories presented by Mulvey and hooks, the “gaze” is the way in which viewers are subjected to a particular perspective because of their social standing. In Mulvey’s case, she argues that the “gaze” in which the audience is forced into is that of the “male gaze” while hooks argues a more nuanced “gaze” including the “oppositional gaze”. While some of Mulvey’s argument is accurate, hooks argues that it leaves out important other factors, in particular, race. Both arguments have many similarities and differences, and can be seen exemplified in many films, such as Spike Lee’s She’s Gotta Have It.
Using the language of the moving image, which includes cinematography, editing, sound, music and mise-en-scene, this essay will investigate the ideology of Racism in film. OxfordDictionaries.com describes racism as “Prejudice, discrimination, or antagonism directed against someone of a different race based on the belief that one’s own race is superior.” When we, the audience think of racism in film, we traditionally think of movies for adults and often overlook the sinister aspect of racism in children’s films. I have chosen to contrast a recent R-rated film with a G-rated Disney movie from the 1990s. Disney films, even up until the 1990s have persistently reinforced the image of blacks or latino and asian races as being below whites. The
“Everybody loves babies”, a trademark quote from the documentary movie “Babies” features an insight on the many reasons babies are loved. Although many documentaries are narrated, director Thomas Balmès uses a different approach by eliminating a voiceover. By manifesting this film without narration, he focuses on a learning technique all babies go through in their early stages of life. Aiming for viewers to learn from observation, as babies do, we are left to focus on the babies, their environment and interactions. Through subtitles, this film reveals the different locations the footage of the four newborns are from. By viewing the babies different upbringings from different cultures, we learn how the various lifestyles of each culture impacts a child’s development. The babies are Hattie from California, Mari from Japan, Bayar from Mongolia, and Ponijao from Namibia.The film shows the infancy and toddlerhood period of the babies as well as their development physically, cognitively, and socially.
During the last several decades, the media has become a strong agent in directing and controlling social beliefs and behaviors. Children, by nature, can be particularly susceptible to the influencing powers of the media, opening an avenue where media created especially for children can indoctrinate entire generations. Disney movies, like all other media “are powerful vehicles for certain notions about our culture,” such as racism. (Giroux 32). Racist scenes in Disney movies are often identified as simply being “symbols of the time” when the films were produced. Furthermore, Disney racism is often passed over as simple humor, or as a simple guide to
My second week in the class, I was introduced to sexualization and parents priming their
On the surface, Zootopia might appear like a fun, silly Disney movie, but the film actually touches on powerful messages about stereotypes, prejudices, and power in today’s society, especially regarding racial relationships. Zootopia is a film about a world where prey and predators live together in supposed harmony. Judy Hopps, a bunny aspiring to become a police officer, faces resistance from other animals. Similarly, Nick Wilde, a con artist fox, faces social stereotypes that harm his self-image. These two characters work together to solve a missing mammal case, and end up discovering a darker secret: the mayor’s assistant, Bellwether, hatched a plot to turn predators into savages so that prey would finally get recognition in government. The prey, however, are the majority, making up ninety percent of Zootopia’s population, and the predators are the minority, making up ten percent of the population. (Zootopia) Throughout the movie, the viewers are exposed to the stereotypes and discrimination that the prey impose on the predators. Ultimately, this film is a message about the relationships between the dominant and minority groups. Through this prey-predator relationship, Zootopia reveals how the power of language and the dominant narrative results in both harmful stereotypes and unconscious biases.
In this paper, I will write about “Thelma and Louise” (1991) movie. I choose a last scene of the movie which the police came to arrest them in the Grand Canyon (from 122 to 125 minutes).
Traditionally, animated films have been made for and consumed by children, with the plotlines and themes being relatively basic and forthright. However, recent years have seen the release of animated films that explore significantly more adult themes and thought provoking ideas. Perhaps the most confronting example of adult themes in an animated film is in 2016’s ‘Zootopia’. The film forces viewers to think about concepts such as racial segregation, nature vs. nurture and the debilitating effect of stereotyping. Although Zootopia features anthropomorphic animals, it is easy to draw a connection between the film’s prey vs. predator narrative and racial divide in our own society.
In the film Zootopia we see right off the back how a society is shown it may look happy on the outside but picture can be misleading. Although race plays a big part in the movie what I didn’t notice before reading Sir Thomas Moore’s Utopia was that it was much more than that. It was about the society and how people views never really change. Even though the predators and prey lived in peace for many year the prey still felt some way about the predators. Zootopia was very large but the people there had hidden resentment toward each other. This goes with the first quotes “They are generally more set on acquiring new kingdoms, right or wrong than on governing well those possess”. Zootopia full of tall beautiful building but the people there were still unhappy.