The Butt Touching: How Fishy Fins Gently Caress the Underside of a Metal Hull In Finding Nemo, I found the scene of Nemo disobeying his dad interesting. The scene starts out with Nemo swimming away from the class to catch up with Pearl and Sheldon. Nemo makes his way to the cliff of the reef with his friends to be astounded by the depths of the ocean. Curiosity filled his mind wondering what would be out there, the camera is panned out during this moment to show how vast the ocean is with the fish just about visible in the shot. The color palette was set to have the shallow reef with bright vivid colors but the drop off in the reef had darker colors to completely black as it went deeper. I feel as if this was conveying to the real world as an analogy, it’s more about going into the unknown and not knowing what’s there but curiosity is what drives us to know more. The shallow reef’s bright colors were indicating the “small and happy” community staying safe from the outside world. But as the scene progressed further, the children’s curiosity fueled them to dare each other to swim on the drop off. Each child swimmer off the reef one by one going father each time to “prove themselves.” But Nemo’s curiosity captures an object in the distance which was a boat. Not knowing what this …show more content…
The animators expressed human like expression on fish and did quite well as Nemo showed his anger towards his father for “not letting him make his own decisions.” Marlin has the face of a disappointed father, angry towards his son for disobeying him. This is directly comparing to how children are disobedient towards their peers, and marlin being an overly attached father was somewhat a problem to Nemo. I feel as if the story writers wanted to show how parents can have problems with themselves as they typically blame their
In terms of pathos, Blackfish is also strong in delivering an argument appeal to emotion. These SeaWorld trainers gave their personal stories in the documentary, all sharing how they were so excited to work with the animals when first applying and getting the job. They all explained how they truly were able to develop relationships with Tilikum and the other orcas during their time at SeaWorld. When talking about the incidents between Tilikum and trainer Dawn Brancheau, the trainers’ emotion is shown when they stutter in their words, cry, and give their deepest regrets
When describing working with killer whales, one of the former SeaWorld trainers uses personification to illustrate the bond human and whale shared and how it started to seem as if the whale had become like one of his children. By giving the animal the likeness of a human, the trainer was hoping that the viewer could relate the bond he shared with his animal to the bond a viewer might have between a parent and their child. The former SeaWorld trainer also successfully uses pathos in this scene. He appeals to the viewers emotions, especially to parents, by bringing in the special bond of a parent and child. The bond between a parent and their child is one of the strongest bonds one will experience in a lifetime and it is also one of the bonds that we have all experienced. Not everyone may have felt the bonds of friendship and love, but everyone is either a parent or a child. As a result, the viewer is able understand the feeling of the trainers, who have been around and worked with the killer whales for so long, that if feels as if the whales have become their children.
Rich ochre and shades of blue show the natural colours of the Australian land. As the story unfolds, the colouring becomes dull. Colours such as sepia are used to show the life being drained from the Numbats as their way of life is taken from them by the rabbits. By the end of the story, the pages are grey and almost colourless to represent the smog and pollution – the effect of the destruction that the rabbits have brought.
Both being clown fish, Nemo and Marlin live in the ocean, in the anemone. Marlin is Nemo’s father who is viewed as being overprotective towards Nemo. Marlin portrays the characteristic of being overprotective because while Nemo was in the egg as a baby, one of his fins was damaged. Nemo, tired of his overprotective father decides that he wants to prove himself by swimming into the open ocean. However, things do not turn out very well and Nemo is captured by a scuba diver. Parenting instinct kick in, and Marlin immediately swims after the boat that is now carrying Nemo. Marlin eventually loses sight of the boat, however throughout the duration of the movie, he continues to look for his son Nemo. While on his journey to find Nemo, Marlin meets a blue tang fish named Dory, who suffers from sort term memory loss (Stanton & Unkrich,2003). With the help of Dory, they are able to eventually find Nemo (Stanton & Unkrich, 2003). Come
They are so consumed with their struggle against the waves they do not even have the time to notice something as simple as the color of the sky. From the very beginning the reader is filled with the suspense that each individual character feels. Despite the crews struggle with Mother Nature, they are continually struck by the fierce waves. With each passing wave the reader is lead to believe that this one will surely be the one that capsizes the little dingy. “As the salty wall of water approached, it shut all else from the view of the men in the boat, and was not difficult to imagine that this particular wave was the final outburst of the ocean (256).” Crane creates suspense between the reader and the characters that allow both to feel the relentlessness of nature’s indifference of their struggled attempts to survive. It seems that no matter how hard the crew works to keep the dingy from capsizing “… the waves continued their old impetuous swooping at the dingy, and the little craft, no longer underway struggled woundily over them (259).” The narrator describes the waves as acting carefree and rather impulsive as if they had no obligation to the men for their survival. Nature does not care that this crew of men were working to survive, but nor does it mean to cause the men any harm. The waves are merely there, doing as nature intends the waves
The motion picture we are applying or using is Pixar's "Finding Nemo". Our hero would be Marlin, the timid clownfish who lives safe and secluded in the colorful and warm tropical waters of the Great Barrier Reef. After the devastating, life changing event when starting a family, specifically when a hostile fish devoured his wife and all his unborn kids, Marlin had been a cowardly, cautious individual who lacks socialism and simply "can't tell a joke". He limits, rescues, protects and controls Nemo, and expectations are low for Nemo's ability, due to his disability. He is somber, worried and agitated about every detail in Nemo's life. In fact, Marlin's life completely revolves around Nemo's life. Also, Marlin can't acknowledge or admit that
We all know the popular family movie “Finding Nemo” a kid’s movie that tells a journey of Marlin, a father clown fish, who crosses the vast ocean to find his son Nemo. During Marlin’s journey he comes across many new and scary things, but like any good children’s movie Marlin does eventually find his son Nemo and they go back home and live happily ever after. This all sounds good right? Wrong! Looking at this movie from a psychologist point of view, or in my case a psychology students’ point of view you slowly begin to realize from the moment the movie starts each and every one of the characters in this lovely kids movie is kind of messed up in their own special way.
The purpose of this essay is to watch the movie and try to view the main character from three personality theorists’ perspectives. In the movie Finding Nemo, Marlin was a clown fish who lost his son, Nemo, in the vast ocean. Along his journey to find his son, he ran into Dory, a blue tang fish who suffered from short term memory loss. Dory provided moral support and comfort in this search that Marlin has been missing for years. This essay will analyze Dory in the movie Finding Nemo through Carl Rogers self-actualization theory, Maslow’s Hierarchy of needs, and Friedman and Rosenman’s personality behavior type.
Through much thought and contemplating, one character that I thought made significant changes throughout the movie is Marlin. Now Marlin is a clownfish from the movie Finding Nemo. Marlin makes several changes throughout the movie based solely on the problems that he is faced with and the way that he chooses to handle them. He is faced with four major problems and the choices that he makes to react to those problems changes his entire view on life. He is face with the loss of a majority of his family, confrontation with death, and finally he finds what he truly wants in life.
There are many values within this print, but only constitute a handful of colors: Blue, brown, black, white, and gray. Blue is the main color within this print, there are many values of the color blue used. The deepest part of the waves are the darkest blue, while the parts of the waves closest to the surface are lightest blue or white. The sky has a gradient, which is going from the lightest color to the darkest color or vice versa; the sky is creating a gradient, from the bottom up, of black to a very light gray, then to a white-yellow. The colors chosen by Hokusai can also interpret feelings and emotions. The habitual feeling when seeing the color blue is sadness. Sadness and despair would be fitting emotions for this work, due to the giant wave about to crash upon the men in their boats. Blue can also emit a feeling of elegance. The composition of the print and how the lines of the wave flow can be considered a form of elegance.
"When he was not in the boat, my father spent most of his time lying on the bed in his socks" with the bureau covered with "magazines and books". The mother "despised the room and all it stood for" deeming all of the books to be a "colossal waste of time". This division between the old traditions and generations of fisherman, and the fathers disconnection to nature, as portrayed by the sea, illustrates a sense of identity and belonging within each of the characters.
As an offspring of the 1990s, I long back ago about how often I've seen "Finding Nemo" – and given Pixar's new affinity for spin-offs, an arrival to that richly introduced submerged world was maybe unavoidable. Set quite a while after "Nemo," "Finding Dory" focuses on the cherished blue tang with memory issues, who wanders forward on a transoceanic adventure looking for her departed guardians. Appropriately, "Finding Dory" has to a lesser degree a street motion picture vibe than the first. There's Hank, a delightfully curmudgeonly octopus set on getting exchanged to an aquarium in Cleveland; Destiny, an astigmatic (and marginally ditzy) whale shark; Bailey, a self-tormentor beluga whale, whose endeavors at echolocation are a portion of the film's most clever
Although psychology class is most likely not the first thing to come to mind when watching a Disney movie, many psychological concepts can be drawn from them. In Andrew Stanton’s 2003 animated film, Finding Nemo, various psychological concepts are exemplified. Finding Nemo tells the story of an overly cautious clownfish named Marlin who losses his son, Nemo, to a pair of divers. He meets a fish named Dory who together seek to find Marlin’s son. Throughout their journey they encounter a storm of jelly fish, surfing sea-turtles, sharks participating in a “Fish are Friends, Not Food (Graham, 2003)” support group, and numerous other conflicts. Hidden between the lines of their comic misfortunes, Marlin suffers from post-traumatic stress disorder, many characters fall to acts of conformity, and altruism is a theme that defines the movie.
In This Essay, I will be doing a semiotics analysis on a film Finding Nemo which is about a clown fish trying to find his son lost in the ocean. The main argument that I am going to discuss is Marlin meeting Dory and travel around the sea made him overcome his fear and a better parent to Nemo. I will also be presenting the Semiotic of scenes and the meaning behind them.
The movie then transitions to years later on Nemo’s first day of school. While ecstatic to meet his classmates, teacher, and the independence of going to school, Marlin ceases to let Nemo go smoothly due to his fear of losing his only son and the worry of his “lucky” fin (an injury acquired from the barracuda attack). After such trauma, Marlin is known to be “scared” of the ocean, filled with anxiety,