Finding Nemo Research Paper

To start off our story, we need to go from the beginning. Marlin and his wife are soon to be parents, with their many fish babies. Before they are born, a shark comes through and eats the wife and all of the babies but one. That last little fish hatches and is Marlin’s only kid, which is named Nemo. One day at school, Nemo was feeling rebellious and swam out into the open water towards a boat. Nemo is taken by the fisherman, which of course freaks out

Director, screenwriter, and producer, Stephen Spielberg, has been often described by critics as being one of the trailblazers who paved the way for the new Hollywood era. In fact, one of Spielberg’s earliest films, JAWS, captured the audience’s attentions so vividly that the movie remains to be a cult classic even decades later. The audience sunk its teeth deep into the enticing combination of drama, thrill, science-fiction, and adventure the film obtained. At face value, JAWS appears to be focused on a giant monstrous fish, but with further analyzation of the plot structure, narration, and original music demonstrates the brilliance and complexity of why JAWS is a well deserving Oscar-winning movie.

The music represents the shark, especially its movements and its presence. In the title sequence the camera is moving along the seabed like a shark. Spielberg makes the audience believe that the camera is viewing things through the shark’s eyes, he uses a camera shot called point of view shot. The music makes the shark seem a mystery because you haven’t yet seen the shark but you can feel its presence. The music clouds your vision and makes you imagine and believe something that actually isn’t even there. It builds tension

1. Describe in your own words the events, actions and characters depicted in the animated sequence, the use of both on-screen and camera movement, and the general colour scheme. What might these elements be suggesting to us about the content, mood and themes for the rest of the film?

The purpose of this essay is to watch the movie and try to view the main character from three personality theorists’ perspectives. In the movie Finding Nemo, Marlin was a clown fish who lost his son, Nemo, in the vast ocean. Along his journey to find his son, he ran into Dory, a blue tang fish who suffered from short term memory loss. Dory provided moral support and comfort in this search that Marlin has been missing for years. This essay will analyze Dory in the movie Finding Nemo through Carl Rogers self-actualization theory, Maslow’s Hierarchy of needs, and Friedman and Rosenman’s personality behavior type.

Through much thought and contemplating, one character that I thought made significant changes throughout the movie is Marlin. Now Marlin is a clownfish from the movie Finding Nemo. Marlin makes several changes throughout the movie based solely on the problems that he is faced with and the way that he chooses to handle them. He is faced with four major problems and the choices that he makes to react to those problems changes his entire view on life. He is face with the loss of a majority of his family, confrontation with death, and finally he finds what he truly wants in life.

Lighting and filming through the movie is applied creatively causing people to be interested in not only the plot but the aesthetic . Lighting gave the movie a mysterious ambiance. They also use the lighting to create a contrast of characters, they manipulate the lighting in a scene with Harvey Dent to show the dark side Of himself. Doing these

In conclusion to everything about the film. The director of this film made very strong points about the pathos side throughout the whole entire movie by using the sad images and videos of the Orca whales and the deaths of trainers in the movie but also with the upbeat music from the commercials for Sea-world. She also does really well with portraying the logos in the whole movie as well with all of the information that was provided in the movie. But as I said in the beginning, it lacked in ethos hugely and should have been

The opening of the film is from the shark point of view, underwater, the scene is errie. John Williams distinctive music playing leaves the audience tense, especially because they can’t see the creature. We cut to the camp fire scene which introduces our first convention, the weak female teenager. A young girl, Chrissie Watkins and Tom Cassidy leave the safety of a camp fire to go swimming in the middle of the night. We are moved from a warm, safe elemental scene to the cold, dangerous and open ocean. The final view of the camp fire is a high shot this gives the audience a feeling that something is watching them. We are left feeling unsettled but excited. The teenagers run the broken fence and now ‘out of bounds’ are they safe? Chrissie runs into the water and the camera angle pans back to show the dark ocean with a buoy floating in the distance. A sultry bell sound ringing out, building up an eerie feeling. In the water Chrissie is presented as a lady even underwater Chrissie appears stunning while swimming. This same shot is Spielberg shows the point of view of the shark. At this point the audience knows something is going to happen and Spielberg builds the tension using John Williams score. Spielberg uses diegetic sounds of splashing and non-diegetic sounds to great effective. The music starts very quietly and slowly. As the shark moves through the water, the beat and the

John Williams excellently used his talent to create a score that captured the mood to be conveyed in each scene. This was very important to the movie due to the fact that the mechanical sharks to be used in the films often did not work. Moreover, Spielberg had to come up with many ways to convey the shark’s presence without actually showing the shark. One of the results of this dilemma was the perfect film score. The main theme is so memorable, that even today when people hear it, they automatically associate it with a shark.

Explain how the artists utilize lighting in the scene. How does the lighting affect our emotional understanding of certain characters? What sort of mood does the lighting evoke? How does lighting impact the overall story the filmmaker is attempting to tell? Describe the setting, including the time period, location, and culture in which the film takes place.

As an offspring of the 1990s, I long back ago about how often I've seen "Finding Nemo" – and given Pixar's new affinity for spin-offs, an arrival to that richly introduced submerged world was maybe unavoidable. Set quite a while after "Nemo," "Finding Dory" focuses on the cherished blue tang with memory issues, who wanders forward on a transoceanic adventure looking for her departed guardians. Appropriately, "Finding Dory" has to a lesser degree a street motion picture vibe than the first. There's Hank, a delightfully curmudgeonly octopus set on getting exchanged to an aquarium in Cleveland; Destiny, an astigmatic (and marginally ditzy) whale shark; Bailey, a self-tormentor beluga whale, whose endeavors at echolocation are a portion of the film's most clever

The director used different settings in the house, like for example, in the bedroom, kitchen, living and dining room. The lighting in ¨Everybody

This undersea movie is introduced with a married couple of clownfish admiring their new home by the drop off. While talking about their future plans and getting ready for their clutch of eggs to hatch, a barracuda attacks them, leaving Marlin, the husband, unconscious, a widower, and a father of one fish, Nemo.

Finding Nemo is a Walt Disney animation that was created for all ages. The animation begins with two clown fish, Marlin who is voiced by Albert Brooks and his wife Coral who is voiced by Elizabeth Perkins, who had just became new parents to four hundred eggs. This film is a comedy adventure based on Nemo voiced by Alexander Gould, who is one of Marlin and Corals kids. This family based film begins on the Great Barrier Reef in Australia, then transfers to Sydney, Australia do to unfortunate events in the beginning.