Frank Zappas’s testimony on labeling music (specifically rock) that is explicit to listeners was definitely unforgettable. His argument was vague and unrelated to the issue of labeling explicit music. His testimony was off topic at times, and only helped ruin his argument along with his constant attacks against the PMRC. It’s actually hard to pinpoint what Mr. Zappa did well because for every positive argument, he made a negative attack that lessened his credibility. Repeatedly, Frank Zappa destroys his argument over and over until the very end of his testimony. Mr. Zappa seemed to have no filter on his words and spoke on everything he thought was wrong with the PMRC and its founders. The PMRC itself was not the main reason that the court case was being held so, …show more content…
Zappa said, “ladies, please be advised – the $8.98 purchase price does not entitle you to a kiss on the foot from the composer or performer in exchange for a spin on the family Victrola. Taken as a whole, one complete list of PMRC demands reads like an instruction manual for some sinister kind of “toilet training program” to house-break all composers and performers because of the lyrics of a few. Ladies, how dare you?” (Zappa, 1985, 4:59). This is an example of a generality and an appeal to fear. The generality is when he says the PMRC with its rules is trying to house break all performers and composers(all is an overly vague term) and the appeal to fear is when he tries to scare artists into seeing how horrible the PMRC is with its sinister rules. However, this statement and others in his testimony only made the senate see Frank Zappa as nothing more than irrelevant with his disrespectful language. Throughout his entire testimony, Frank Zappa constantly went off topic along with verbally attacking and being disrespectful towards the PMRC and congress. For example, he says, “The major record labels need to have H.R. 2911 whiz through a few committee’s before anybody smells a
Every music artist begins somewhere. Every artist had to do something to get their music out there. No one just automatically becomes famous. Then everyone wants to listen to your music. You start out new and anonymous and become more popular over time. Artist become famous by advertising. Every music artist should be able to advertise.
Beginning in the 1980's, religious fundamentalists and some parents' groups have waged a persistent campaign to limit the variety of cultural messages available to American youth by attacking the content of some of the music industry's creative products. These attacks have taken numerous forms, including a call by
The Sixties were an exciting revolutionary period of time with great social and technological change. Some people called it the “decade of discontent” because of the race riots in Detroit and La, and the demonstrations against the Vietnam War. Other people called it the decade of “peace, love, and harmony”. It was called this because of the peace movement and the emergence of the flower children. (Britannica) The sixties were about assassination, unforgettable fashion, new styles of music, civil rights, gay and women’s liberation, Vietnam, Neil Armstrong landing on the moon, peace marches, sexual freedom, drug experimentation, and Woodstock. All of these components caused a revolutionary change in the world of popular Music.
Having looked at the emotional effect this music has on people, it is now worth looking at the specific churches within the Sydney diocese to get a greater understanding on a smaller level as to how the music is played and what effect it might have. To do this, there have been visits to said churches to see what goes on, this is like a large scale of the participant observation methodology. This was a very useful in developing an understanding for how different churches of the same denomination were going about music as part of the service. There is some clear information that has come out from attending these churches. Firstly, and worth noting, the churches run very similar services, across most of the churches the structure of songs is the
The music of the sixties went through tremendous change. It shaped mush of the music we hear today. From New Orleans came Jazz, from the East Coast came rock, from the West Coast came Psychedelic rock, and from England came the Invasion.
Censorship has long been an issue in Rock and Roll music. Although our American society celebrates “classic” rock that emerged in the 60’s and 70’s, today, artists such as: The Rolling Stones, The Beatles, The Doors, The Sex Pistols, and Bob Dylan were harshly judged for their music and image they projected because some members of society feared they were too suggestive, or just completely inappropriate. These rebellious artists fought against their music being censored in the best ways for their bands.
In Nielsen’s Music 360 study in 2014, “93% of the country’s population listens to music” with “75% of respondents (saying) they actively chose to listen to music, even ahead of watching television at 73%”. The number of people that prefer to listen to music can be considered enormous and as the population grows, so does that number. This only goes to show how music has become commonplace in our lives such that “most U.S. residents listen to roughly four hours and five minutes of audio each day” (Stutz). As the world changes and new innovations emerge however, so does how we, as consumers, enjoy music. Over the years, there has been a gradual shift from physical copies of music such as CDs to their digital counterparts. As shown in the
To enforce mortality music continues to be censored, race was a factor in music censorship. In the 1950’s there was a new genre of music created, . Many older people considered this new genre of music a threat to society. “This phenomenon prompted moral authorities to take action”(Hall para.5).
The first speech I choose to watch is titled ‘The Art of Asking” by Amanda Palmer. At first glance, due to her drawn-on eyebrows and short messy hairstyle, most people would have immediately pushed judgment on her. But, Palmer proves everyone wrong. As Palmer reveals later in the speech, she is a part of the band Grand Theft Orchestra. Through a very powerful story, Palmer persuades her audience; we shouldn 't fight the fact that digital content is easy to access and music should be freely shared by everyone. She goes on to suggest that artists can and should be directly supported by fans.
Ian’s response to this request was, “I refuse to manage a band with a woman, she cannot do half the things I do because she’s a woman…I quit.” This satirized U.S society at the time. Some people were
Frank Sinatra was one of the most if not the most important popular music figure of the 20th century. In a professional career that lasted 60 years, he demonstrated a remarkable ability to maintain his appeal and pursue his musical goals. He came to be known during the swing era of the 1930s and '40s, helped to define the "sing era" of the '40s and '50s, and continued to attract listeners during the rock era that began in the mid-'50s. He scored his first number one hit in 1940 and was still making million-selling recordings in 1994.
Frank Sinatra demonstrated a remarkable ability to keep his appeal and his musical goals. On record and live performances, on film, radio and television, he consistently sang as his own style. He is the one of 20th century’s music icon that his music still played on radio station. Frank Sinatra was known as Ol’ Blue Eyes to his fans. “strangers in the Night” “New York, New York” and “Chicago” was few of his hit songs.
The Lives and Careers of Frank Sinatra and Elvis Presley Although Elvis Presley and Frank Sinatra were both making music around the same time period, they had very different styles. The genres Frank Sinatra is most notable for are: Jazz, Swing, Traditional Pop, Big Band Swing, Vocal, Vocal Jazz, and Easy listening. On the other hand, Elvis was known as “the King of Rock and Roll” and most of his music fell under rock and roll, rockability, pop, country, blues, gospel, and rhythm and blues. Sinatra and Elvis were two of the most popular music artists of all time, as Sinatra sold more than 150 million records worldwide, and Elvis sold about 600 million albums worldwide. Elvis and Sinatra both had success acting as well, both acting in a few box office hits.
Psychedelia in music has been around for a long time and has changed much of the popular music of today. The dictionary definition of psychedelic is, “of or noting a mental state characterized by a profound sense of intensified sensory perception, sometimes accompanied by severe perceptual distortion and hallucinations and by extreme feelings of either euphoria or despair.” It started in the 1960’s with the discovery of LSD and use of other psychedelic drugs. Psychedelia did not only affect music, it affected people, cities, and the way people think.
The history of American music begins with a fundamental process of exchange through all different social lines, where diverse cultures meet, and mix. Music has and always will be defined as sounds that are arranged in a particular pattern that are played to be meaningful and pleasurable. The chronology of music began in the Medieval period, when chanting was introduced into the Church. Music has then moved its way through many stages: renaissance, baroque, classical, romantic and leading up to 20th century American music. American 20th century music is made up of a diverse number of styles that are reflected by cultural traditions and the era’s of the past. Immigrants from Spain, France, England, Germany and Ireland all contributed and brought their own unique styles to the forefront, hence creating American music. African Americans created influential musical traditions that include rhythm and improvisation that were later combined with European traditions and other indigenous music.