Franz Kafka & His Relationship with His Father Revealed in His Writing

Grete undergoes a change in perspective to such a degree that by the end of the novella it is she who declares, “we must get rid of it” (84). This change in perspective shows how Kafka believes that members of society often stop sympathizing with the isolated group when it becomes inconvenient for them to continue doing so. Gregor’s mother reacts in an initial manner somewhere between the father and sister since when first seeing him she “went two steps toward Gregor and collapsed right in the middle of her skirts” (23). These conflicting desires continue through the novella, such as when Mr. Samsa tries to kill Gregor, “she begged him to spare Gregor’s life” (65) but at the same time she is repulsed by him. This illustrates how she wants to help him and tries to think of him the same way she did before his transformation, yet is unable to. This resembles the idealists in society who theoretically support the alienated person but often succumb to social pressures when they are forced to face the problem. These three reactions to Gregor’s transformation as a result of the initiation of his isolation by the manager demonstrate the spectrum of reactions. From the immediate acceptance of the hierarchy represented by Mr. Samsa, to the true compassion of Grete and the idealism of Mrs. Samsa, Kafka shows how a wide variety of reactions is expected from society, and how people often change their opinions.

Kafka’s Metamorphosis suggests to his readers to take a glimpse inside a dysfunctional atmosphere triggered from a painful childhood, to see how influential each member of the family contributes to the dynamics, but also to learn how to make light of the situation with acceptance. Kafka is reflecting on his own relationship with his family in Metamorphosis. He sees himself in Gregor, or is he him.

Kafka uses symbolism on many occasions throughout the novella to convey Gregor’s sentiments and reflect on his current situation. The bug, perhaps the most important symbol in the whole novella, symbolizes Gregor Samsa and his life. “That boy has nothing on his mind but the business… he’s been back in the city for eight days now, but every night he’s been home,” (10). This quote directly shows how Gregor has been occupied with work ever since growing up and has never been able to do anything unrelated to work. Similar to bees or ants, Gregor has led the same exact life, which mainly consisted of working in order to provide for his family. In addition to the bug, the furniture in Gregor’s room is symbolic in the way that it signifies his humanity. “Had he really wanted to have his warm room, comfortable fitted with furniture...he would be able to crawl around unhampered in all directions but at the cost of simultaneously, rapidly, and totally forgetting his human past,” (33). By removing his furniture, Gregor’s mother and sister are unknowingly and slowly taking away his humanity, which is not what he wants. Furthermore, this confirms the undesirable fact that Gregor is gradually losing his humanity and that his family has become inconsiderate, especially of

society. Kafka shows his fear of rejection. He tries to meet others but fails constantly because of his own perceptions of society and thier thoughts of him. He displays that he is, “struggling, “if possible more fiercely,”” (Kafka, 7) to get out of bed and get out into the world where society is, as he perceives, treating him so poorly. Gregor exhibits these emotions by being stuck in bed or staying in his room, by choice, until his death. The motif comes through for the reader in this quote when Gregor is stuck in bed because he is a bug and Kafka thinks he himself is a bug. This is how Kafka sees himself vs. society. He does not realize that their is always someone to bring him in and accept him. All he knows is family and so he thinks that is what society is. He shows the irony of the situation, in the novella, is the fact that he could easily leave and find new accepting people but his view of society is narrow. Gregor wants his family to accept and praise him while Kafka wants society to praise and accept him. He wants to show the damages society has done to him in the same way that Gregor reminds, “his father that “Gregor was part of the family”” (Kafka 38). Kafka wanted to remind even society that he is a person and needed acceptance like everyone else. This explains to the reader that family has a large influence on the people that are a part of it. It also shows them to accept others for who they are and help them instead of ridiculing or ignoring them. He becomes antisocial and turns away at the sight of others or the thought of having to see others all because of his appearance. appearance becomes another factor in why he does not want society to see him as he is. He might not want society to see him because he believes things will only get worse after he saw the reaction his family had toward him. Even his sister, who he still paints in a

In the beginning of the novella, Gregor undergoes a transformation. Many readers view his transformation as he turns into a bug because of the way Kafka describes Gregor. Kafka may have been undergoing a transformation of his own. Kafka dealt with many issues growing up such as self doubt, issues with his father, and eventually, health issues. Like Kafka, Gregor deals with issues with his father and within himself and begins to feel less and less like himself as the novella continues. He awakes from his sleep to ask himself, “What’s happened to me (Kafka, 3)?” With the conflicts Gregor has with his family, especially his father, he begins to feel unwanted and unappreciated. Gregor also feels that he is becoming less sensitive when that used to be one of his main traits as a human (Kafka, 24). Seeing that Gregor is losing his sensitivity, that shows that he is truly losing himself since he is losing one of his main traits. Feeling less like himself, Gregor becomes more distant with his close

In the novella, Gregor transforms into an insect; he and his family must navigate his new life as a bug. As Gregor undergoes a physical transformation, there is also a shift in financial power in his family. Kafka shows that a capitalist society dehumanizes the working class, this is seen through the characterization of Gregor, the symbolism of food, and diction surrounding Gregor’s father

Kafka utilizes a new narrative perspective in the last passage of his work to expose the one-sided love between Gregor and the rest of his family. The majority of the story had been told in a free indirect discourse restricted to the mind of Gregor. In this position, Gregor’s humanity —despite his inhuman exterior— and his genuine love for family is revealed. As the only source of income for the family, he works with every fiber in his being to overcome the debt that plagues them, as “He felt great pride at having been able to give his parents and sister a life like this in such a beautiful apartment” (411). This compassion is clearly not reciprocated when the narration shifts to the remaining family following Gregor’s demise. Instead they critique the shelter that Gregor

He was just a pest, a nuisance, a cockroach. The analogy that he was not intimidating, such as a spider or snake, but just really an insect that people tried to rid themselves of, like a cockroach, drove deeper into his self-condemnation. Kafka chose Gregor to be the cockroach as he was the only one working in the family, yet he still felt unappreciated and miserable. The moral is that self-loathing can make you an outcast, even if you started out far from it. You will become what you think of yourself, if you do not take necessary steps to improve your reality. Gregor felt like he had no freedom and was trapped in his life caring for and doing everything for everyone else except himself.

Gregor allowed his family to harass, bully and degrade him, in the same manner that Kafka had allowed his family to do. The similarity of Kafka’s relationship with his father was also portrayed with Gregor and his relationship with his father. Kafka intended to reflect and highlight the decisions that were made by Gregor being influenced by his family, by making them important protagonists within the novel. Gregor expresses from the beginning of the novel how his father intended on raising him, “from the first day of his new life that his father considered only the strictest treatment called for in dealing with him”38, much like Kafka’s father had. Gregor’s father was rather tough on him and his duties, and would take no clear- minded steps into understanding what Gregor, as a bug, did or tried to communicate through the actions he took. As he jumped to conclusions the second he saw Gregor out of his room, and would beat him with a cane trying to pressure him back to staying in his room as if he wasn’t even his son, or throwing apples at him. This provokes Gregor, allowing him to think more rationally, becoming more introverted, yet inside he was suffering with such sadness and crying desperately for some kind of recognition, much like Kafka did.

Franz Kafka was born in Prague, Czechoslovakia in 1883 to a middle class Jewish family (Biography). Much of his writing was influenced by his relationship with his father and probably by being a Jew in Germany and Austria until his death in 1924. One of these writings is “The Metamorphosis”. People felt confined in the roles of society, in family life, and have difficulty in handling the pressures with the stress of everyday life.

Franz Kafka uses metaphors in the story to show the readers that Gregor’s worthless and useless as a human bug. By doing so, Franz is able to show the readers how Gregor human life is really similar to a bug life.

Kafka certainly starts the novella off strong by explaining the situation Gregor is randomly put into. The ridiculousness of the circumstance is enough to hook the reader into the story. Gregor is transformed into a giant insect, but dismisses it as him being tired. The first part is quite enjoyable as the reader has the suspense of his family and boss seeing Gregor’s new appearance and the humor of Gregor saying that he will be leaving for work soon while getting accustomed to his new body. The amount of work Gregor put into explaining that he will be leaving for work soon is ironic as well since the reader later finds out that his speech is incomprehensible to humans. However, one must wonder how Gregor planned to go to work as a giant insect to begin with. Even when he fully realized he actually transformed into a giant insect,

Kafka does support this idea since he starts the story with a crisis; “When Gregor Samsa awoke from troubled dreams one morning, he found he had been transformed in his bed into an enormous bug” (Kafka 11). The start of the text is a crisis; Gregor has turned from a human into a bug. Mikhail Bakhtin states that this is a start of dehumanization, what was known to be self is now altered (Elimelekh 1). For Gregor, his humanity is questioned since, as a bug, Gregor displays multiple legs, a soft stomach, and a hard shell back (Kafka 11). Kafka’s describes how Gregor leaves his bed as such: “The fall was deadened somewhat by the carpet, and in addition Gregor’s back was more resilient than he thought” (Kafka 16). Gregor does not get up on two of his multiple feet and walk to the door. Instead, Gregor has to fall off his bed, since his legs are now multiple bug legs, and Gregor needs more than two legs to walk (Kafka 15). Mikhail excellently summarizes how this affects Gregor: “Motifs of dehumanization and metamorphosis are present, namely, the gradual decline of man into beast” (Elimelekh 27). Kafka displays Gregor as a man who declines into a bug, Toni Morrison, on the other hand, explores the idea of beast in a different context, such as when Sethe is defined by someone

Kafka applies various elements as part of the setting of Gregor’s room to show a symbolic representation of the unconscious world;the disconnect between the mind and the body. The beginning of the Metamorphosis deals with an unusual event, that is Gregor waking up one morning and found out that he has turned into a giant insect. Gregor’s transformation at this stage might be symbolic to his mental state more than physical. For example, the textile samples spreading on the table might reflect the transition of Gregor’s job as a traveling salesman. It reflected the hard work that Gregor put on his job and how he got there. After his “transformation”, everything has changed, Gregor turned into an insect and lost his job. The transformation might

Gregor?s becoming an insect symbolizes the changes in Kafka?s life from being a slave to his father and doing everything that his father wanted him to do (for instance being a lawyer) to doing nothing at all.  Gregor?s death symbolized that Kafka had failed to communicate with his family.  They thought of him as an insect, and he too thought that he was an insect, because he was looking at himself through their eyes. Through his family?s eyes they saw Gregor as an insect.  He wished that they could love him for his true self, even though he was in the form of an insect.  If Gregor was able to be accepted as a insect, by his family then maybe he would have been able to metamorphosis back into a human.  They could not except him he was different than them and people are afraid of change and someone who is different.  Same thing with Franz, writers were unknown to the Kafka family in a way almost bug like or alien to them.  They could not handle the change.