Garp As A Father In Shakespeare's Play

The relationship between a father and his son is an important theme in Shakespeare's Henry IV, Part One, as it relates to the two main characters of the play, Prince Hal and Hotspur. These two characters, considered as youths and future rulers to the reader, are exposed to father-figures whose actions will influence their actions in later years. Both characters have two such father-figures; Henry IV and Falstaff for Prince Hal, and the Earl of Northumberland and the Earl of Worcester for Hotspur. Both father-figures for Hal and Hotspur have obvious good and bad connotations in their influence on the character. For example, Falstaff, in his drinking and reveling,

The relationship between the two fathers and the two sons is a very important theme in this book. Because of their different backgrounds, Reb Saunders and David Malters approached raising a child from two totally different perspectives.

Harper Lee’s To Kill a Mockingbird depicts Atticus Finch as a good father to his children due to his sense of fairness, his teaching, and his honesty. Atticus depicts fairness by treating his children and all others with respect and understanding. He teaches his children important life lessons and prepares them for when they go out into the world, and he sets a good example by always being honest. To be a good father, these are three very important qualities to possess.

The son however is the ‘faith’ within the story. He is the hope for a better future. The son is more trusting towards others and therefore becomes upset and quiet when his father doesn’t agree with him. “I’m afraid for that little boy” – The son has never seen another young boy and is frightened for him but his father shrugs off his pleas to help him and says “I know but he’ll be alright”. Towards the end of the book it appears that the father and his son become distant to each other due to their diverse personalities. It could however be seen that the son is a lot more knowledgeable about dangers and therefore does not need his father as much.

In my opinion I do believe Garp made the right decision to attend his mother’s memorial service, it was unfair that he could not attend because he was a male. That was his mother and he was her only

On his journey Sir gawain comes across a great deal of character archetypes. These would include trickster, the “lord”(The Green Knight), and the supernatural aid (God). These character archetypes ultimately found their place into the stories theme,conflict, and contribution to Sir Gawain’s character development. The first character archetype would be the Green Knight who serves as the trickster/mentor. The reason why the Green Knight’s the trickster is because he discusses himself as the lord to try and trick Sir Gawain into committing adultery with his wife, but he also serves as a mentor because in the end the Green Knight teaches Sir Gawain the theme of the story. We can conclude with this because Sir Gawain states, “I shall look upon it...and remind myself of the fault and faintness of the flesh.” (Weston )This statement ultimately shows that all of the Green Knight’s tricks soon serve as a moral to Sir Gawain, teaching him to humble himself everytime he looks upon his scar. This also shows a small resolution towards Sir Gawain’s conflict,because everyone time he looks at that

“An epilogue… is more than a body count. An epilogue, in the disguise of wrapping up the past, is really a way of warning us about the future”(469). At the end of the day you may know what you die from you may not. In this case many of the deaths in the epilogue of the World According to Garp were either natural, sudden or could have been prevented. Unfortunately Garps death was not an accident, it in fact was murder. A murder committed by Pooh Percy.

The role of a father could be a difficult task when raising a son. The ideal relationship between father and son perhaps may be; the father sets the rules and the son obeys them respectfully. However it is quite difficult to balance a healthy relationship between father and son, because of what a father expects from his son. For instance in the narratives, “Death of a Salesman,” and “Fences” both Willy and Troy are fathers who have a difficult time in earning respect from their sons, and being a role model for them. Between, “Death of a Salesman,” and “Fences,” both protagonists, Willy and Troy both depict the role of a father in distinctive ways; however, in their struggle, Willy is the more sympathetic of the two.

“ The price of greatness is responsibility” (Winston Churchill) . Responsibility plays a role in the novel The Great Gatsby in multiple ways. However, irresponsibility of the characters has more of an impact on the novel. The characters did not take responsibility for their actions throughout the novel, they were also irresponsible in their use of money and also Daisy and Tom with their child. The example of irresponsibility that had the biggest impact was their driving. The lives of the characters are heavily impacted by the irresponsibility of others or themselves.

King Lear and Jay Gatsby are both influential and wealthy men consumed by obsession and lose everything in their desperate pursuit of love. This is their tragic flaw; and one that ultimately leads to their demise.

In the past century, there have been many great novels written. One of which is Harper Lee's, 'To Kill a Mockingbird'. In the novel it introduces a prominent character who not only was a good father but also a well respected, and compassionate man. This person is Atticus Finch. Through all the struggles and pressures, he stands strong as a very positive father figure, making sure to educate his children with important values including equality, bravery, and knowledge.

Intergenerational conflict has been an ongoing issue in literature, and real life. We see intergenerational conflict in Emily Bronte’s “Wuthering Heights”, William Shakespeare’s “Hamlet”, and even in modern literature like Annemarie MacDonald’s “Fall on Your Knees”. More specifically, in Shakespeare’s plays we are introduced to many different forms of conflict. One of the most prominent is intergenerational conflict, especially in “Romeo & Juliet”, “A Midsummer Night’s Dream”, and “I Henry IV”. Examples of intergenerational conflict in these plays include Romeo’s defiance of his parents, Juliet’s conflict with her father, Hermia’s paternal conflicts, and King Henry’s disappointment with his son, Hal.

However, at the end of the story this stereotype is completely contrasted following the passing of the mother. When the boy, who is now a grown man and father, returns home to his newborn daughter it is he who displays a nurturing and affectionate relationship between a father and his daughter. This role reversal developed by Munsch effectively casts aside the stereotype that women are better suited to raise a child, and demonstrates that affection and the ability to nurture are not qualities that are able to be defined by a persons gender. Munsch instead shows how these qualities are learned by a person and are displayed as they mature with age. Munsch effectively represents this progression though maturity when showing, the love the boy has for his mother is not absent during his childhood, but simply something he does not display as well as he does when he becomes an adult.

In 'The Tempest' Shakespeare presents parent and child relationships as an emotional process that eventually ends in a sacrifice, leaving the parent and child happy. Through the characters of Miranda and Prospero, Shakespeare shows that for parents to make their children happy they need to sacrifice what they like but can live without.

Family is meant to care for each other, love each other unconditionally, and support each other. Of course, as any holiday at home can prove, complete support is not always possible. Sometimes family members hurt each other and even, in worst-case scenarios, kill each other over issues as important as protecting another or as petty as fighting over a boy. In Shakespeare’s Othello, Macbeth, Hamlet, Romeo and Juliet, King Lear, and The Winter’s Tale, if family members operate with selfish motives, they hurt the hero and contribute to his fall; but if the family supports each other with only love, the hero can redeem himself from his fall and even succeed in finding lasting happiness.